#千人斬感謝祭 #動物啪啪啪
公益寫真書預計暑假發售~
在疫情期間其實動保團體比平常更辛苦,包括人力跟物資的缺乏,
謝謝大家跟我們一起做愛心WWW
主人愛你們>//W//<
This photo set will be made as a charity good to (photo book) for animal protecting donation in the coming month.
During this epidemic now in Taiwan, many animal shelter are lack to money and resource. They actually work harder than usual. So we, the cosplayers in the photo are decide to help them.
More photo will release when open to sale. Thanks in advance who will support it. 😊
The Mater/ 被榨乾的主人 Yao
sheep/綿羊 禕 EEE TW Cosplayer
lion/獅子 泣花冥
goat/ 山羊 Akuna
Lynx/山貓 獄Goku
wolf/狼 Oni TW Cosplayer
fox/狐狸 十殿枂君-Sten
young leopard/ 豹 Alma (Alma's fb: OmegaBoy_Elma )
deer/ 鹿 君 Chun
rabbit/兔 紫玥桃-Sakuramomo
dog/狗 玄夜-wenny
ox/乳牛 梓官-Azusa
photographer/ 佐藤 PHOTO
#pet #animal #cosplay #yao_alma #originalcharacter
同時也有7部Youtube影片,追蹤數超過2,820的網紅samguw,也在其Youtube影片中提到,Testing out the Animal AF on the new EOS R5 with the Canon EF 100-400mm F4.5-5.6 II. Honestly speaking, I am no means a wildlife photographer so havin...
「animal photographer」的推薦目錄:
- 關於animal photographer 在 Yao&Alma TW Cosplayer Facebook 的精選貼文
- 關於animal photographer 在 Lingo耿汶 影像工作室 Facebook 的最佳貼文
- 關於animal photographer 在 2how Facebook 的最佳解答
- 關於animal photographer 在 samguw Youtube 的最佳解答
- 關於animal photographer 在 Zee Vlogs Youtube 的精選貼文
- 關於animal photographer 在 Jannine Weigel Youtube 的最讚貼文
- 關於animal photographer 在 Wildlife Photographer of the Year | Facebook 的評價
- 關於animal photographer 在 Professional Animal Photography by Frans Lanting - Pinterest 的評價
animal photographer 在 Lingo耿汶 影像工作室 Facebook 的最佳貼文
攝影棚周邊生態太好了,走在小檜溪特區心曠神怡😌
白鷺鷥群喜歡跟著挖土機~😆特別的畫面💗
媚眼賤狗小努伊 ღ Bull Terrier Nui
#桃園小檜溪特區
#桃園攝影工作室
#自然 #自然景觀 #桃園景點 #natrual #bird #鳥 #桃園人 #寵物寫真 #狗狗寫真 #毛孩寫真 #桃園寵物攝影 #新竹寵物攝影 #北部寵物攝影 #狗狗攝影工作室 #animal #animals #instadog #写真 #photographer #楽しい #寵物攝影 #寵物友善 #doggy #bull #dog #dogs #dogphotographer #dogphoto
animal photographer 在 2how Facebook 的最佳解答
DIMPY BHALOTIA
Poche, pochissime erano le foto in casa di Henri Cartier-Bresson; una, forse due. Una, per cui il grande fotografo aveva una vera e propria ammirazione, era “Three Boys at Lake Tanganika” di Martin Munkácsi. Tre ragazzini immortalati di spalle che sprigionano un’incontenibile vitalità mentre corrono verso le acque del lago. Perché Cartier-Bresson amava quella fotografia? Perché, come ha detto lui stesso: “Ho capito improvvisamente che la fotografia può fissare l’eternità in un momento”. Osservando la fotografia “Flying Boys” di Dimpy Bhalotia, e con la quale si è aggiudicato il Female in Focus Award 2020 del British Journal of Photography, sembra che i tre ragazzini di Munkácsi siano tornati dopo un viaggio lungo novant’anni. Di più, pare che siano tornati per spiccare il volo e catturati nel preciso momento in cui occhio, cuore e mente del fotografo sono perfettamente allineati come una costellazione lontana. C’è, nelle fotografie della giovane indiana di Londra, qualcosa che arriva da una precisa tradizione fotografica e che àncora saldamente la composizione a quelle tre fondamentali componenti cui si faceva cenno, orientandola verso la ricerca del momento in cui un episodio umano – e non solo – ha la capacità di espletare il suo senso. Irripetibilmente. I riferimenti non mancano, e sono segno di una solida cultura visiva. Quanto guardiamo nelle fotografie di Dimpy Bhalotia sembra fuoriuscire da un racconto riscritto con nuove parole, nuovi cenni ma fermamente determinato a essere interpretato attraverso un lessico che costringe a sostare nello spazio citazionista giusto il tempo che occorre prima di assumere una vita propria. E questa sottile e aggraziata visione delle cose che plana sugli avvenimenti, ha quel respiro che sta dentro in una visione poetica della vita, perché per scattare fotografie che sappiano restituire la bellezza d’un gesto occorre amare la vita e i suoi interpreti. Ecco che uomini e animali, colti singolarmente o al crocevia della reciproca interazione, ci appaiono come soggetti appena involontariamente dialoganti ma che, a ben guardare, sono catturati nell’esatto momento di un dialogo segreto. La forza delle fotografie di Dimpy Bhalotia viene da lontano e dunque è ben strutturata. E