音樂真的可以影響一個人的心情
這是我在聽卡農時拍的
卡農一直是可以讓我平靜下來的音樂🎵
昨天深夜睡前在YT找著卡農輕音樂
看到留言區有個帳號用英文寫了很長一串
我每個字細細的讀了一遍
「Hi.😊😊 I have never met you, we will probably never meet. But you've found my comment, among all these thousands. If you are seeing this comment then take this as your sign that things will get better, that things will be alright, that you can get through this. Whatever troubles bring you here, or if you're simply here for the sake of relaxing, remember that you are important, you are valid, and that you have a right to be here. You are braver and stronger than you think. You're still here, trying to make things better and to live a better life. So whatever is keeping you up at night, it is not stronger than you. You can get through this. I don't know you, you can dismiss this as the meaningless words of a stranger, or you can believe me. Whatever you chose, I believe in you」
雖然是一個陌生人寫的
卻帶給我很大觸動
文字 真的可以傷害一個人
也可以給一個人無限支援跟力量
即便我跟你毫不相識
不管怎樣
希望每個人在困難的時候
都可以有個能讓你舒發心情的方式
也要永遠相信自己
你一定可以克服這一切
你,比你想像中勇敢!
#卡農 #canon #canonind #piano #classical #classicalmusic #classicalpiano #心情語錄 #心情 #心情抒發 #文字 #文字的溫度 #文字分享
同時也有28部Youtube影片,追蹤數超過40萬的網紅SLSMusic,也在其Youtube影片中提到,#RelaxingPianoProject is a series that I improvised songs into relaxing, emotional piano solo version. This time, I decided to do the famous OP from D...
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all is found piano 在 Facebook 的最佳解答
催淚神曲【時間都去哪了 - 王錚亮】cover by William Tseng & Rick Chang|Bassoon&Piano
Youtube完整版:
https://youtu.be/0U0z8OKorJI
今天是一首催淚的曲子
演出是我的好朋友兼好室友在月初畢業音樂會的安可曲
大學4年幾乎彈了他的所有考試、比賽、音樂會、演出伴奏
除了謙虛以外他的主修也超厲害,
他是人稱曾大師的曾昱承!
Bassoon在他手上根本就是玩具
隨便吹都很有音樂性,全國第一真的是實至名歸!!
他是我大學第一個認識的同學
我到大學才知道Bassoon這個樂器可以這麼好聽XD
還記得那時候認識第二天我們兩個就話很多
整個寢室都我們兩個在吵
結果現在竟然要畢業了0.0
幸運的是他在疫情封館前三天開了他的畢業音樂會
不幸是我的音樂會剛好在他的音樂會下一週
因為疫情所以停辦了
而他音樂會的那週剛好是母親節
平時合伴奏我一直問他:『安可曲要不要來個流行啊哈哈』
他一直說不要,他說吹完整場古典的曲子就要累死了XD
但他突然在當天下午彩排到一半時說:『欸我安可曲想吹那個 時間都去哪兒了』
然後我就這樣找了一個單旋律的譜給他,
他視譜還吹得很像練過...超有音樂性....
結果我們晚上就演出了,好荒唐XD
-
喜歡記得幫我們分享出去喔!
還有記得按讚訂閱我的頻道喔 🤩
-
This is the encore performance from the recital of my friend's which was held in the beginning of the month.
I was his piano accompanist for four years, and I was there for almost all of his exams, competitions and recitals.
He is humble yet a genius, that's why we call him Master. Tseng. The Bassoon is as easy to handle as a toy to him, he doesn't even need to put in any effort to make his music sound amazing.
I can't believe we are about to graduate! He was the first person I got to know in college, and before I met him, I never knew Bassoon could make such beautiful sounds.
He was lucky that he held his recital three days before the announcement of banning all kinds of performances due to the pandemic. I wasn't as lucky as he was. My recital was scheduled a week after his, so I had to cancel it.
His recital was the same day as mother's day. I remember asking him if he wanted to play any pop song as the ecncore piece, but he rejected, saying: "I'm already dying from playing classical music for fifty minutes straight." But during the rehearsal, he asked me if I could play this song named "Where did all the times go?". I found him the score, and he played it with such incredible sound as if he'd been playing it for a long time.
