I’ve been told my whole life that broad shoulders look ugly on women, big bones, big hips, big shoulders. It’s kind of weird trying to accept something that people have continuously tried to point out as a bad thing.
.
So here’s a reminder that society’s perception of beauty is fucked, you get to choose what you like about yourself (and not like too), and looking and feeling strong sure as hell feels fucking amazing.
.
#thenictionarycrochet
同時也有20部Youtube影片,追蹤數超過5萬的網紅Brenda Tan,也在其Youtube影片中提到,ALRIGHT love, relationships, dating, everything else that comes with it... ya'll asked I answered Timestamps: 0:00 1:03 Would you rather emotional or...
「what is perception」的推薦目錄:
- 關於what is perception 在 Nicole Chen - thenictionary Facebook 的精選貼文
- 關於what is perception 在 Facebook 的最佳貼文
- 關於what is perception 在 VOP Facebook 的最佳解答
- 關於what is perception 在 Brenda Tan Youtube 的最讚貼文
- 關於what is perception 在 WE5-Shibaland Youtube 的最佳貼文
- 關於what is perception 在 Crappy Blogger Youtube 的最佳貼文
- 關於what is perception 在 What is PERCEPTION? What does PERCEPTION mean 的評價
- 關於what is perception 在 Differences in Perception 的評價
what is perception 在 Facebook 的最佳貼文
To NYC 🇺🇸
It’s been 3 magical months at home.
The get away has brought me new perception towards many things here. About what music to make, how music should be made, how life should continue, who should I be with.
Jazz was my focus during the get away, but it was never only about the music. It’s what jazz is about, how jazz is made. Jazz is a way of music making based on factual theory in music, self identification and actualisation and mutual respect in humanity. Spending time with jazz has free my mind from a lot of boundaries I’ve formed while growing up. It pushed my imagination.
Being at home, it’s the perfect ground for imagination actualisation. Simply because I cannot know any place better than this place I call home.
The previous 3 months was only a sneak peak, a beginning of my evolved imagination, I look forward to be back and keep things rolling 🤟🏻
See you! 🇭🇰 下年見!
what is perception 在 VOP Facebook 的最佳解答
#新刊出版 New release!!!
Voices of Photography 攝影之聲
Issue 30:美援視覺性──農復會影像專題
U.S. Aid Visuality: The JCRR Issue
本期我們重返影響台灣戰後發展至關重要的美援年代,尋索過往在台灣影像歷史視野中遺落、但卻十分關鍵的美援時期台灣視覺歷程──「農復會」的影像檔案。
成立於1948年、以推行「三七五減租」和「耕者有其田」等土地改革與農業政策聞名的農復會(中國農村復興聯合委員會,JCRR),被認為是奠定二十世紀「台灣經驗」基礎的重要推手。然而很少人留意,這一農經專業的美援機構,在1950至60年代拍攝了大量的照片、幻燈、電影,並生產各種圖像、圖表、圖冊與海報,在冷戰年代與美援宣傳機制緊密連結,深深參與了戰後「台灣(視覺)經驗」的構成,影響著我們的視覺文化發展。
冷戰與美援如何形塑台灣的影像與視覺感知?本期專題透過採集考察眾多第一手的農復會早期攝影檔案、底片、圖像、影片與文獻資料,揭載鮮為人知的美援年代視覺工作,追尋這一段逐漸隱沒的戰後台灣攝影與美援視覺性的重要經歷。
其中,李威儀考掘農復會的歷史線索與視覺文本,探查美援的攝影檔案製程、「農復會攝影組」的成員蹤跡,以及文化冷戰期間從圖像、攝影到電影中的美援視覺路徑;蔡明諺分析1951年由農復會、美國經合分署與美國新聞處共同創辦的《豐年》半月刊,從語言、歌謠與漫畫等多元的視覺表現中,重新閱讀這份戰後最具代表性的台灣農村刊物潛在的意識形態構成與政治角力;楊子樵回看多部早期農教與政策宣傳影片,析論農復會在戰後台灣發展中的言說機制與感官部署,並從陳耀圻參與農復會出資拍攝的紀錄片計畫所採取的影音策略,一探冷戰時期「前衛」紀錄影像的可能形式;黃同弘訪查農復會在1950年代為進行土地與森林調查所展開的航空攝影,解析早期台灣航攝史的源起與美援關聯,揭開多張難得一見的戰後台灣地景航照檔案。
此外,我們也尋訪生於日治時期、曾任農復會與《豐年》攝影師的楊基炘(1923-2005)的攝影檔案,首度開啟他封存逾半世紀、收藏農復會攝影底片與文件的軍用彈藥箱和相紙盒,呈現楊基炘於農復會工作期間的重要文獻,並收錄他拍攝於美援年代、從未公開的攝影遺作與文字,重新探看他稱為「時代膠囊」的視覺檔案,展現楊基炘攝影生涯更為多樣的面向,同時反思「美援攝影」複雜的歷史情愁。
本期專欄中,李立鈞延續科學攝影的探討,從十九世紀末天文攝影的觀測技術,思考可見與不可見在認識論上的交互辨證;謝佩君關注影像的遠端傳輸技術史,檢視當代數位視覺政權中的權力、知識與美學機制。「攝影書製作現場」系列則由以珂羅版印刷著稱的日本「便利堂」印刷職人帶領,分享古典印刷傳承的工藝秘技。
