Who likes music class?
timbre in music 在 Facebook 的最佳貼文
同時也有6部Youtube影片，追蹤數超過17萬的網紅Nasser Amparna，也在其Youtube影片中提到，#JVLOG 13 April 3, 2017 I got a message asking me to have a final casting for a corporate video and walang mawawala, so nagtry ako :) Sakto, it will ...
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- 關於timbre in music 在 Facebook 的最佳貼文
- 關於timbre in music 在 Sonic Deadhorse Facebook 的最讚貼文
- 關於timbre in music 在 Mongchin Yeoh Facebook 的最讚貼文
- 關於timbre in music 在 Nasser Amparna Youtube 的精選貼文
- 關於timbre in music 在 Benjamin Man — iBenTV Youtube 的最佳解答
- 關於timbre in music 在 3Think Youtube 的精選貼文
- 關於timbre in music 在 Timbre | MUsic Technology Online Repository 的評價
- 關於timbre in music 在 Timbre Music - 首頁| Facebook 的評價
timbre in music 在 Sonic Deadhorse Facebook 的最讚貼文
【Non-Confined Space 非/密閉空間】首張專輯《Flow, Gesture, and Spaces》Bandcamp已經上架，附上英文版的介紹。
Between the spheres of free improvisation, jazz, trap, and musique concrète, lies Non-Confined Space. The name of this Taipei-based duo – saxophone polyglot Minyen Hsieh and audiovisual electronica experimentalist Ge-Chun Cheng (aka Sonic Deadhorse) – aptly describes their approach to exploring the fertile space they find themselves in. Drawing inspiration from their differing musical approaches and worlds, plus energy from the lively Taiwanese music scene, Non-Confined Space is a bold and future-facing hybrid. Cheng deploys piles of samples alongside Hsieh’s versatile saxophone, resculpting the results into a sublime and boldly experimental debut album of beats and processed improvisations unlike anything you’ve heard before.
Taking its title from a philosophical textbook about free-jazz, Flow, Gesture, and Spaces is a revelatory introduction to the duo, mixing the utterly free improvisations of their live shows (exemplified with spontaneous straight-to-tape takes on two of the album’s ten tracks) with an approach to studio composition inspired by the philosophy of improvisation. Basic outlines – often borrowing chord movements from the likes of Coltrane and Wayne Shorter, or pulling beats from Cheng’s huge library – would be cut loose in studio sessions, later augmented by psychedelic post-production. Utilizing methodology from the eponymous book, Flow, Gesture, and Spaces is nonetheless based on “simple elements” as the duo put it, “rhythm, intervals, timbre, and energy.
As a pairing, Non-Confined Space seem to come from polar opposite ends of the spectrum, musically. Performing professionally since the age of 19, Minyen Hsieh first picked up the saxophone back in high school, going on to study with local jazz musicians, and eventually studying the instrument at Koninklijk Conservatorium in Brussels. He’s since made a vast array of music, from traditional swing to the loosened bop of his debut solo album Firry Path, and collaborations with pianist Shih-Yang Lee and legendary Japanese free-drummer Sabu Toyozumi. Non-Confined Space is Hsieh’s first deep foray into the art of electronic processing.
Ge-Chun Cheng’s primary solo project since 2007 has been Sonic Deadhorse. A sample-hungry outfit blending the “indulgence of the 70s, melancholy of the 80s, nihilism of the 90s, and isolation of the new century”, the project has produced a wide-range of sounds from post-Flying Lotus fusion beats to wild live performances of a club-influenced mix of post-rock, dubstep, and chiptune (documented on a 2016 live set for Boiler Room). Working as something of a one-man band has left autodidact Cheng well prepared to not only match the classically trained Hsieh, but to push his partner into wild new directions. “I can always get organic feedback and responses from Minyen,” explains Cheng. “It makes me want to put more elements and processing into the music, and to change style more often.”
Since first meeting at a jam session in Taipei City, Non-Confined Spaces have evolved into an improv outfit for the 21st century, as indebted to Aphex Twin and Squarepusher as they are to Archie Shepp and Sun Ra. The road to Flow, Gesture, and Spaces has seen the duo play for dance performances, visual exhibitions, and even live-painting. Their own live shows also include various interactive and audiovisual elements, consistently focusing in on those three core elements checked in the album’s title. Non-Confined Spaces is a project far from tied down, flirting with bass-heavy tropicalia on ‘Serotonin Cell’, psychedelic post-Madlib hip-hop on ‘Melodic Gesture’, and noisy electrified free jazz on ‘Entropy’. The latter is one of two live takes featuring drummer Weichung Lin and keyboardist YuYing Hsu – allies from the Taiwan scene – capturing the explosive spontaneity and uncannily wonky sounds of this unique duo reconstructing samples live on the spot. Flow, Gesture, and Spaces is a true journey into the heart of the unknown.