::: Translate|Rissie Chen :::
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#時間都去哪了
#王錚亮
#時間都去哪了鋼琴
#曾昱承
#Bassoon
#時間都去哪了Bassoon
#低音管
#時間都去哪了piano
#Rick Chang
#PianoCover
#CoverByRick
all is found piano 在 文茜的世界周報 Sisy's World News Facebook 的最佳貼文
《我的幸福5/2 週末》
*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會,我下午二時開始演講,離上次在台灣大學公開演説。快半年了!分享會報名一小時預告已額滿,但TVBS電視台慷慨的支持。派出SNG車,屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。
*新書分享會後我將直奔高雄衛武營,參加劉孟捷(李斯特巡禮之年)鋼琴獨奏會。這是劉孟捷回台,最重要的一場音樂會,我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會,劉孟捷都未曾如此緊張。他此次回台,手術前為了沒有遺憾,共舉行三場音樂會:其中4/17與5/30皆是與國家交響樂團NSO合作:530那一場指揮是呂紹嘉。但他告訴我,某些曲目對他而言,是Piece of Cake :惟獨衞武營這一場,曲目由他自己決定,現場錄影,並且找了金曲獎錄音師同步錄音。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
劉夢捷明白他即將面對一個大手術,手術風險之外,他的免疫系統疾病,將使他的康復之路更長。
沒有人可以預知未來,為了圓他的夢,醫院每天都要求他早上、晚上量血壓,報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師,但也不敢大意。
畢竟這個人的生命那麼脆弱,他的心臟主動脈剝離,那是實質的「心碎」了:但他仍有詩,仍有音樂夢。在生命的交接處,在白日與黑夜的交义口,劉孟捷想為他的音樂生涯,留下最美好的紀錄。
他選擇了李斯特。
在這場音樂會前,他甚至以英文寫下了自己與音樂、疾病的半生回顧:如李斯特的巡禮,有仰望,有沉思,有失落,有幽微的疼痛。他以詩篇般的演奏模式,傾訴,詠嘆。他曾得到天賦,也走過死蔭的幽谷。命運是一層又一層的黑影逼近,老天爺隨時想帶走他。
而他已不再流淚,不再沉浸於悲愴告別:因為對他而言活著並不容易,他要讓自己更深刻的抓住每一分時光之美。
如果時間和空間,正如哲人們所形容的
都是不實際存在的東西:那從不感到衰敗的太陽,也不會比我們了不起多少!
他如艾略特的詩句中所形容的:我們為什麼要如此貪心總在祈禱,想活上整整一個世紀?
蝴蝶雖僅活了一天,已經歷了永恆。
當他的身軀如露水還在藤蔓顫抖時,他送給我們一場「完全浪漫又超技的李斯特」。
等音樂會結束了,至少有一張CD,一段YouTube 影像:不論孟捷代表生命的那朵鮮花是否枯萎,他彈奏如天使的音聲不會飛離,它會停留在那夜,繼續釋放芬芳。
這是盡生命之力、之情獨奏的音樂會。劉孟捷説:這樣當他走進手術室時,會少一點悲傷。
或許快樂的日子本來就不多,但讓這場「完全李斯特.完全劉孟捷」的獨奏會放出神聖的光彩吧!
我必將赴會,不會錯過!我知道此刻的獨奏會,很難複製,因為它綜合了太多的情感、愛念,釋放與生命的抒情。
*劉孟捷為此次獨奏會寫下的文字:This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.
For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.
And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.
I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.
I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.
However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.
Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.
In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.
Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.
In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)
For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.
In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…
On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.
The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.
It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.
Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.
Meng-Chieh Liu
April, 2021
*劉孟捷衛武營《李斯特巡禮之年》演奏會中,包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩:這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的,詩本身就很優美,依此激發李斯特的浪漫主義創作靈感,成為琴藝上最困難演奏,但也特別細膩溫柔的琴詩。
這三首分別是:
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt(1811-1886): Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie
李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》(Tre sonetti del Petrarca),再改成鋼琴獨奏版。
三首佩脫拉克十四行詩
中譯:焦元溥(元溥也是友情贊助,特別準備音樂資料,周日南下,聆賞劉孟捷的樂曲,並且陪同他盯著錄音共三天)
〈第47〉
祝福每天、每月、每年,
所有片刻與鐘點、時間與季節,
在那美麗的原野,
我為一雙眼眸魂縈夢牽。
祝福初遇時的甜,
與愛同在、受苦不停歇,
如弓箭刺穿令我淌血,
傷口永留感動在我心間。
祝福一切我發出的聲音,
當呼喚著我深愛的女郎,
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚,
歌頌她的芳名,萬古長新。
我心永屬於她,無人能闖。
〈第104〉
我找不到和平,也無意打仗,
我恐懼、我期望,燃燒又冰透。
我向天飛升,卻躺在地上,
我一無所有,卻又擁抱整個宇宙。
我身陷囹圄,監牢又開敞;
我不受囚禁,卻銬著鎖頭。
愛情不讓我死,也不讓我飛翔;
不要我活,也不准我逃離悲愁。
欲看卻無眼,啞口還在發言,
我甘心殞滅,卻仍高聲呼救,
我痛恨自己,但仍愛著他人。
憂傷滋潤我,淚水伴隨笑臉,
生命不足惜,死亡也不煩憂;
我淪落至此,都是妳啊,我的愛人!