在本期呈現的大量影像檔案中,讀者將會發現關於美援攝影的經歷與台灣歷史中的各種視覺經驗,還有許多故事值得我們深入訪查。感謝讀者這十年來與《攝影之聲》同行,希望下個十年裡,我們繼續一起探索影像的世界。
_____________
● 本期揭載未曾曝光的美援攝影工作底片、檔案與文件!
購書 Order | https://vopbookshop.cashier.ecpay.com.tw/
_____________
In this issue of VOP, we revisit the era of U.S. aid, a period that was of utmost importance to Taiwan’s post-war social and economic development, and explore Taiwan’s much forgotten but crucial visual journey during this era ── the visual archives of the JCRR.
Established in 1948, the Chinese-American Joint Commission on Rural Reconstruction, or the JCRR, is widely known for the implementation of various land reform and agricultural policies, such as the “375 rent reduction” and “Land-to-the-tiller” programs. Hence, the Commission is considered an important cornerstone to laying the foundations of the “Taiwan Experience” in the 20th century. That said, very few are aware that this U.S. aid organization specializing in agricultural economics was also closely associated with the American propaganda mechanism during the Cold War, and had in its possession countless photos, slides and movies, and produced various images, charts, pamphlets and posters. All these contributed to the formation of the post-war “Taiwan (Visual) Experience”, deeply influencing the development of our visual culture.
How exactly did the Cold War and U.S. aid shape Taiwan’s image and visual perception? This issue’s special feature uncovers the little-known visual activities from the U.S. aid era by investigating the collection of JCRR’s first-hand photo files, negatives, images, films and documents, and traces this important journey of post-war Taiwan photography and U.S. aid visuality that has gradually faded from people’s minds.
Among them, Lee Wei-I examines the historical clues and visual texts of the JCRR, and explores the production of the U.S. aid photographic archives, following the traces of the members of the “JCRR Photography Unit” and the trails of U.S. aid visuals during the Cold War from images and photography to films. Tsai Ming-Yen analyzes the diverse visual manifestations, such as languages, ballads and comics, contained in the semimonthly publication Harvest, which was co-founded by the JCRR, the U.S. Economic Cooperation Administration, and the U.S. Information Service in 1951, presenting a new take on the ideological and political struggles that were hidden beneath the pages of this agricultural publication that could also be said to be the most representative publication of the post-war era. Yang Zi-Qiao looks back at the early agricultural education and propaganda films, and analyzes the discourse and sensory deployment utilized by the JCRR in the development of a post-war Taiwan and the possibilities of the “avant garde” documentary films from the Cold War period through the audio-visual strategies gleaned from director Chen Yao-Chi’s documentary project that was funded by the JCRR. At the same time, Houng Tung-Hung checks out the aerial photography taken by the JCRR in the 1950s for land and forest surveys, and uncovers the origins of Taiwan’s aerial photography with U.S. aid, giving readers a rare glimpse at post-War Taiwan’s aerial landscape photographic archives.
