💕「愛台灣,我的選擇」系列第15發:臺虎董事長黃一葦(Peter Huang) 要讓臺虎精釀 Taihu Brewing成為台灣年輕人才發光發熱與實踐夢想的平台
「儘管我有著東方面孔,但我不是台灣人,家族根源也不在台灣。一直到我念大學時 (美國麻薩諸塞州的威廉斯學院,非常棒的學校),我才透過普林斯頓北京中文培訓班的機會,真正到東亞來闖蕩。
大學畢業之後,我埋首於數字和表格之間,精釀啤酒陪我撐過了這段辛苦的歲月。我的職涯始於紐約,但後來輾轉來到亞洲 (名義上是去新加坡,但主要是在印尼、緬甸和馬來西亞)。
在數字間打轉從來不是我的夢想。身為一個負責任且典型的千禧世代,我一直很想獨立開創自己的事業,如果能將個人興趣和創業機會相結合,那就太完美了。而精釀啤酒就是那完美的交集點!精釀工藝的精神我深有同感,這是一種對未來可能性充滿嚮往、不盲目接受現狀的精神;同時也代表著與一群優秀的人才,一起開發令人驚喜的產品,並打造屬於自己的社群。
成立臺虎精釀的契機出現之後,我立刻想到台灣。之所以選擇這裡,不是因為台灣文化很吸引人 (雖然確實是),不是因為台灣有著厚實的文化傳統 (雖然確實有),更不是因為台灣的好山好水。
我選擇台灣的主要原因是這裡遇到的人。很多人會說,人生中有兩個家庭,一個是你的原生家庭,另一個是你自己選擇的家庭。對我來說,那個我自己選擇的家庭,似乎就在台灣。
臺虎精釀的商標 (由台灣傑出設計師Jess Lee設計) 由老虎、啤酒花和葫蘆三個元素組成,葫蘆是古代盛酒的容器。
葫蘆就不需要多加解釋了,但啤酒花是當代精釀啤酒的基石,代表著創新創意的精神。事實上,我們使用的絕大多數啤酒花都來自美國,畢竟美國是精釀啤酒的中心 (過去20年一直都是)。美國的啤酒花產業 (還有麥芽產業) 可以說是世界之最,也難怪經典IPA啤酒中最受歡迎的啤酒花都來自美國。
商標中的老虎是為了向早期台灣作為「亞洲四虎」(亞洲四小龍) 的年代致敬。當年台灣經濟快速起飛,產業朝氣蓬勃,民眾無不對未來充滿樂觀和期待。
老虎代表的正是那樣的生機勃勃、神采煥發。臺虎167名員工幾乎都是台灣人。我們認為,與其說臺虎是一個釀酒廠,不如說臺虎是讓台灣年輕人才發光發熱、實踐夢想的平台。
我們的目標是吸引並培育人才,最終目標希望能夠在台灣發展出欣欣向榮的創業生態圈。Sway是我們成立初期的成員,她一開始是在吧台工作,非常優秀。在小公司工作的好處就是,你可以盡你所能所想去做,Sway後來開始慢慢接觸進口通關業務,現在是我們全球物流的主管 (很不簡單)。
也許有一天,她會開創自己的事業,進而將這份育才的信念在台灣新創圈繼續傳承下去。」— 臺虎董事長黃一葦 Peter Huang
💕Why I chose Taiwan #15 – Taihu Brewing Founder Peter Huang leads Taihu to become a platform for Taiwan young talents to carry out their dreams and express themselves
“Despite appearances, I’m neither Taiwanese nor have roots here. It took college (Williams College in Massachusetts – phenomenal place), to really bring me out to East Asia via Princeton’s immersion program in Beijing.
Post-graduation, I paid my dues shuffling numbers around in a spreadsheet. Craft beer made it bearable-ish. Working life began in New York, but ultimately landed me in Asia (nominally Singapore, primarily Indonesia, Myanmar, Malaysia).
Shuffling numbers was not the dream. So, as a responsibly stereotypical millennial, I had an urge to venture out on my own. Ideally, to try something at the intersection of opportunity and interest. Craft beer! The craft movement itself struck a chord - a yearning for what could be, rather than blind acceptance of what is. It is about building communities around delightful products and, critically, wonderful people.
When the opportunity to start Taihu appeared, my mind immediately went to Taiwan. Not necessarily because the culture is fantastic (though it is), nor because it has a strong cultural heritage (though it does), and not even because the island itself is a magical composition of mountains meeting oceans.
