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2021-06-30 21:18:14 有 65 人按讚

Larry Carlton Style - Triad Approach
https://youtu.be/lGFl9EVy7rI

Special thanks to Tim H (my new fan!) who sent his special package with money for my cds! This gift was so amazing! His friend Bob Cameron who took this amazing photo from live footage of Louis Armstrong in 1941! Incredible! I love it so much! Tim said "I thought you might like to have it in light of the fact that you are a fine musician in your own right." Wow! Thank you so much!!

Then I thanked him via email.. he wrote me back with more about Bob and Tim's life stories.

Then Tim wrote.... "Nevertheless, I really admire your skills as a performer as well as a teacher. Of all the teachers I have followed, you make the most sense to me personally."

""I am including a link to a video of Rick Beato with Larry Carlton. I saw Larry Carlton play a few years ago and he just blew me away. Since you are so into triads and base your understanding of soloing on them, I wanted to ask you to do a video on how Larry Carlton hears 3 triads above the one that is played... and then he improvises based on these 3 possibilities.
It's way over my head and I'll probably never "get it" as far as getting it under my fingers, but at least maybe I can intellectually understand it. Here is the video - 5 minutes in...
https://www.youtube.com/watch?v=1c9lx0KFkO4&t=416s

Anyway, maybe you can explain it better than they do.
Thanks,
tim ""

So this video is replying to Tim's question. Although I didn't watch that video yet because I wanted to point out two approaches first as simple ideas. Hope Tim will enjoy this!
What do you think?

Introduction (00;00)
Story behind this video (01:00)
Tim 's request on LC from Rick Beato's video (03:07)
CMaj7 (G/C) ..G = 5, M7, 9 .. FMaj7 (C/F) C = 9, 5, M7(03:40)
Chord voicings idea over CMaj7 & FMaj7 (06:10)
Soloing Example Over Backing Track #9 (07:18)
Soloing Example Simple Triads & mixing blues feeling (08:45)
Larry Carlton was a huge Influence on me (10:15)
My problem was not have my own style (12:25)
Larry Carlton style BLUES in G (14:25)
G7 = G & F Triads (I & bVII Triads) (R35 & b7911) (15:12)
C7 = C & Bb Triads (I & bVII Triads) (R35 & b7911) (16:32)
G Blues Backing Track (18:49)
Soloing example over G Shuffle Blues (19:37)
Larry Carlton's I & bVII Triads Review (22:07)

1967 Gibson ES-335
Bartel Roseland Head
Bartel 1-12 Cabinet
Providence cables E205TF
Boss RC-3
One Control Prussian Blue Reverb
Vemuram Jan Ray for TF
D'Addario NYXL 09-42
Pickboy TF Sig 1.00mm

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By Focus Taiwan

2021-05-31 16:28:57 有 144 人按讚

According to the Cabinet, the funds will be used to help individuals and industries hardest hit by the #COVID19 pandemic and disease control restrictions, including loans to people in need and some one-time payments.
https://focustaiwan.tw/politics/202105310008

Tags: control cabinet COVID19

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Twitter: https://twitter.com/Focus_Taiwan Instagram: focus_taiwan https://www.instagram.com/focus_taiwan/?hl=en YouTube: https://www.youtube.com/user/FocusTaiwan LinkedIn: https://www.linkedin.com/company/focus-taiwan Focus Taiwan is the English-language news website of the Central News Agency (CNA), Taiwan’s national news agency. As Taiwan’s largest information supplier, we have correspondents across Taiwan, and over 20 cities around the world. We disseminate the voices of Taiwan through breaking news, photos, video, and new media tools in order to build a better informed society within, and greater understanding abroad. If you like what you read, please leave your thoughts and comments on our page. We encourage you to join the conversation.

