關於 when we were young lyrics ，我們在網路上蒐集到這些相關的討論、資訊與評價

【天青色等煙雨，而我在等你】(English writing below)

我看著客人眼淚
滴滴答答的打在桌面上
筆記本
濕了
本子上的字
糊了

她的心酸
猶如洪泉遇到崩裂的堤壩
一波一浪的破牆而出

一個被愛情辜負的女子
看了真是心疼

我不由自覺的
想到了自己

你懂我的
像我這樣剛烈的女子
爲了愛情
我絕不退縮
祇是一個勇字
又豈能成事呢

童年
過得心驚膽顫
家裡常吵得
雞犬不寧

爸爸沒想要
把我生下
媽媽常說
要把我趕出去

我很努力讀書
我很努力做個乖孩子
我覺得我做得很好
人小小本事很大
但這些終究無法
讓我在美滿的家庭長大

多少個夜晚裡
我被媽媽打得
想奪門而出
永不再見
可是想到誰來照顧她
我又忍下來

我很恨
為何我命運不如人

第一次談戀愛時
我是多麼多麼的雀躍
內心裡的煙花
不斷地爆開
我終於等到了
不再是
沒人要的孩子了

我終於
值得有人愛了

初戀的絢麗
卻也如七彩美麗的煙花
一聲巨響後
就消失在漆黑的夜裡

他常常在我面前
提到他如何深愛著
他中學時的校花
她是如此的美好

有一次
這校花來我們的學校
他得知後
破課室的門而出
沒見到她
他哭了一整個星期

心中的不安
讓我常常與他吵架
三年零八個月裡
我不是一個好女友
服滿兵役後
他喜歡上大學迎新會
的一位混血兒

後來
我和一位校友打了幾次桌球
某夜
他在ICQ向我索吻
對他的印象
就一落千丈了
（你以為老娘在賤賣嗎？）
不久一位朋友告訴我
他約會的對象
不只我一個

我有一位
很好很好的朋友
我在新加坡時
他常陪我
深夜打桌球到清晨
聊佛法聊人生
一起上佛學班
一起學國標舞
從未有一個人
如此瞭解我的心
如此照顧著我

但無所不談的當兒
他也不斷告訴
這麼多年來
他如何愛念著
一個女孩
對她始終無法忘懷

我又輸給
活在記憶中的人了

我這一份單戀
長達兩年
很磨人很磨人很磨人
差一點走不出來

第二次談戀愛
他常在我面前提起
一個他追了半年追不到的女孩
他說
有一天一定要去問她
為什麼不選擇他

在家裡的毒打
並沒有隨著我成人
而停止

後來拜師學藝
卻因爲品德不良
被師父一句
「你不是我要找的人。」
斷然吃了閉門羹

那天我哭得痛徹心扉
覺得自己
好像是
個沒人要的孩子

方文山因爲
八百年前
宋徽宗皇帝御批的這句
「雨過天青雲破處」
而在周傑倫《青花瓷》裡
寫了『天青色等煙雨，而我在等你』

他說
愛情里最無力的無奈
就是「等待」
天青色得等待
不知何時會降的雨
雨停
積雲散去
朗朗晴空中
天青色才能顯現
如同我
只能被动而安静的
等待着
不知何时才会出现的妳。

慢慢的
我開始認為
我這輩子等不到了
月老應該沒幫我
綁上紅線

學佛多年後
忽然恍然大悟
一個道理
没有东西是必须拥有的
沒有它
也不代表自己的不足

愛情
是一個填不滿的慾望
所以愛情劇長紅

在2015年2月21日年初三，根本上師蓮生活佛在台灣中天綜合電視台的訪談中說：https://youtu.be/EPDxwSt6a5I （時間12:08）

「師尊本身的愛是這樣的。我既然愛她，就是要她幸福，不是要佔有她，這種愛不是佔有，其實愛不是佔有。如果愛是佔有的話，那就是屬於慾望。如果愛不是佔有，我是祝福她，雖然我愛她，她不愛我，她愛別人，我就祝福她。如果愛別人會比較幸福，我就祝福她。這種愛就不是佔有的愛。如果是佔有的愛，一定會產生痛苦。」