Ultimately, I chose Taiwan because of the people I met here. There’s a tired trope that you get two families in life, the one you’re born into and the one you choose. For me, that chosen family, well, it seemed like it could be in Taiwan.
Taihu Brewing’s logo (designed by brilliant local artist, Jess Lee) is comprised of a tiger and hops within a hulu (traditional Chinese alcohol vessel).
The hulu needs no explanation, but hops are the cornerstone of modern craft beer. They represent the innovation inherent in the space. In fact, the vast majority of the hops that we use are from the United States. Since the US is the epicenter of craft brewing (and has been over the last twenty years), the American hop industry (malt too, actually) is arguably the best in the world. It is for good reason that the most popular hops in category-defining IPAs are American.
The tiger is a nod to an earlier era when Taiwan was one of the “Four Asian Tigers.” Taiwan’s meteoric economic rise was accompanied by deterministic optimism, vibrancy, and general excitement about the future.
The tiger represents that energy. That sense of opportunity, positivity, and hope. Taihu’s 167 employees are almost entirely Taiwanese. Internally, we think of Taihu as more of a platform for young Taiwanese talent than as a brewery, a medium for that energy to express itself.
Our goal to attract and develop talent with the ultimate goal of developing the burgeoning entrepreneurial ecosystem here in Taiwan. One of our earliest team members, Sway, came on board as a bartender -- a fantastic bartender. At a small company, you do what you can, where you can, and Sway ended up taking up some of the slack in our logistics. Now she runs all of Taihu’s international supply chain (no small feat).
With luck, one day she’ll be running her own successful Taiwanese business, and, in doing so, perpetuate the cycle.” — Peter Huang, founder of Taihu Brewing
同時也有17部Youtube影片,追蹤數超過2,580的網紅masa - masa,也在其Youtube影片中提到,ご視聴ありがとうございます! English comment is after Japanese. 秦さんと坂崎さんがカバーした井上陽水さんの「少年時代」をカバーさせていただきました。 (半音下げチューニングでカバーしています) 秦さんは2カポで、坂崎さんはハーモニクスを入れるためにカポ無しで弾か...
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Larry Carlton Style - Triad Approach
https://youtu.be/lGFl9EVy7rI
Special thanks to Tim H (my new fan!) who sent his special package with money for my cds! This gift was so amazing! His friend Bob Cameron who took this amazing photo from live footage of Louis Armstrong in 1941! Incredible! I love it so much! Tim said "I thought you might like to have it in light of the fact that you are a fine musician in your own right." Wow! Thank you so much!!
Then I thanked him via email.. he wrote me back with more about Bob and Tim's life stories.
Then Tim wrote.... "Nevertheless, I really admire your skills as a performer as well as a teacher. Of all the teachers I have followed, you make the most sense to me personally."
""I am including a link to a video of Rick Beato with Larry Carlton. I saw Larry Carlton play a few years ago and he just blew me away. Since you are so into triads and base your understanding of soloing on them, I wanted to ask you to do a video on how Larry Carlton hears 3 triads above the one that is played... and then he improvises based on these 3 possibilities.
It's way over my head and I'll probably never "get it" as far as getting it under my fingers, but at least maybe I can intellectually understand it. Here is the video - 5 minutes in...
https://www.youtube.com/watch?v=1c9lx0KFkO4&t=416s
Anyway, maybe you can explain it better than they do.
Thanks,
tim ""
So this video is replying to Tim's question. Although I didn't watch that video yet because I wanted to point out two approaches first as simple ideas. Hope Tim will enjoy this!
What do you think?