Daily news from and about Taiwan, local newspaper headlines, and photos of the day. Share our stories, if you like what you see. Also, follow us on Twitter: @Focus_Taiwan / Instagram: https://instagram.com/focus_taiwan

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By Focus Taiwan

2021-05-10 14:10:40 有 21 人按讚

The Control Yuan on Monday called on the Cabinet and several government agencies to address the issue of human rights violations on Taiwanese fishing vessels flying a flag of convenience (FOC).
https://focustaiwan.tw/society/202105100004

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control cabinet 在七王 Youtube 的最讚貼文

By 七王

2020-01-22 04:59:12 有 2,898 人看過有 88 人喜歡

Valkyrie no Densetsu[a] is a 1989 action-adventure role-playing arcade game developed and published in Japan by Namco. Up to two players control the warrior maiden Valkyrie or her lizard-like companion Kurino Xandra as they set out to drop a mythical item called the Golden Seed into the Northern Fountain to replenish the dying cropfields of Xandra Land, and must also stop the antagonist Kamooz, who also sets out for the Golden Seed to enslave all the inhabitants of Marvel Land. Gameplay involves defeating enemies and collecting gold to purchase magical spells and weapons in shops. It is a followup to the 1986 Family Computer game Valkyrie no Bōken: Toki no Kagi Densetsu, with Valkyrie no Densetsu having a greater focus on action.

Valkyrie no Densetsu was the creation of Namco artist Hiroshi Fujii and a designer only known by the pseudonym of "Koakuman". The game's world, the fictional kingdom of Marvel Land, was greatly inspired by Viking tales from northern Europe and the middle ages, with a heavy emphesis on having a sort-of "magical" feel of it. It was originally meant to be four-player action game in the vein of titles like Gauntlet with a cabinet-linking system similar to Final Lap, which was scrapped later on. Characters were made to have personality and depth, a design choice inspired by The Wizard of Oz. The team envisioned a world that changed as the player progressed onward, with transitioning seasons and landscapes, however the usage of a vertical-oriented monitor forced much of this to be scrapped or altered.

Valkyrie no Densetsu was released in arcades to critical acclaim for its gameplay, characters and world, winning several awards from Gamest magazine. Namco ported the game to the PC Engine in 1990, a conversion that was met with a more mixed response for its difficulty, downgraded graphics and altered gameplay. The game was mostly unknown outside Japan until the release of Namco Museum Vol. 5 in 1997, which renamed the game to The Legend of Valkyrie and was fully translated into English. Several additional ports were made, including those for Windows, Japanese mobile phones and the Wii Virtual Console. The PC Engine conversion is also one of the 50 built-in games included in the upcoming TurboGrafx-16 Mini by Konami.

(個人通關414)

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歡迎來到七王的頻道~ 訂閱者聲稱這是頻道主在亞洲區擁有最多個人通關攻略影片的頻道~ 七王頻道主的遊玩功力都很一般~影片提供一般向玩家通關參考XDD 懷舊遊戲影片單純分享~請不要詢問模擬器的相關的技術上問題~謝謝! 這邊提供個人及友人遊玩之遊戲影片~一般提供骨灰級遊戲之攻略影片~完全純手動操作~沒有TAS影片~沒有作弊開無敵歡迎加入我的社團一起分享你的創作與心得↓↓↓↓↓ https://goo.gl/5F3ASq

control cabinet 在 Hi Fi 發燒台 Youtube 的最佳貼文

By Hi Fi 發燒台

2019-07-05 18:30:02 有 37,081 人看過有 342 人喜歡

今次又去同一個地方，會唔會悶親大家？
如果你望望條片就知道今次去搞搞震，想知搞乜，咁就要去片。

另設Facebook群組Hi Fi 發燒圈，歡迎加入：
https://www.facebook.com/groups/454356881290493/

#音響 #發燒圈 #Lee388 #HiFi #Cello #粵語youtuber

The Audio Palette
Richard S. Burwen developed the concept for the Audio Palette. Burwen found that certain tone control adjustments were necessary to obtain the most natural, lifelike sound from recordings.
Cello has identified the major cause of sonic problems in recordings as the tonal balance that has been adjusted by the recording and mastering engineers in the studio. Each engineer uses a monitoring system that is unique. Because the tonal balance of each system is different, each recording is different. Engineers primarily use equalization to optimize tonal balance for the best sound on their system.

The Audio Palette advances musical realism more than any other single component. Tonal balance can be corrected from the most delicate and subtle adjustments for the best recordings, to the most extreme and dramatic adjustments for vintage material, in order to restore the vitality and life to recordings of music without sonic deterioration.

The Audio Palette is used by record companies, mastering laboratories, and also by discriminating home listeners.