原來我真正在等的
是自己
自己的智慧開了
心變闊達時
才不會讓他人決定
自己幾時可以幸福
可以幸福多久
命運在我手中
怎麼走本來就是我說了算

我輕輕的拿起桌上的紙巾，遞給女客人。她一把鼻涕，一把眼淚的向我道謝。

借了師父慣用的笑話，我柔聲細語的說：「別哭，新加坡缺水，要哭要到蓄水池哭，這樣我們可以少看馬來西亞的臉色做人。」

她破涕而笑。

我再說：「我看了妳的八字，現在又看到妳真人，勸你跟我講話老實一點，要不然我幫不到妳。妳明明一直做人家的小三，還敢跟我哭沒有男人要和妳結婚？妳不也偷偷拿了他不少錢嗎？我看妳明明就是一張愛錢的臉。」

奉勸各位大俠，在我面前，若要用眼淚爲武器，請三思，因爲虛偽的，我必定拆你面具。

..........................

I looked at the teardrops of my client, pitter patter onto the table top. My client's notebook got wet. The words got muddled.

All the pains in her heart were like the angry river crushing through a broken dam, tearing down the walls as the tears flowed.

To see a lady being let down by love was indeed heart-breaking.

I couldn't help but thought of myself.

You know me. An unyielding character like mine will not shrink like a coward in the name of love. Alas, there are things in life that can't be accomplished solely with courage.

My childhood was filled with a lot of fear. There were often quarrels at home.

My dad didn't want me to be born. My mum often said she wanted to chase me out of the house.

I studied very hard. I did my utmost to be an obedient kid, and I thought I did very well as young child but I was already very capable. However, all these were not enough for me to grow up in a complete family.

So many nights, I got beaten up so badly by my mum that I wanted to just break out of the door and never to see her again. But the mere thought of nobody looking after her pulled me back.

I hated so much. Why wasn't my destiny comparable to other people?

When I first fell in love, I was so elated. The fireworks in my heart exploded non-stop. I finally found someone. I was no longer that child which nobody wanted. I was finally worthy of someone's love.

The splendour of first love, however, was as temporal as the rainbow-coloured fireworks. After a loud explosion, it vanished into the darkness of night.

He would often tell me in my face, how much he pined for and loved his secondary school crush, apparently the prettiest and most perfect girl in school.

Once, this campus belle came to our school. When he got wind of the news, he dashed out of the classroom. Failing to see her, he cried for one whole week.

My insecurity caused me to quarrel with him often. In those 3 years and 8 months, I wasn't a great girlfriend. After his NS, he got together with a girl of mixed blood at his university's Orientation camp.

I played pool with a uni mate a few times. One night over ICQ, he teased me for a kiss. My impression of him dropped like hot cakes. Did I look like I was lelong-ing myself? Later, a girl pal told me that he was dating several girls at the same time.

I had a very good friend. Whenever I was in Singapore, he would accompany me to play pool till wee hours. We talked about Dharma, life, and we attended Buddhism and ballroom dancing classes together. I had never met a person who understood me and took care of me so well.

But among our endless conversations of everything and anything, he always told me how he still loved a girl from his school. He couldn't forget her.

Again, I lost to someone who lived in the memory of the guy I liked.

This one-sided love of mine burned for two years. It was very, very, very excruciating. I almost didn't make it out alive.

In my second relationship, the boyfriend would always tell me about a pretty girl whom he pursued for half a year, but failed to win her heart. He told me firmly that if he had the chance, he wanted to ask her why she did not choose him.

The abusive beating at home did not stop even after I grew up.

Later on, when I wanted to become Shifu's disciple, he turned me down flat because he didn't think I had good morals and values. He was blunt, "You are not the person I am looking for."

That night, I cried painfully hard. Suddenly, I felt like I was the kid from my childhood whom nobody wanted.

800 years ago, Emperor Huizong of Song Dynasty wrote in an imperial decree "雨過天青雲破處". It was this that inspired Vincent Fang (方文山) to write the lyrics 『天青色等煙雨，而我在等你』in Jay Chou's song 青花瓷 (Blue and white porcelain).

