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如果你問我「 拍照的意義是什麼 」？
If you ask me "What is the meaning of photography”？
就是把瞬間變成永恆。
That is to make the moment eternal.
【人像寫真】
日光。清水。沐。
Hair designer : ∙ Hair with Bryan ∙
Make up : ∙ Hair with Brayn ∙
Model : Brian Yu
#EZTALK #你不知道的美國大小事
#打開看全文學更多
這回的🇺🇸美國大小事要來學一個非常好用的諺語🤣🤣
大家應該多少都有在被子裡不小心放屁臭到室友的經驗吧🤭
英文也有專門的諺語可以表達這件事👉 a Dutch oven
至於要怎麼使用呢？跟Libby一起看下去吧！
#好孩子不要學喔
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If someone told you a woman had a bun in the oven, you may think it means she’s in the kitchen baking. But you’d be wrong. 1⃣Saying someone “has a bun in the oven” is actually a humorous way of saying that they’re pregnant. Ex: I heard a rumor that Kathy has a bun in the oven.
如果有人跟你說有位女性的烤箱裡有麵包，你大概會以為這女性在烤東西，不過這是誤會一場。說某人 has a bun on the oven，其實是詼諧表達她懷孕了。如：I heard a rumor that Kathy has a bun in the oven.（我聽說凱西懷孕了。）
And let’s end with another humorous one. 2⃣ A Dutch oven is a type of heavy pot used for making stews and casseroles, but it also has another meaning: farting when you’re in bed with someone and then pulling the covers over their head! Ex: Brian was acting like a jerk, so I got back at him with a Dutch oven.
最後再介紹另一個詼諧的用法。「Dutch oven 荷蘭烤箱」是用來製作燉菜和砂鍋菜的重型鍋，不過它還有另一種含義：「蓋被子放屁」，你跟某人躺在床上時突然放屁，然後還將被子蓋在他頭上！如：Brian was acting like a jerk, so I got back at him with a Dutch oven.（我用蓋被子放屁一招回敬布萊恩這混蛋。）
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🔔 按下「搶先看」，每週五【美國大小事】，由 Judd 編審分享最即時美國新鮮事！想知道更多美國文化，請看 👉 http://bit.ly/EZTalk嚴選
Our collective emotional memory (Lee Yee)
I was most humbly quoting British writer Rushdie’s words yesterday “Don’t be dominated by fear, even if you are afraid”, and was asked by someone: how to be afraid but not be dominated by fear?
When I came across this phrase 19 years ago, I vaguely felt that it could be a wake-up call. It was my experience in Hong Kong since June last year that taught me what it truly means by to be afraid yet not be dominated by fear. Most young people at the frontline admitted that they were “very afraid”, but were reluctant to leave their brothers and sisters behind in order to save themselves. As such, the persistence to pursue freedom freed them from being dominated by fear.
Some pro-Beijing media accused me of inciting young people to go to the frontlines, while I am hiding at the back. As more accusations are being thrown around, more fellow comrades also started to believe it, and said on certain media that some “not so young persons” are making these attempts. I never cared how people view me, because how I view myself has always been more important. In a recent interview, I said that when I watched those young people in the frontlines, I was very worried. In my heart I was telling them not to do it, it is too dangerous. Yet I do not say it out loud. I understand that young people can only achieve the feeling of freedom through fighting, to realize that freedom, and only those in the frontlines would truly grasp the meaning of fellow comrades and the special relationships among brothers and sisters. I never wrote any essay giving young people instructions. I’ve only expressed understand and respect afterwards. It is from them that I learned the courage of freedom that is “to be afraid yet not to be dominated by fear”.
A friend, who was taking pictures on the streets, was intercepted by a dirty cop who threatened to arrest her. She yelled at the dirty cop, and left. In private, she told me she was “really afraid”, yet could not help but yell back. This is exactly “don’t be dominated by fear, even if you are afraid”.
This is the emotional experience shared by many Hongkongers since last year. This is a collective emotional memory.