si vede soprattutto nell’azzardo di forme, nella scommessa formale giocata sul corpo dei soggetti animali, da cui, in altre circostanze, cogliamo una felice traccia surrealista, un terreno ideale nel quale risolvere talune spericolatezze compositive. Il lavoro di Dimpy Bhalotia sosta alla confluenza di due differenti correnti fotografiche: l’umanesimo e il surrealismo (lo stesso Cartier-Bresson sperimentò un delicatissimo surrealismo prima di fondare la Magnum), maneggiati entrambi con disinvoltura e sicurezza. La sua è una voce limpidissima, minimale. Le composizioni obbediscono al comandamento d’essere rigidamente impostate su un registro essenziale, al limite del calligrafico, ma la sobrietà ci convince del risultato. Il solco della tradizione è tracciato, ma seguirne il percorso senza aggiungere le proprie impronte è come non averci camminato. La fotografia è un libro che non finisce mai di essere scritto, a patto d’avere qualcosa da dire. Come in questo caso.
Giuseppe Cicozzetti
foto Dimpy Bhalotia
https://www.dimpybhalotia.com/
DIMPY BHALOTIA
Few, very few were the photos in Henri Cartier-Bresson's house; one, maybe two. One, for which the great photographer had a real admiration, was Martin Munkácsi's “Three Boys at Lake Tanganika”. Three kids immortalized from behind who release an irrepressible vitality as they run towards the waters of the lake. Why did Cartier-Bresson love that photograph? Because, as he himself said: "I suddenly understood that photography can fix eternity in a moment". Looking at Dimpy Bhalotia's “Flying Boys” photograph, and with which she won the British Journal of Photography's Female in Focus Award 2020, it seems that the three kids from Munkácsi are back after a 90-year journey. What's more, they seem to have returned to take flight and captured at the precise moment when the photographer's eye, heart and mind are perfectly aligned like a distant constellation. There is, in the photographs of the young Indian woman based in London, something that comes from a precise photographic tradition and that firmly anchors the composition to those three fundamental components mentioned, orienting it towards the search for the moment in which a human episode - and not alone - has the ability to carry out its meaning. Unrepeatable. There’s no shortage of references, and they are a sign of a solid visual culture. What we look at in Dimpy Bhalotia's photographs seems to come out of a story rewritten with new words, new hints but firmly determined to be interpreted through a lexicon that forces us to pause in the quotationist space just the time it takes before taking on a life of its own. And this subtle and graceful vision of things that hovers over events, has that breath that lies within a poetic vision of life, because to take photographs that are able to restore the beauty of a gesture, you need to love life and its interpreters. Here men and animals, caught individually or at the crossroads of mutual interaction, appear to us as subjects that are barely involuntary in dialogue but who, on closer inspection, are captured in the exact moment of a secret dialogue. The strength of Dimpy Bhalotia's photographs comes from afar and therefore is well structured. And it is seen above all in the balancing of forms, in the formal bet played on the body of animal subjects, from which, in other circumstances, we grasp a happy surrealist trace, an ideal terrain in which to resolve certain compositional recklessness. Dimpy Bhalotia's work stops at the confluence of two different photographic currents: humanism and surrealism (Cartier-Bresson himself experienced a very delicate surrealism before founding Magnum), both handled with ease and confidence. Her is a very clear, minimal voice. The compositions obey the commandment to be rigidly set on an essential register, bordering on calligraphic, but the sobriety convinces us of the result. The groove of tradition is traced, but following its path without adding one's footprints is like not having walked through it. Photography is a book that never stops being written, as long as you have something to say. As in this case.