Tristan Bath
timbre in music 在 Mongchin Yeoh Facebook 的最讚貼文
Lots of memories were left here at Switch by Timbre X as it was the usual hangout spot of @matthiashaha & I while we were still in school. Revisited the newly renovated Switch and it’s so beautiful now! With neon lights everywhere, big spacious spaces for gathering with friends and a new improved menu and bar... we had so much fun here! Music was also as good as before, and if you’re a fan of both English and mandarin songs, you’ll love the new @Switch_Timbrex ❤️ #SwitchRefreshed @ Switch by Timbre X
timbre in music 在 Nasser Amparna Youtube 的精選貼文
#JVLOG 13
April 3, 2017
I got a message asking me to have a final casting for a corporate video and walang mawawala, so nagtry ako :) Sakto, it will be my birthday month, so I think its God's gift for me this year. :)
Then, I got to taste the best lechon in SG, from ISKINA CEBU.
ENJOY the video guys...
Thank you.
SHOUT OUT TO
Iskina Cebu Restaurant
Timbre +
TechCube8
and to AARON YAP! Mr Bart, thank you haha
===================
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===================
MUSIC:
* Youtube Music Library
* Fluex - Wings To Fly (Future House Music No Copyright)
* Desmeon - Hellcat [NCS Release]
SUBSCRIBE TO THEM: https://www.youtube.com/channel/UC_aE...
TATA for NOW!
Please Don't forget to SUBSCRIBE
God bless everyone!
timbre in music 在 Benjamin Man — iBenTV Youtube 的最佳解答
[1/3] I got FULL MARKS for this composition as part of my IB Music HL composition coursework (25% of my final grade)!!!! Note: some of the dynamic markings are messed up because im recording this on panorama mode :(
This song is a rewrite based on my previous IGCSE composition 'The Maze Runner' (https://youtube.com/watch?v=3VpPBgywVzA)!
Reflective Statement:
My initial intention for ‘Haunting’ was to compose for mallet quartet describing my own IB journey. I wanted to experiment with a 5-octave marimba, and was also intrigued by extended ternary form (AABA) in chamber music. I was inspired by the soundtrack from “Legend Of The Wind” by Studio Ghibli, but was also influenced by minimalist music such as “Mallet Quartet” by Steve Reich. A performers note has been included to help clarify the meaning of each section and to convey its meaning.
I began composing this piece on the marimba with the intention of a four-mallet marimba solo due to its wide range. However, I then decided to expand it to a small ensemble so that I could experiment with different textures, timbre and harmonies. As a result, I fragmented the main melody to include more tone colour in the piece. As a percussionist, I was aware of the many unique techniques capable of the marimba and vibraphone, thus I wanted to exploit that and transform my composition by writing in unconventional techniques and notations (such as handle- on-handle and rapid glissandi) and was able to choose more interesting rhythms. I developed my piece by adding an entire section using mainly triplets to create a contrast in rhythm, which helped create a climax.
The outcome of this piece is that I learnt how to develop ideas from fragments of melody, and how to compose a rhythmically challenging piece whilst still maintaining an overall cohesiveness. I also learnt how to compose for a repetitive melody yet still being able to add colour and maintain interest as the piece progresses. As a result, this lead me to discovering many vibraphone techniques I hadn’t learnt prior, such as mallet-dampening and learning how to use the pedal properly!
(299 Words)
timbre in music 在 3Think Youtube 的精選貼文
"SoundBase Festival 2010"
Acoustic Band Competition - Final
「原音2010」樂隊比賽─決賽
銅獎 Bronze Prize
3Think 循環
(原創歌曲 Original Song)
「原音2010」樂隊比賽 - 決賽
銅獎：The3Think TomLee 評論
七人組合The3Think在編曲方面下了不少功夫。原創作品「循環」依始時的一段無瑕的三部清唱讓聽眾體會到人聲的自然美，亦令人聯想起日本流行組合Godspellers。憑著簡單輕快的旋律，他們帶觀眾走入一個充滿正能量的世界，鼓勵大家別向低處看，要懷有希望，難怪那麼多粉絲在台下為他們打氣。曲尾時他們更以人聲模仿喇叭音色，效果逼真，出奇新穎。
If you enjoy pure, unadulterated a cappella sound and instantly accessible melodies, try catching future performances of bronze prizewinner The3Think. The septet shone on stage with their amazing a cappella-infused Canto-pop tune, in which the arrangement is as meticulous as Japanese a cappella/pop group Godspellers' studio works. In sum, they had great energy and made a real effort to display their best. Their mid-tempo work delivers a positive philosophy lesson. The song reaps the benefits from the elaborative, improvisatory solo passage by one of their members, who mimicked the timbre of a trumpet with his voice. While so many songs are about trying to destroy relationships or your life, their song sends out positive messages and could be used much like a self-help book.
timbre in music 在 Timbre Music - 首頁| Facebook 的推薦與評價
Timbre Music ， Singapore, Singapore 。 58548 個讚· 3 人正在談論這個。 Timbre Music is the musicians agency and promotor arm of Timbre Group, ... ... <看更多>
timbre in music 在 Timbre | MUsic Technology Online Repository 的推薦與評價
In this unit, we will discuss the physical characteristics of sound that are related to timbre, as well as the role of timbre in the organization of musical ... ... <看更多>