Another memory is “pain”. Raymond Yeung, the teacher who was shot in the right eye by the police’s tear gas last year on June 12, said in a recent interview that he is actually very afraid of pain. “If on that June 12 morning you had told me I would lose an eye if I were to go out…even if you had told me I would be hit by tear gas, I might not have gone out, let alone losing a whole eye.” The endurance of pain is not an innate ability, but something acquired, something that the Hong Kong community has acquired altogether. He said that when people watch clips of police brutality, their hearts ache, but they also know that this is a rite of passage to go through together. As he considered that, he felt like his pain was being shared and distributed. To quote Brian Leung Kai-ping, “what truly connects Hongkongers is pain.”
Those who did not experience physical pain were perhaps all experience emotional pain through the screen. This pain, is our collective memory. To feel pain, one is a true Hongkonger, or else…
In addition, two other strong emotions felt by Hongkongers were anger and disgust. After witnessing fear and pain on media images, the Scared Liar Conference in the following day would bring anger and disgust, not to mention the faces of those Hong Kong Communists and pro-Beijing politicians. Every time I see them on screen, I think of Lu Xun’s words, “If the mask is worn for too long, it grows on the face, to take it off would be digging into the skin, the bones, and the muscles.”
No, they won’t take these masks off themselves. Yet having witnessed the history of the CCP, there are bound to be a chance to prove them wrong and to dig into the skin, the bones, and the muscles. Hongkongers probably wish to witness this moment.
A friend said that he wished to leave Hong Kong not because of the fear and the pain, but the anger and the disgust. I totally get him. Unless one makes it a habit to live under this blanket of lies, otherwise no normal people would find this easy to swallow.
It is logically to leave due to fear of the threats on security, but anger and disgust are not threats. To live, one must slowly let go of these emotions, but definitely not to forget the events that brought such fear and disgust.
Article 29 (5) of the National Security Law: “provoking by unlawful means hatred among Hong Kong residents towards the Central People’s Government or the Government of the Region, which is likely to cause serious consequences.” Hatred, as an emotion, had nothing to do with the crime; yet we know and will remember who and what were “provoking by unlawful means hatred among Hong Kong residents”, which was indeed a behavior of a criminal organization.
Fear, pain, anger, and disgust – Hongkongers’ collective emotional memory since last year.
Ryoji Orihara
Fretless bass player in Japan.
Rarity players specializing in fretless bass.
https://orioriori.exblog.jp
Started installation work called "BGA (BackGround Ambient) “Toumei na Kagu" from 2010.
“Toumei na Kagu", meaning “Impalpable Furniture".
is an expression with the concept of
- Not background music
- Not a concert
- Not heat up.
In recent years, this activity has also increased.
Ryoji Orihara is looking for a performance request for BGA (Back Ground Ambient) "Toumei na Kagu".
There are various places where you can perform.
Shops (coffee shop, hotel, massage shop, spa, body preparation etc),
Event,
We are looking for various ideas.
ryoji orihara@gmail.com
織原良次／Ryoji Orihara
Fretless bass
三田村亮／Ryo Mitamura
Shooting
織原鉄工／Orihara Tekkou
Location
Saitama Japan
『BGA(Back Ground Ambient)透明な家具』は、無形のインテリアである。
https://orioriori.exblog.jp/28187617/
『BGA(Back Ground Ambient)透明な家具』は
〇ＢＧＭではない
楽曲を演奏することはありません。
長時間の受動的なパフォーマンスにより各シチュエーション特有の表情が生まれます。
〇ライブではない
メイン・アクトとしては成立しません。
漠然とある、透明なインテリアのようなものです。
〇盛り上がらない
盛り上がりません。
無形のインテリアとしての『透明な家具』をお楽しみください。
織原良次はBGA(Back Ground Ambient)透明な家具のパフォーマンスする場所、
お店(喫茶店、ホテル、マッサージ店、スパ、整体など)、
イベント、
各種アイデアを募集しています。
お気軽にオファー、ご提案などお待ちしております。
ryoji orihara@gmail.com
©2010-2019 BGA(Back Ground Ambient)透明な家具
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