Vincent Fang said, the most powerless kind of helplessness in love was waiting.

The sky green colour had to wait for the rain, which it had no idea when it would arrive. After the rain stopped, the thick clouds dissipated, in the clear skies, the sky green colour would then be able to appear. This was just like how he could only passively and quietly wait, for his lady whom he had no idea when she would appear.

Gradually, I started thinking that in this lifetime, I would not be able to wait for that person to appear. Perhaps Yue Lao (the elderly celestial under the moon) did not tie the red string on me.

After many years of learning the Dharma, one day, I suddenly came to the realisation that nothing is a must to own.

Secular love is a black hole of desires. That is why romantic shows are evergreen.

On 21 February 2015, the 3rd day of the Lunar New Year, my Root Guru Living Buddha Lian-Sheng spoke in an interview with the Taiwan CTI Television Inc.: https://youtu.be/EPDxwSt6a5I （timestamp 12:08）

"My personal take on love is this. Since I love her, I will want her to be blissful, and not to possess her. Such love isn't possession. Actually love isn't possession. If love is possession, that belongs to desire. If love isn't desire, I will wish her well. Although I love her, she doesn't love me, but loves another person, so I will give her my best wishes. If loving another person brings her more happiness, I will wish her well. Such love isn't possessive love. If it is possessive love, there will surely be pain."

Then I realised, the one that I had been waiting all along for is myself. Waiting for my wisdom to develop, waiting for my heart to be more open, so that I would not place my happiness in the hands of another person, and let the person decide for me when I should be happy, for how long I can stay happy...

My destiny is in my hands. How it pans out is up to me to say.

I gently picked up a serviette from the table and passed it to my lady client. In a mush of mucus and tears, she thanked me.

Borrowing an old joke from Shifu, I gently told her, "Don't cry. Singapore lacks water. If you want to cry, you should cry at a nearby reservoir. This way, we don't have to see the colours of Malaysia in order to get more water."

She broke into a smile among her tears.

I continued, "After looking at your Bazi, and now that I have seen you in person, I advise you to be more honest with me, or else I will not be able to help you. You have all along been a mistress to other men, and you dare to come crying to me that no man wanted to marry you? Didn't you also stole some money from them? The way I see you, you obviously have a money grubber face."

My advice to all swordsmen: If you wish to use your tears as a weapon in front of me, think thrice. Because if you are a hypocrite, I will definitely rip your mask apart.

Brave the pain, Hongkongers (Lee Yee)

In his comments on my yesterday’s article, a reader left me a YouTube link to an English version of “March of The Volunteers”rendered by Paul Robeson, an American singer who was celebrated in my youthhood. The lyrics are as follows,
「Arise, you who refuse to be bond-slaves./Let's stand up and fight for/Liberty and true democracy!/All our world is facing/The chains of the tyrant./Everyone who works for freedom/Is now crying./Arise! Arise! Arise!/All of us with one heart/With the torch of freedom!/March on!/With the torch of freedom!/March on! March on!March on and on!」

Information shows that Robeson chanting this English version in a concert held in New York in 1941 was captured in the video. That year, Liu Liang-mo, a leftist conductor, was dispatched by YMCA to further study in America. Since the Pacific War broke out, Liu had been engaged in a propaganda war against Japan. Presented by Lin Yu-tang, an eminent Chinese novelist and philosopher, he met Robeson and sang in front of the American a few war songs of anti-Japanese invasion, including “March of The Volunteers”. A few weeks later, Robeson made an announcement that he would sing a song named “Chee Lai” for Chinese. He then vocalized in Chinese before belting out the English lyrics mentioned above.

In the English version, no “Chinese nation”, “the Great Wall”nor “enemies’ gunfire” is found, which makes “you who refuse to be bond-slaves” even more outstanding. Without distorting the original gist of the Chinese lyrics, the import of the English version, which encourages people to throw off the shackles of tyranny and fight for freedom as well as genuine democracy, is even more universal and perpetual.

Fights for freedom have been waxing and waning in succession throughout times and across lands for the fact that history has unequivocally manifested that people are being relentlessly enslaved by tyranny and freedom persistently suppressed by authoritarians.