〈第123〉
我在塵世見到仙子的美,
她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜,
所見如幻夢迷霧與幽黑。
妳的可愛眼睛使我落淚,
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息,
移動了山嶽停止了河水。
愛情智慧憐憫憂傷財富,
在淚水中形成甜美聲響,
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌,
雖然枝上樹葉並未飛舞,
空氣與風息卻充滿芬芳。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
all is found piano 在 SLSMusic Youtube 的最佳貼文
#RelaxingPianoProject is a series that I improvised songs into relaxing, emotional piano solo version. This time, I decided to do the famous OP from Demon Slayer: Kimetsu no Yaiba, LiSA "Gurenge". ↓↓↓ Sheet Music and More info down below ↓↓↓
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This is it, the famous “Gurenge” in Relaxing mode! What do you think about it? I found it quite emotional and sad while playing it slowly. Meanwhile, we’re gonna reach 400K subscribers in probably a month, there’ll be a special talking livestream event and maybe a special video, do not miss it! Thanks for your support as always.
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#RelaxingPianoProject #Gurenge #Pianocover
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all is found piano 在 BILLbilly01 Youtube 的最讚貼文
Official BILLbilly01 and Proud cover of "deja vu" by Olivia Rodrigo.
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Mastered by François Rocheleau
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"Olivia Rodrigo - Deja Vu" Lyrics:
Car rides to Malibu
Strawberry ice cream, one spoon for two
And tradin' jackets
Laughin' 'bout how small it looks on you
(Ha-ha-ha-ha, ha-ha-ha-ha-ha, ha-ha-ha-ha)
Watching reruns of Glee
Bein' annoying, singin' in harmony
I bet she's braggin'
To all her friends, sayin' you're so unique, hmm
So when you gonna tell her that we did that, too?
She thinks it's special, but it's all reused
That was our place, I found it first
I made the jokes you tell to her when she's with you
Do you get déjà vu when she's with you?
Do you get déjà vu? Ah, hmm
Do you get déjà vu, huh?
Do you call her, almost say my name?
'Cause let's be honest, we kinda do sound the same
Another actress
I hate to think that I was just your type
And I bet that she knows Billy Joel
'Cause you played her "Uptown Girl"
You're singin' it together
Now I bet you even tell her how you love her
In between the chorus and the verse (I love you)
So when you gonna tell her that we did that, too?
She thinks it's special, but it's all reused
That was the show we talked about
Played you the song she's singing now when she's with you
Do you get déjà vu when she's with you?
Do you get déjà vu? (Oh-oh)
Do you get déjà vu?
Strawberry ice cream in Malibu
Don't act like we didn't do that shit, too
You're tradin' jackets like we used to do
(Yeah, everything is all reused)
Play her piano, but she doesn't know
That I was the one who taught you Billy Joel
A different girl now, but there's nothing new
I know you get déjà vu
I know you get déjà vu
I know you get déjà vu
![post-title](https://i.ytimg.com/vi/lTDgVkHjkw8/hqdefault.jpg)
all is found piano 在 SLSMusic Youtube 的精選貼文
"Kaine / Salvation" is one of my favorite soundtrack from NieR series, and this song appears in almost everywhere, like NieR:Automata and FFXIV, so I decided to make a video for it.
↓↓↓ Sheet Music and More info down below ↓↓↓
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As many of you know, I like playing Final Fantasy XIV very much, and the recent collaboration with NieR "YorHa: Dark Apocalypse" amazed me a lot. It has so many NieR seires reference. And the most impressive thing is the remake of the soundtrack. Most of them rearrange with whole different instruments and combine both Final Fantasy & NieR series soundtrack. There're so many details could be found in the design. And the storyline is also good. Strongly recommended!
✨Synthesia Video (Members-only) ► https://youtu.be/a3kN_tLDrdk
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![post-title](https://i.ytimg.com/vi/cso0dQlvpMo/hqdefault.jpg)
all is found piano 在 All Is Found - Frozen 2 | BEGINNER PIANO TUTORIAL + ... 的推薦與評價
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