In addition, we will explore the photographic archives of Yang Chih-Hsin (1923-2005), a former photographer who was born during the Japanese colonial period and worked for the JCRR and Harvest, unearthing negatives and documents kept away in the ammunition and photo-paper box that had stayed sealed for more than half a century. This feature presents important files of Yang during his time with JCRR, and photographs taken and written texts produced during the U.S. aid era but were never made public. We go through the visual archives enclosed in what he called a “time capsule”, shedding light on the diversity of his photography career, while reflecting on the complex historial sentiments towards “U.S. aid photography” at the same time.
Lee Li-Chun continues the discussion on scientific photography in his column, exploring the interactive dialectics between the seen and the unseen through the observation technology of astrophotography in the late nineteenth century. Hsieh Pei-Chun focuses on the history of the technology behind remote transmission of visuals and examines the power, knowledge and aesthetics that underlies contemporary digital visual regime. Finally, this issue’s “Photobook Making Case Study” is led by the printing experts at Japan’s Benrido, a workshop that is renowned for its mastery of the collotype printing technique.
Through the large collection of photographic archives presented in this issue, readers will see that there remain many stories on the photography process in the U.S. aid era and various types of visual experiences in Taiwan’s history that are waiting to be unearthed. We thank our readers for staying with VOP for the past decade and we look forward to another ten years of exploring the world of images with you.
_____________
Voices of Photography 攝影之聲
vopmagazine.com
_____________
#美援 #農復會 #冷戰 #台灣 #攝影
#USAID #JCRR #ColdWar
#Taiwan #photography
#攝影之聲 #影言社
what is perception 在 Brenda Tan Youtube 的最讚貼文
ALRIGHT
love, relationships, dating, everything else that comes with it... ya'll asked I answered
Timestamps:
0:00
1:03 Would you rather emotional or physical cheating?
3:04 Will you confess to your crush (same gender) if you're not sure of her s*xuality?
4:37 How you met your current partner
4:55 Worst reason for breakup
5:26 In what ways do you think you and Mavis are compatible?
5:31 Talking about s*x
11:21 Is s*x more enjoyable with a guy or a girl?
12:00 When was your first time having s*x? Was it painful?
13:47 How should I react if my ex has told others about our s*xual history without my permission?
14:55 How do you approach girls / discreetly find other queer companions?
16:29 How to deal with body (size) insecurity during s*x?
18:23 How has your perception of love changed? As compared to when you were younger
20:22 Being bi, when it comes to s*x, do you have a preference between males and females?
22:23 What is your love language?
23:37 S*x before marriage? Have you gotten intimate with Mavis yet?
25:00 Have you faced any discrimination in public with your gf?
25:26 Have you ever had problems pleasurin yourself/partners?
26:23 Have you s*xted?
26:39 Most bizarre/wildest s*xual experience
26:45 How can one tell if they're pan if they haven't felt attraction to all genders yet?
27:51 What will you do if you and Mavis want s*x?
28:04 Girl fell in love with a guy who had a gf, still with gf 5 years later, should she confront gf
32:38 I always think about my ex whenever I think about s*x & intimacy and that makes it harder to get over them. Any advice?
34:11 With all the fights you had with your SO, does s*x help?
34:38 What are your views on hair removal on vjj? Is it really necessary TT__TT
37:28 If you have the ability to switch Mavis into a born male, would you do it?
38:50 How do females have s*x with their partner?