Since 1997, after Hong Kong people had enjoyed liberty for more than one hundred years, freedom has been continually eroded and chipped away. In contrary to the authoritarian of gigantic power, Hong Kong is isolated and feeble. Being put in a vulnerable position, Hong Kong people used to have only three options: 1. Abscond from home, which means emigration; 2. Get used to living in a place with less and less freedom; 3. Haggle over protection for ourselves in an inferior position. The fourth one, “struggle to resist at the cost of one’s life” , had not even been contemplated until the anti-extradition amendment bill movement last year, in which young people were the vanguard and more than half of the population got embroiled.

Why did I put forward half of the population, but not a small minority figured out by the Chinese Communist Party? The reason is undisputed with just a glimpse of the mainstream opinion online, 2 million people in the demonstration and the ballot of the District Council Election.

Dragging on and on, the last year struggle, which tired Hong Kong people out, was to no avail. Since the Hong Kong version of national security law was tabled, the three options mentioned above have resurfaced. Confronted with the peremptory China, which has been legislating for Hong Kong in violation of the Basic Law, some legal professionals and democrats in town would rather succumb to the illegitimacy and counter-propose certain terms and conditions to safeguard the rights of Hong Kong people, including the provisions of retroactivity wiping off, interpretation of the law in accordance with common law, defendants tried in Hong Kong’s courts, stipulation of a sunset clause, etc.

When the US intended revising Hong Kong’s special status with regard to the Hong Kong version of national security law, some of them suggested that to preserve a firewall between Hong Kong and China, the US should conserve a little bit of the special status.

The haggling over protection for Hong Kong people in an inferior position, the third option, is surely not out of bad intention. Be that as it may, regarding what we have been experiencing in the past 20 years, showing the white feather would not stop the mighty authoritarian from seizing the overall jurisdiction of Hong Kong. Though conflicts might be alleviated, the plight of Hong Kong people would only worsen in front of the insatiable authoritarian. Worse still, Hong Kong people knuckling under to it would hinder the US from sanctioning China and Hong Kong.

Getting pained by uncompromising struggles has to be anticipated. The US sanctions on Hong Kong are definitely painful to Hong Kong people. In the past couple of days, Yuen Kung-yi said: To take this route, Hong Kong people should brave the pain.

Perhaps those who come to the middle ground intend Hong Kong people to reserve the minimum protection. Yet, meanwhile, I am reminded of the wisdom of a classic philosopher, Friedrich Hayek: Those who fantasize about trading their basic freedom off for minimum protection would eventually find out that they are given neither freedom nor protection.

Robeson’s husky singing is reverberating in my ears.

高畫質音質版 https://youtu.be/AIq0fUV6zuE
#長笛姐の音樂旅行 疫情期間來看我的影片去旅行吧～

I am heading home now.
五月第一支Cover影片上架囉！這週兩支影片都和Home有關係，Home象徵著家、核心、出發初衷或者避風港等等的意義，演奏的心境非常有感，特別製作cover MV與詮釋版樂譜與大家分享。

#alanwalker #cover #headinghome

本月份好消息！長笛姐姐挑戰每個禮拜固定直播之外還要更新兩支影片，每週二、五晚上8點都可以看到、聽到我的作品，是不是很期待呢？（哈哈自己講）也希望大家幫我多多訂閱，讓我可以繼續努力加油！！

喜歡我的作品歡迎訂閱支持斗內，蝦皮還會送上最新出爐獨家長笛樂譜喔！：Ｄ本次搭配樂譜推薦分享給愛樂學習者，四月份才出的新歌就破千萬瀏覽，歡迎大家一起嚐鮮練練看！

樂譜連結🔗Heading Home Lily Flute Cover
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長笛演奏：Lilyflute
化妝：Ruby
影像拍攝：Ruby
字幕協力：Brian
影像剪輯：Lilyflute

演出活動歡迎FB IG YT搜尋lilyflute(長笛姐姐)
長笛姐姐Facebook：Lilyflute
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聯繫工作用信箱：
flutelily1014@hotmail.com