Introduction (00;00)
Story behind this video (01:00)
Tim 's request on LC from Rick Beato's video (03:07)
CMaj7 (G/C) ..G = 5, M7, 9 .. FMaj7 (C/F) C = 9, 5, M7(03:40)
Chord voicings idea over CMaj7 & FMaj7 (06:10)
Soloing Example Over Backing Track #9 (07:18)
Soloing Example Simple Triads & mixing blues feeling (08:45)
Larry Carlton was a huge Influence on me (10:15)
My problem was not have my own style (12:25)
Larry Carlton style BLUES in G (14:25)
G7 = G & F Triads (I & bVII Triads) (R35 & b7911) (15:12)
C7 = C & Bb Triads (I & bVII Triads) (R35 & b7911) (16:32)
G Blues Backing Track (18:49)
Soloing example over G Shuffle Blues (19:37)
Larry Carlton's I & bVII Triads Review (22:07)
1967 Gibson ES-335
Bartel Roseland Head
Bartel 1-12 Cabinet
Providence cables E205TF
Boss RC-3
One Control Prussian Blue Reverb
Vemuram Jan Ray for TF
D'Addario NYXL 09-42
Pickboy TF Sig 1.00mm
it is well chord 在 Tomo Fujita (Official Fan Page) Facebook 的最讚貼文
A Shuffle Blues - 3 Levels - 030
https://youtu.be/y0A_YnpEEP8
To be able to play over the chord changes freely, what do you need to learn? Modes? Theory?
I think you should learn bassline first!
Level 1: Simple bass line (no fills!)
Level 2: Phrasing with triad approach.
Level 3: Do this with a metronome (2&4)
In order to improve musically first learn simple basic idea, practice it well,
then challenge with in time, groove it! Simple is the best!
Please check more details here and please tell me what you think?
1963 Fender Duo-Sonic (1958 Pickguard assembly!) Refnished by Kanji Kawabata
1965 Fender Pro Reverb with Eminence TF-1250 (Vol 2.5, Treble 6, bass 4, Reverb 3)
D'Addario NYXL 11-49
Pickboy 1mm TF signature pick
Lava cable (switching)
▼▼Join today "Tomo Fujita Guitar Wisdom"
http://tomovhxtv.vhx.tv
Just added easy theory lessons!
Join subscribers from 80 countries
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English comment is after Japanese.
秦さんと坂崎さんがカバーした井上陽水さんの「少年時代」をカバーさせていただきました。
(半音下げチューニングでカバーしています)
秦さんは2カポで、坂崎さんはハーモニクスを入れるためにカポ無しで弾かれていました。
コード表記は秦さんのコードを記載しました。
🎸パート全般的にですが、ところどころよく聴き取れず、なんちゃってカバーとなっています😅スミマセン
※原曲はこちら!
秦基博×坂崎幸之助「少年時代」(井上陽水カバー)
@フジテレビ「水曜歌謡祭」(2015年)
https://youtu.be/kvmn8UypPnc
井上陽水 - 少年時代(ライブ) NHKホール 2014/5/22
https://youtu.be/bL5hJEauvu4
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Thank you so much for watching!
I did a cover "Shonen Jidai (Boyhood)" that is Hata Motohiro and Sakazaki Konosuke cover version.
The original song was made by Inoue Yosui in 1990.
It is a half down tuning that is different from the original.
Also, Hata-san set to the capo 2, and Sakazaki-san had not be used the capo because have to play the harmonics.
A chord labels are the chord of Hata-san's guitar.
Regarding the 🎸part cover by and large, here and there it is not accurate because I couldn't catch well, sorry!😅
*The original song is HERE!
- Hata Motohiro x Sakazaki Konosuke "Shonen Jidai"
https://youtu.be/kvmn8UypPnc
- Inoue Yosui "Shonen Jidai" Live version
https://youtu.be/bL5hJEauvu4
Note:
About a opening photo, this is called Furin.
In Japanese “Fu” means wind and “Rin” means bell.
Furin is a kind of small bell that is hung under the eaves in summer in Japan.
They are made of metal or glasses. When the wind blews, they ring.
The sound makes us a little cooler in hot summer.😉
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#秦基博 #坂崎幸之助 #少年時代
#井上陽水
#フジテレビ_水曜歌謡祭
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English comment is after Japanese.
Rahmenさん主催の「GoTo音友」企画に参加させていただきます!
※再生リストはこちら♪
https://www.youtube.com/playlist?list=PLTfpOaAUl8_bswLDDBcQkWt3_lDl8PJo9
コブクロがカバーした、やしきたかじんさんの「大阪恋物語」をカバーさせていただきました。
生前のたかじんさんの手記に「コブクロに歌って欲しい」と記されていた曲です。
たかじんさんの奥様からこの話を聞いて感銘を受けたコブクロのお二人が、2014年のイベント「大坂の陣400年音楽祭」でこの曲をカバーしました。
とっても素敵な曲ですので、コブクロのカバーと共に、ぜひ、たかじんさんのオリジナルも聴いていただけると嬉しいです♪
※原曲はこちら!