39:35 How did you and Mavis decide to stop being friends and get the romance in da air instead?
39:48 What happened in your previous relationship?
40:46 Who is the clinger one in your relationship? And how do each of you deal with it?
43:01 Hypothetically, if your partner was generally less capable than you in many aspects, would you feel the need to shelter them?
46:58 Tips on online dating, casual s*x, getting back into the dating game and how to ~feel ready~
⚡️NEW VIDS EVERY WEEK, MAYBE WED AND DEFO THE WEEKEND ⚡️
» SAY HI! ?
☞ IG - http://instagram.com/wordweed
☞ TWEET TWEET - http://twitter.com/wordweed
☞ FB - fb.me/thewordweed
» GO MARGAUX ?
(go mar-go)
I run an online store for vintage and contemporary jewellery and apparel sourced worldwide that I personally source, curate and shoot!
☞ gomargaux.net
☞ @gomargaux on instagram
» WORK EMAIL ?
✎ wordweed@gmail.com
Edited by myself
Subtitles submitted by yallistg! Thank you!!!
Sponsored by nobody lah... who would wna sponsor this LOL
what is perception 在 WE5-Shibaland Youtube 的最佳貼文
這是我們每天的日常(其實片段是幾年前拍下的,Yobi自上年已經爬不上樓梯了)。我們每天外出,我都要無數次重複自己的理念:「不是不讓大家拍照,只希望您能夠先問一聲!」。尤其是在狗狗上廁所、我在清潔、我拿著屎屎去屎桶的時候。調過來,同樣事情發生在您身上,您又作何感想呢?當然大家亦有自己的選擇,但我可以有自己的選擇嗎?!
.
大家都經常掛在口邊要講「初衷」、「原則」、「堅持」,我有啊!但為何我不讓您拍照,而我又變成仆街呢?!當我阻止大家拍照和解釋我的理念,大家可能會感到被冒犯甚至不悅,但首先大家有冇理會過我的感受先呢?我阻止第一個和解釋的時候,會好聲好氣;但到第十個、第二十個,我不是機械人、我都有情緒.....
.
希望大家不要合理化拍照這回事,這不是什麼人權或自由,這是禮貌和尊重的事!大家經常都說台灣、日本當地人很有人情味很有禮貌,那我們自己的人情味往那裏去了呢?只去嚮往他人的,而自己又不去改變的,那這世界走落去會怎麼樣呢?不知自從那天起,很多人都只會在網上聊天,而人對人、面對面,就只會拿着手機過活,大家有幾多時候已經沒有再關心過身邊的人呢..... ?亦有些朋友可能遭到拒絕而感到不悅,在網絡上誣捏我會收人錢,$20/$50/$100不等,才可以影狗狗;但亦有無數的朋友可以作證,他們都跟狗狗拍過照,不用付款,只需要問一聲!不知情的朋友亦會相信自己選擇去相信的,實在無奈..... 如果認真便真的死了!我絕不介意跟大家分享,只希望大家能與人多一點關心、交流和溝通!
.
This’s Our Daily Life (Btw, the clips were taken few years ago, and Yobi ain’t able to climb up the staircase since last year). Meanwhile we go out everyday, I have to repeat thousands of times : “It ain’t about NO PHOTO, but Please Ask Before U Snap”. Especially when doggies they pee/poo, when am cleaning after, when am carrying tons of pops. Try to imagine, what if the same shit is happening to yourself, how U feel?! U may have ur own perception/choice, but can I have mine?!
.
People did study “May I?!”, “Would U mind?!” at school, but how come I stop U taking a photo and then I became impossible?! When I stop people taking a photo, try to explain why, and they may probably feel bad or offensive, but actually did people care how I feel the first place?! Am truly calm and patience when I stop and explain to the first one or second one, but when I talk to the tenth, the twentieth, I feel very very annoyed and pissed off..... Am not a robot, I have my emotion too. This ain’t sorts freedom or human rights, but courtesy and respect!