附上官方版本與大家分享這首曲目超感動我的歌詞：

// LYRICS // Alan Walker & Ruben - Heading Home // LYRICS //

I was so insatiable
Till the lights came on and the stories got old
Now there’s no one here I know
And the city outside`s not the same anymore

And I
I remember when we were young
We`d write our names in the sand
So carelessly
Then the rain came and yours was gone
And now mine it stands alone

Nobody sees me now I’m a one man show
I`ll do this on my own
We knew it all then now this is all I know
Guess I’m heading home now

When the music always played
With the sound of our lives and the sweetest escape
And the neighbours would complain
We would turn it up louder who cares anyway
Coz we

We remembered that we were young
Our lives were grains in the sand
That we
Made our castles and kingdoms of
Now the waves have torn them down

Nobody sees me now I’m a one man show
I`ll do this on my own
We knew it all then now this is all I know
Guess I’m heading home now

You’ll find me
I’ll be here
I can see
I can breathe, anymore

how could we have stayed
you were high on love I was drunk on the pain

Guess I am heading Home
I am heading Home
Yeah yeah ..
Guess I am heading home now

【播放清單】

長笛姐姐の音樂旅行
https://www.youtube.com/playlist?list=PLCG3n0-XYhyvllmSjCqfnz6fvAES4iQBM

長笛姐姐Lilyflute演出活動實況
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DADDY! DADDY! DO!『輝夜姬想讓人告白』LOVE IS WAR
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Official髭男dism - I LOVE日劇《戀愛可以持續到天長地久》
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米津玄師 「Lemon」現場版長笛姐姐商演去！廠商指定曲目好好聽喔！
https://youtu.be/p0nWtAsO4oI

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Best song while i in lockdown?but sad lyrics ?

If you wait for me
Then, I'll come back to you
On my own
On my own (yeah)
And I say (ayy)
Back in 2012
School bells would send us out at lunch
Talk under the tree about our favorite shows and stupid ones
Parents sat me down one night
Told me that we couldn't stay
Went to bed thinking about you
Woke up on a plane, ayy
Wish I never left
'Cause you took away my breath
You can say that we were young
But, me and you were meant
For eternity, no surgery
Could take you off my heart
Just hang onto my words and we'll make it through this part, yeah
If you wait for me
Then, I'll come back to you
On my own
On my own (ayy)
And I say
I've been waiting for this day to come
It's finally getting closer
On our way to graduate
And then I'll be heading over
You my treasure, I'm your soldier
Stay up 'til the night is over
We talking on the phone
But want your head between my shoulders
Saving up for a ticket on the side
Been a minute of our time
When I see you, I might cry
No lie, that's on my gravestone
Promise me you'll stay close
Days without you, yeah, I hate those
Ayy
If you wait for me
Then, I'll come back to you
On my own
On my own
And I say
If you wait for me
Then, I'll come back to you
On my own
On my own
And I say
Plane ride to your city
Took an Uber to your house, yeah (to your house)
Had to keep it secret from you
Did it unannounced
Doorbell, parents saw me
Sat me down on the couch
Talked to them about my life
They told me they were truly proud
Two knocks, door open
You were standing there with him
So shocked, I don't get it
Can we run it back again?
Room spinning, palms sweaty
But I'm sober
"I've been in love with you forever"
Is what I wish I would have told her

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Dear All,
I am more than happy to announce that our team is launching an exciting campaign with lots of collaborations! Here you go our first piece of art work.

"音樂影像(Music Video)不是音樂的襯托。她是獨立的作品，同時讓人能"看見"音樂及一切從音樂開展的可能性。"

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第一部曲 | Reminiscence (End Game Version)
末日版本：科技進步 vs 情感倒退 【3D 動畫家】

科技的進步也許是為了世界倒退而繼續支撐著人類的冰冷產物。在人工智能的城市裡，人捨棄了屬於城市本來的溫度，彼此之間生長更多距離。智能人類誕生的故事毫不陌生，在其自我學習的過程中衍生出本不存在的東西——情感，然後經歷逝去。
Reminiscence的人工智能城市裡，一位人（AI）與其他人每天過著重複的生活。有天，她突然發現遠古帶有血肉的生命體，頓時意識到自己有了複雜的變化，開始尋找答案。一直操控AI意識的程序逐漸消失，失去被控制的瞬間，城市開始崩塌，其他人感到迷失。然而，有了自我意識/情感的她，醒覺自己和其他人原是冰冷的智能人類，情感帶來的溫度慢慢腐蝕她的身體、崩壞、死去。