Giuseppe Cicozzetti
ph. Dimpy Bhalotia
https://www.dimpybhalotia.com/
animal photographer 在 samguw Youtube 的最佳解答
Testing out the Animal AF on the new EOS R5 with the Canon EF 100-400mm F4.5-5.6 II. Honestly speaking, I am no means a wildlife photographer so having an AF system that can help with focusing is always welcomed. I didn't really go in expecting much but as soon as I tried it on the first bird I saw in the zoo, I was blown away. Very little hunting and very few missed shots. The new Dual Pixel AF ii coupled with the Digic X processor is BOMB!
I think what shocked me the most was how it immediately picked up the eyes of the birds/animals despite the eye being very very tiny in the frame. Even when there were distractions in front of the subject, it picked up AND tracked extremely fast. Admittedly, the AF struggled a little when there was a fence in front of the animal but with a tap on the screen, the AF picked it up with ease.
You can set the AF to prioritise animals over people. If there are no animals in frame, the camera will focus on human faces/eyes instead. Fantastic stuff!
(I don't have an external recorded, so I couldn't record straight from the screen :( oh well.)
Music I use:
https://artlist.io/Samuel-241034
My 2020 filmmaking/photography kit:
(these are Amazon Affiliate Links and I get a small commission every-time you purchase from these links. These really help the channel out a lot!)
Gear used in this video:
Canon EOS R5: https://amzn.to/3lN4cCb
Canon EF 100-400mm f/4.5-5.6L IS II USM: https://amzn.to/2Z1McdK
Canon EOS R: https://amzn.to/2QRB1zG
Canon RF 70-200 F2.8: https://amzn.to/3lMNDGM
Main photo/video camera: https://amzn.to/2QQ9ChI
Back up body: https://amzn.to/2QRB1zG
Favourite lens: https://amzn.to/2DsOVFy
Second favourite lens: https://amzn.to/2Z2HLPR
Best on-camera shotgun mic: https://amzn.to/3jzhPmO
Cheaper version of ^: https://amzn.to/32WlSD7
Alternative on-board shotgun mic: https://amzn.to/3lKBFx8
Best wireless mic: https://amzn.to/3jHd1Mi
Favourite Backpack: https://amzn.to/3lHETSa
Affordable external SSD I use: https://amzn.to/32NG4a2
Favourite gimbal: https://amzn.to/2Z3k7CJ
Affordable drone: https://amzn.to/2YZEmkK
Favourite action camera: https://amzn.to/2ETfBzV
----
Let's do something together! Ask me anything you'd like!
[email protected]
Follow me on social media:
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https://www.instagram.com/samguw_bts/
animal photographer 在 Zee Vlogs Youtube 的精選貼文
While filming on the streets of Varanasi, Bella, our host, got head butted by a cow. Wild afternoon in India.
★ Follow me on INSTAGRAM https://goo.gl/c9ZKgt
★★ Follow me on FACEBOOK https://goo.gl/dyY7S1
Probably the craziest day in India so far. It was very shocking to see Bella go through that but despite everything she powered through the whole event and continued filming. SUCH A TROOPER that girl! Very proud of her.