・コブクロ(カバーバージョン)
https://youtu.be/KlZGXsK3oBQ?t=441
・やしきたかじん(オリジナル)
https://youtu.be/REZblj1naM0
※コブクロのエピソードトーク
https://youtu.be/KlZGXsK3oBQ?t=376
※チャプター
00:00 タイトル(Title)
00:03 サビ&イントロ(Chorus&Intro)
00:53 1番(1st_Verse)
02:48 2番(2nd_Verse)
04:29 大サビ(Last_Chorus)
05:15 アウトロ(Ending)
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Thank you so much for watching!
I'll participate in Music Festival "Go To On-You" that is produced by Rahmen-san!
*On-You-Kai Music Festival "Go To On-Tou" Playlist♪
https://www.youtube.com/playlist?list=PLTfpOaAUl8_bswLDDBcQkWt3_lDl8PJo9
I did a cover of "Osaka Koi Monogatari(Osaka Love Story)" which was covered by Kobukuro.
The original song was made by Yashiki Takajin.
This is the song that it was written as the words "I want Kobukuro to sing this song" in the private papers of Takajin-san before his death.
The two of Kobukuro heard this episode from his wife and they were so impressed, then they covered this song in the event "Siege of Osaka 400 years music festival" in 2014.
This is very lovely song, so I would be grateful if you would listen the Kobukuro cover version as well as the original Takajin-san's singing.♪
Thanks my friends!
*The original song is HERE!
- Kobukuro(Cover version)
https://youtu.be/KlZGXsK3oBQ?t=441
- Yashiki Takajin(Original)
https://youtu.be/REZblj1naM0
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#GoTo音友 #コブクロ #大阪恋物語
#やしきたかじん
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English comment is after Japanese.
back numberの「水平線」をカバーさせていただきました。
予告なく8/18に突然発表された新曲です♪
詳細はリンクのオリジナルMVの説明欄をご覧いただければと思いますが、
back numberが多くの音楽ファンに支持される理由が分かる気がします♪😉
メロディーラインが思いの外複雑でした💦
最後の大サビは転調するのですが、全音上がることもあって、
今回はグライダーカポではなく「G」→「A」にして弾きました🎸
なお、耳コピですので、コード間違い等はご容赦ください💦💦
最後までお聴きいただけると嬉しいです!😄
※原曲はこちら!
back number - 水平線
https://youtu.be/iqEr3P78fz8
※チャプター
00:00 タイトル(Title)
00:03 イントロ(Intro)
00:32 1Aメロ(1-Verse)
00:58 1Bメロ(1-Bridge)
01:12 1サビ(1-Chorus)
01:39 間奏(Interlude)
01:51 2Aメロ(2-Verse)
02:18 2Bメロ(2-Bridge)
02:31 2サビ(2-Chorus)
02:57 ソロ(Solo)
03:17 3サビ(3-Chorus)
03:31 大サビ(Last_Chorus)
04:04 アウトロ(Ending)
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Thank you so much for watching!
I did a cover of "Suiheisen (Sea horizon)" by "back number".
This was suddenly release without notice at 18th Aug.'20.♪
I want you to refer to the detail which is wrote in the comment of the original MV, but I understood the reason that so many fans of "back number" supports them.♪😉
The melody was unexpected complex.💦
Although last hook key is modulated, it is raised a whole note, so I played to change the key chord from "G" to "A" without the glider capo.🎸
As well, please bear with chord errors if there are any because the copy by ear.💦💦
I'd be happy if you watch till the end.😀
Thanks my friends!
*The original song is here!
back number - Suiheisen
https://youtu.be/iqEr3P78fz8
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#back_number #水平線
#インターハイ(全国高等学校総合体育大会)
it is well chord 在 Kristene DiMarco "It Is Well" - ( Guitar chords ) - YouTube 的推薦與評價
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it is well chord 在 It Is Well With My Soul - Tutorial (acoustic guitar) - YouTube 的推薦與評價
Free chord charts, song video, and more: https://www.worshiptutorials.com/tutorials/ it-is-well -with-my-soul/How to play a simple arrangement ... ... <看更多>
it is well chord 在 It Is Well [Key: G]- Lyrics & Chords - YouTube 的推薦與評價
It Is Well by Horatio Gates Spafford, Kristene DiMarco, and Philip Paul Bliss. This is a great worship song that uses the chorus from the ... ... <看更多>