歌：
回憶是很微妙的，每一秒的消逝，每件事一旦過去，就演變成只在腦海裡而現實已不復存在的畫面。在所有逝去前，我們能否緊握當下的每一秒？

Chapter one | Reminiscence (End Game Version)
Technological advancement vs The emotional regression (3D animator)

Technological advancement is perhaps the reason why people are still able to live amidst the Great Regression. In the AI cities, people distance themselves from each other. The AI started to develop something that the makers did not intend them to learn through self-learning algorithms: emotions.

In the city of Reminiscence, Ms AI was living a plain, repetitive and normal life like the others. One day, she discovered ancient life forms that's so different from her species, organic with blood and tissues. The great shock that led her to the urge for truth was then spreading throughout the city. And slowly day by day, the program that controls the AIs was overwritten and finally erased. At the very moment of losing control, the city started to fall apart and everyone started to gain self-consciousness, and realised that they are only stone-cold robots. Emotions in the AIs eventually started to erode their body to death.

Song:
Reminiscence is interesting in a subtle way. The passing of time, the happening of different events... they afterwards become fragmented memories in us. So can we seize the day when it passes?

【Lyrics】

#She come and gone
Left me alone
Three years no call
They said it was not my fault

I grabbed her wound
My weakness I poured
That’s how we were torn
They said it was not her fault

If I were a tree
Would you be my leaves
What keeps us believe
Our fragile love would always exist

If I were the sea
Would you be my fishes
Tell me you believe
Our fragile love would always exist

*Cry Cry out loud
I don’t need to be the one
who makes you smile
Fly Fly to someone I can’t shout
When you’re about to falls
I will keep my feet on the ground* #

Repeat #
Repeat *

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【Music Video】
Director / Animator | Ivan Hung

https://www.instagram.com/ivan_terrible/

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【Music 】


Written by CHANKA
Arranged by CHANKA, MAEL, Hin, Dean
Recorded by Nichung
Mixed by MAEL
Mastered by Lok Chan
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#CHANKA #陳嘉 #Reminiscence
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Now available on:
Spotify: https://spoti.fi/3hjYDYO
Apple Music: https://apple.co/32kYTCt
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MusicOne: https://bit.ly/2FmBNT8
JOOX: https://bit.ly/2F9O79x
TIDAL Music: https://bit.ly/3bRhaub

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CHANKA 陳嘉:


https://www.instagram.com/wander.chanka/
https://www.facebook.com/wander.chanka/
wanderchanka@gmail.com
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Have a listen of some of my other works :
"Silence" : https://youtu.be/1Hkk7l4zk9k
"Young" : https://youtu.be/kolrKYxvvf8
"Ocean" : https://youtu.be/GOTdDrC1G-E
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追蹤Gina music社群挖掘更多音樂🌹
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For business enquiries, photo and song submissions contact: https://www.facebook.com/Ginamusicland

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Lyrics:

[Verse 1]
Lions roaring in the morning sun
Searching for a longer day
People feeling like the light has just come
We must never stop the way
Birds are chirping and I hear my name
Grass is green and so alive
Life is happy, but it's so insane
We must merely make a strive

[Chorus]
Savannah, I'm coming home
Savannah, we'll never be alone
Savannah, the beauty of the world
Savannah, let's all take a whirl
Savannah

[Verse 2]
The lions gone and come
The birds have just begun
We will always take a stand
For the people, for the land
Let's go back to when we were young
For the animals, we stand
Let's go back to when trees were swung
Kids across the land


[Chorus]
Savannah, I'm coming home
Savannah, we'll never be alone
Savannah, the beauty of the world
Savannah, let's all take a whirl
Savannah

I'm coming home
Savannah, we'll never be alone
Savannah, the beauty of the world
Savannah, let's all take a whirl

[Outro]
Savannah, I'm coming home
Savannah, we'll never be alone
Savannah