animal photographer 在 Jannine Weigel Youtube 的最讚貼文
'DEEP END' EP AVAILABLE EVERYWHERE NOW : https://goo.gl/TdsKk7
Download / Stream
iTunes : http://goo.gl/R6SXdG
Apple Music : http://goo.gl/tX4DsN
Amazon : http://a.co/a5l0bno
Spotify : http://goo.gl/Uv5H8D
JOOX (Thailand only) : http://goo.gl/y8ejev
Deezer : http://goo.gl/Hfjk8Q
Google Play : http://goo.gl/19FfSH
Behind The Scenes : https://youtu.be/Wxqwv5ybkwQ
Official Lyric Video : https://youtu.be/zeP7bqMySmE
Songwriter : Laurell Barker
Lyricist : Bruce R F Smith
Composer : Ken Berglund
Vocal Recording : Patrick Kronenberger
Backing Vocals : Laurell Barker
Instrumentation : Ken Berglund
Music Producer : Ken Berglund
Mixing Engineer : Ken Berglund
Mastering Engineer : Jimmy Gunnarsson
Director : Kitisak Khunpetch
First Assistant Director : Kritsada Kannarong
Colorist , Color grading : Charisa Srivises
Production manager : Inkarat Sindhupreechapong
Gaffer : Pattanayu Pattanasantichai
Police Liasion : Kanyaphak Techawongtham
Camera man : Attapon tuetrong
Focus : Anek Thawiwatn
Runner : Aekkaporn Thongdee
VDO man : Tanaboodee meedee
Photographer : Aongart Sompao
Make up Artist : Piyawat Matarrodponsin
Dance Choreography : Panchanita Charaswong, Ekasit Yarangwong
Dancers : Weera Prasertwanich, Natrin Wattanatrinnakul
Jannine's Team : Thinnakorn Pongseeda,
Chayapat Puangpanbut, Egarin Kejkumjonkul,
Panyawut Poonsuk, Polrawat Suksaran,
Yontida Kongubon, Tharakorn Rattanaubon
Parawie Saingthong
Special Thanks :
เลอแปง สนุกหลากหลาย อร่อยหลากรส
http://fb.me/lepanbakery/
ร้านชูอาป้า : http://fb.me/ChuapaBeerCafe
GMM Grammy Official : https://www.youtube.com/gmmgrammyofficial
MBOofficial : https://www.youtube.com/mboofficial
Harlem Shake Studio : http://fb.me/harlemshakestudio/
Youandme by Singto : http://fb.me/youandmebysingto
Petchchompoo Jewelry : http://fb.me/petchchompoojewelry
Jenny Vintage Furniture Thailand : https://www.furniturevintagethailand.com
P' Bua (Dancing dress) : http://fb.me/nongbuaka.assawathanee.7
Location : http://fb.me/Benedictstudio
********************************************************
"Strangled Love"
Ooh, all your moves, all your moves,
Swept me up in a frenzy
Ooh, letting loose, letting loose
Lost in that jungle wild and sexy
Learned a savage lesson,
When the brightest heaven,
Becomes dark obsession
It’s a noose, it’s a noose
I can feel you breathing down my neck,
Watching me too close, I don’t like that
Holding too tight, your jealous eyes, keep on spying
Look over my shoulder every step,
Think I’m gonna suffocate to death
I try to break free, but I can’t leave,
You keep digging those damn claws in
Now I’m in strangled love,
And I’m cursing your name
You got me tangled up, in a lovers cage
Oh I’m so choked
You won’t let me go
Now I’m in strangled love,
But don’t take your hands off me
You animal, animal
Kicked off a chain reaction, ooh
Magical, magical
keep coming back to raw attraction
Such a fiery lover, la la like no other,
I can’t seem to smother
Such a powerful hold
I can feel you breathing down my neck
Watching me too close, I don’t like that
Holding too tight, your jealous eyes, keep on spying
Look over my shoulder every step,
Think I’m gonna suffocate to death
I try to break free, but I can’t leave,
You keep digging those damn claws in
Now I’m in strangled love,
And I’m cursing your name
You got me tangled up, in a lovers cage
Oh I’m so choked
You won’t let me go
Now I’m in strangled love,
But don’t take your hands off me
You're needy, you're greedy
You're doing what you like
Wild passion, raw power
Kneel to them, I just might
Keep filling that cup with my favorite wine
I quit you once, quit you twice
Still let that poison go down
Now I’m in strangled love,
And I’m cursing your name
You got me tangled up, in a lovers cage
Oh I’m so choked
You won’t let me go
Now I’m in strangled love,
But don’t take your hands off me
Now I’m in strangled love,
But don’t take your hands off me
********************************************************
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Jannina W (พลอยชมพู) - Strangled Love (Official Music Video)
animal photographer 在 Professional Animal Photography by Frans Lanting - Pinterest 的推薦與評價
For more than two decades he has documented wildlife and our relationship with ... 50 Brilliant Examples of Professional Animal Photography by Frans Lanting ... ... <看更多>
animal photographer 在 Wildlife Photographer of the Year | Facebook 的推薦與評價
What animal is highest on your wildlife photography wish list? Share yours with us in the comments. From polar bears and orcas, to elephants and owls, snow ... ... <看更多>