.
Many people say they feel a lot the warmness and friendliness of the people when visiting TaiWan and Japan, but where is ours then?! I don’t know since when, people do communicate on social media’s, but they won’t talk to people face to face and became mute and deaf, for how long we didn’t care people around?!
.
I never mind to share the happiness of the pack with people, am just expecting more and more people shall get engaged positively! They 5 are having photos with numerous people everyday, a reward to those people whom did ask for one politely!
?
*拍照前請先打招呼詢問一下哦
*拍照前請先注意交通安全哦
*狗狗上廁所時請不要拍照哦
*我清理和拿著狗狗便便時請不要拍照哦
*摸狗狗前請先問一下
*我們鼓勵人與人之間應該多聯繫
*打個招呼拍拍照何樂而不為
*PleaseGreetAndAskBeforeYouSnap
*PleasePayAttentionToTrafficBeforeYouSnap
*PleaseDoNotSnapWhenDoggiesPeeAndPoo
*PleaseDoNotSnapWhenAmCleaningAndCarryingTheirPoops
*PleaseAskBeforeYouPat
*WeAreEncouragingHumanEngagement
*NothingToLooseToSayHi
what is perception 在 Crappy Blogger Youtube 的最佳貼文
For more follow at
Facebook: https://www.facebook.com/crappyblogger/
Instagram: https://www.instagram.com/crappyblogger_/
Blog: www.crappyblogger.com
Psyched Blog: https://www.crappyblogger.com/search/label/Psyched
Too many big dreams, too many failures, too many disappointments despite all the achievements in life will give us at least a little impact even if we don't put it into our head.
For me, all of these disappointments gives me huge anxiety. I am always worried about my future. I am always unhappy though I have too many great projects to work with.
These projects that I am working on are my achievements yet I am still thinking about the things that I didn't achieve and adding more anxiety in my life.
I couldn't figure things out. Why on earth I am feeling like this? Is it me or am I really a loser who achieved nothing in life?
I started reading a lot as usual so I can gain some insights about myself.
What I found gave me temporary relief and it created a path to the permanent solution.
Gratitude.
I was working with amazing brands like Loreal, Shopee and Guardian yet I was so dissatisfied. It is because I wasn't being grateful for what happened.
I wasn't thanking the moment that happened to me. I knew long ago that I was lacking empathy. Gratitude too? Perplexed.
Then I took a second to myself and thought, "what on earth is gratitude? How on earth I do it?"
Well, honestly I am still working on my gratitude skills. Yet, I feel so much better than before and so much confident than ever.
Especially with the recession that is happening, I need my confidence the most right now.
How to show gratitude?
Things will go wrong cause somehow life is full of ups and downs. Rather than complaining and feeling low, you can start seeing the positivity behind each problem.
Lost your job? Maybe, this is the time for you to explore yourself and get a better opportunity in life. Be grateful that it happened.
Quarantined and bored? Maybe, this is the time to start the blog you was always talking about *Learn how to start a blog with me (One to one online class). Hehehehe.
Maybe it is time to start your novel? Maybe its time to start the online business that you have always dreamed off.
All the things that have happened in your life, be thankful and show them your gratitude. Say thanks for each small help you're getting. Start looking at the other side of a coin and appreciate it.
Believe that everything happens for a good reason and God will never give a challenge that you can't handle.
Your perception about a lot of things will change and you will start having only good energy around when you start seeing everything with a grateful mind.
Remember creating a positive vibe is important. Showing gratitude makes you have so much positive energy within you and it gives you the courage to move on in life with great strength.
what is perception 在 Differences in Perception 的推薦與評價
3.3 Differences in Perception. Learning Objective. Determine how perception differs between people. Someone may say what you consider to be a simple exclamatory ... ... <看更多>
what is perception 在 What is PERCEPTION? What does PERCEPTION mean 的推薦與評價
... <看更多>