7/13『百珊Fun音樂』我17歲，我愛莎士比亞！
節目播出時間：2011-07-13 21:15
孟德爾頌E小調小提琴協奏曲，優美如歌似的旋律，同時在創作上也有著許多革新之處，令人愛不釋「耳」。不僅是孟德爾頌傑出的作品之一，也是同時期的小提琴作品中，最美、最富浪漫情懷的上乘之作。
樂曲的魅力在哪裡?百珊Fun音樂帶您一窺究竟！
據西洋的傳說，每到夏至的夜晚，森林當中的妖精們便會出沒，經常捉弄經過的人們作樂。莎士比亞就根據這傳說寫一部戲劇「仲夏夜之夢」。孟德爾頌在幼時就發揮其音樂才能，1826年他在17歲時接觸到德語翻譯本的莎士比亞喜劇「仲夏夜之夢」，馬上譜寫現在的「序曲」，作品21，即使是現在，也常在音樂會上演奏而受歡迎的一首管弦樂曲。
孟德爾頌e小調小提琴協奏曲譜 在 Re: [閒聊] 孟德爾頌e小調鋼琴協奏曲- 看板CSMU-SO 的推薦與評價
真幸運
這片我之前一度很有興趣敗下，
但聽過的朋友說覺得可有可無，
可能過一陣子再看看吧。
我手邊有Larry Todd的孟德爾頌傳記，
(將近700頁，才花700多元就買到)
裡面對於這首第三號協奏曲的著墨倒是不多，
但有分別列舉接近完成的前兩樂章跟小提琴協奏曲的幾個主題，
作這兩者的譜例比較，
的確頗多相似之處，而且還是同一個調。
小提琴協奏曲前前後後他寫了六年，
中間一度就是把心力轉到這首第三號協奏曲上。
今年DECCA出的Mendelssohn Discoveries這張唱片(Chailly指揮萊比錫)中，
也有收錄這首協奏曲，
獨奏者Prosseda就是前幾年發現前兩樂章手稿的鋼琴家，
第三樂章則是委託 Marcello Bufalini (我也不知他是誰) 完成，
也相當有掌握到孟德爾頌的風格。
另外要提的，不曉得之前是不是有說過，
DG前幾年也有發行一片小提琴家Daniel Hope錄的小提琴協奏曲原始版本，
或者精確點應該說是定稿前的其中一個版本，
聽了之後會發現跟最終版本的差異有多大，
這個早一點的版本有些地方聽起來真的會覺得有點莫名其妙，
又可見連孟德爾頌這樣的天才 -- 而且還是個非常非常言以律己的天才，
都需要經過多少的嘔心瀝血、千錘百鍊，
才能完成這樣一首偉大的音樂，
而不是光靠天份和靈感，就能下筆如神。
更何況是我們這些凡夫俗子.........
: The RSPC has never achieved the recorded catalog prominence of bands in
: Leipzig or Dresden, despite its 170-year history.
: This musical group sounds like a strong regional band, and
: given how much regional players around the world have been improving
: in the past decade or two,
: noting that the group is a regional band is not a first nod against the music.
: Frank Beermann?
: He rose through the ranks of Germany's regional music organizations,
: stepping right up in opera, Detmold to Darmstadt, to Freiburg, Hamburg,
: and then really began to hit a career stride with assignments in Berlin,
: Stockholm, Bonn, Munich, Leipzig, Barcelona, and Marseille.
: As an opera leader, Beermann has a reputation for bel canto readings of
: Donizetti and others.
: Since 2007-2008, Beermann is appointed music director in Chemnitz.
: This gives off a clue that maybe he is something of an
: orchestra builder (like many notable leaders in the past),
: and so might be charged with building up the RSPC.
: Matthias Kirschnereit?
: He studied in Detmold, too,
: and had a break-through win in the Bonn German Music competition
: and the Australian Geza Anda competition. He has recorded a few solo discs,
: with his big splash probably embodied in the
: complete set of Mozart piano concertos he has added to the catalog.
: In that set, Frank Beermann is again at the helm, and the band is Bamberg SO.
: One suspects that the complete Mozart concerto set will leave a lasting mark
: in the catalog, though how long it will be available in
: your local commercial markets, nobody can say for sure.
: Kirschnereit is fully the equal of nearly any distinguished Mozartian of
: the recent or far past, for whom we have recorded documentation.
: He reaches right up there, high.
: His Mozart can stand open comparison with Brendel, Perahia, Uchida, Rubinstein,
: Curzon, Clara Haskil, you name it.
: Kirschnereit has already been named to the piano competition jury of
: the pending Gina Bachauer competition, set for 2010.
: The sound is very good in this set.
: It offers a medium-sized sounding hall,
: probably the home of the band in Chemnitz. Frequency balance is fine.
: No complaints about the engineering balances of reflected versus direct sound,
: either.
: You can hear plenty of detail, from the piano (Steinway D), and from the band.
: This lets us listeners really hear all the ensemble moments that
: Mendelssohn wrote into these works,
: and as it turns out, that really heightens the sparkle and energy that
: permeates these readings.
: Kirschnereit is his own man when it comes to Mendelssohn and the piano.
: Typically, players emphasize the lyrical-romantic axis when playing
: Mendelssohn.
: The risk of focusing on that axis is mainly that Mendelssohn in
: his piano music can come off, sounding far too much like a German middle class,
: drawing room composer, with musical colors more often pastel than not,
: musical effects much more genteel than not.
: Kirschnereit knows enough to phrase those melodies with singing verve.
: However, he also adds punch.
: He prefers not to peddle any more than he has to,
: so his playing comes through with enormous clarity.
: These talents serve Mendelssohn as well as they have already served in that
: Arte Nova released complete set of Mozart piano concertos.
: Competition among alternative readings for the first
: and second Mendelssohn piano concertos is pretty high.
: Derek Han, Murray Perahia, Stephen Hough, Rudolf Serkin, Howard Shelley,
: Andras Schiff, Thibaudet, Anton Kuerti, John Ogdon.
: An Amazon search turns up, towards a thousand or more listings.
: Kirschnereit and friends belong towards the higher reaches of
: the preferred lists.
: You can get recordings of Mendelssohn played differently;
: you can hardly get recordings of this music, played better.
: Beyond the first two concertos,
: the additional lure of this set will be
: the reconstructed piano concerto in E minor,
: and the early student work for piano and string orchestra.
: That earlier music is just fine,
: though perhaps not as forcefully characterized
: as Mendelssohn's later music of large reputation.
: You can compare this early concerto with
: the contemporary Mendelssohn string symphonies,
--
I'd be tender - I'd be gentle
And awful sentimental
Regarding Love and Art
--
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