Product Specifications:

The Standard Version of the Audio Palette has one (1) Fischer 3-pin balanced input. The Multiple Input Version (M.I.V.) Audio Palette total of four (4) inputs, one (1) Fischer 3-pin balanced and three (3) single ended.

One (1) set of single ended and one (1) set of Fischer 3-pin balanced main outputs are provided.

Two (2) sets of single ended record outputs are provided.

Frequency Adjustment Controls:
25 kHz control: +/- 24 dB in 1.00 dB increments
5 kHz control: +/- 12 dB in 0.50 dB increments
2 kHz control: +/- 6 dB in 0.25 dB increments
500 Hz control: +/- 6 dB in 0.25 dB increments
120 Hz control: +/- 14.5 dB in 0.50 dB increments
15 Hz control: +/- 29 dB in 1.00 dB increments

Dimensions:
19"w / 7.4"h / 14.1"d (Audio Palette)
19"w / 3.9"h / 8.5"d (Master Supply)

Shipping Weight:
41 lbs. (Audio Palette)
35 lbs. (Master Supply)

Grand Masters
Like the concert grand piano, the Grand Master is the largest model. Elegant in dimension, each Grand Master is a towering cabinet with eight tweeters, eight midranges, and two 12" woofers. These drivers allow for a great quantity of air to be moved quickly, achieving not only very low distortion but a staggering 127-dB SPL peak capability.
Since no single driver is required to overwork, a completely effortless reproduction is evident on even the most demanding musical passages.

Product Specifications:

Tweeters:
3/4" (8)

Midranges:
2" (8)

Woofers:
12" (2)

Design:
Acoustic Suspension

Minimum Power Requirement:
200 watts per channel

Impedance:
2 ohms (nominal)
1 ohm (minimal)

Crossover Frequencies:
500 Hz, 5000 Hz

SPL:
127 dB

Efficiency:
96 dB

Dimensions:
17"w / 86.5"h / 18"d

Weight:
500 lbs. each

The Performance Amplifier II
The Performance Amplifier is a four chassis set, comprised of two mono power supplies and two mono power amplifiers.
The Performance Amplifier includes many engineering features exclusive to Cello, which together provide unparalleled speed, clarity, impact, natural tone quality and reliability.

Each amplifier chassis has a balanced audio input, balanced bridging output, and four sets of barrier strip outputs. Three pin Fischer connectors are used to provide balanced line audio connections of the highest quality.

The cost of the Performance Amplifier reflects Cello's insistence on the most innovative circuitry and premium parts.

The Performance Amplifier offers a combination of sonic purity, power, build quality, freedom from obsolescence, and flexibility that makes a new level of musical integrity and system performance possible.

Product Specifications:

Power Output (single amp):
@8 Ohms Rated: 200 Watts
@4 Ohms Rated: 400 Watts

音響發燒圈 Lee388 HiFi Cello 粵語youtuber

Hi Fi 發燒台

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想了解更多音響器材，知道更多玩音響的方法，看看其他發燒友的音響器材，新音響產品資訊，新CD、黑膠分享，等大家多一個購買指南，記得訂閱Hi Fi發燒台。另外，可加入Facebook Hi Fi發燒圈群組，可與一班發燒友一同吹水，問問發燒友音響相關問題，分享自己喜歡的音樂和器材，來個開心分享！還可以看看Hi Fi發燒圈新建網站： www.hifi388.com

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By 七王

2016-08-19 01:54:52 有 10,592 人看過有 49 人喜歡

Crime Fighters (クライムファイターズ) is a 1989 side-scrolling beat-em-up released by Konami for the arcades. The players takes control of a duo (or squad) of undercover police officers who are assigned to rescue a group of kidnapped damsels from a crime boss and his army of punks.

Much like Konami's arcade version of Teenage Mutant Ninja Turtles (released during the same year), the game was available in a four-player dedicated cabinet, as well as a conversion kit that was available in 2-player and 4-player versions (meant for either Atari Games' Gauntlet or Konami's own Main Event). Unlike Ninja Turtles, each player character is identical, save for each one sporting a different palette swapped color. Crime Fighters was followed by a sequel titled Vendetta (released in Japan as Crime Fighters

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The control cabinet is the complete thing - the electrical cabinet with all there is to it. The control panel is just the door in front of ... ... <看更多>

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