This was #FatimahOmarMukhlis exactly 2 years ago, on 18th July 2019 - 2 months after her beloved Mamajee @adamdidam passed away. The photos were taken at 2.16 in the morning. These are the raw images of pain. These are the proof of love.
I have never shared these photos before plus many other photos too. So why am I sharing it now then?
Well, when my sisters lost our brother @adamdidam and my parents lost their son, I lost my daughter too. Yes, my old Fatimah was lost when her Mamajee passed away. It was too painful to watch her suffering. And I know many of you were worried and concerned about her too but some just simply refused to understand and preferred to keep on being insensitive, ignorant, judgmental and whatnot.
And the reason why I chose to share it today is because…when I woke up this morning, these photos popped up in the phone memory. As soon as I saw them, I cried. And I’ve decided to share them with all of you. Not so you can cry too but so you know the truth. So you know the pain. So you know that grief is real. So you know that it is not attention seeking. So you know that kids grieve too.
But why do they grieve? Aren’t they too young to understand? How can they grieve? Do the parents force them to grieve? No, because they are just normal human beings like all of us adults too. Yes, simply because they are human too, you know.
Kids have feelings too. They were born with a heart that can feel the exact same things that we feel. They can feel happiness and they too can feel the sadness. And our role as adults is to treat them like a real ‘human’ - be understanding, caring, nurturing, sensitive, supportive and guide them. Don’t just treat them like a joke or a laughing stock! Don’t belittle their feelings. Acknowledge their feelings. Allow them to be happy. Allow them to be sad.
And I’m glad that I kept Fatimah away so she can fully grieve. And I’m beyond blessed that we are surrounded by supportive family and friends who not only acknowledge Fatimah’s grief but also fully supported her to get back up and wake up from her deep wound…Alhamdulillah, she has come back stronger! 💪🏻
It’s ok to grieve,
Mrs Mom
#wisemomsays
#GRIEFAWARENESS 🤍
同時也有1部Youtube影片,追蹤數超過1萬的網紅translation,也在其Youtube影片中提到,#'88年に林忍氏、オニオンソフトが開発、ボーステックが発売したサイドビューアクション作品。 BGMはミュージックモード(*1)に存在するonionスタッフによる隠し曲集であり、すべてopnによって奏でられている。 作曲:Onion氏,God氏,C.A Team,Shinobu Hayashi氏...
normal grief 在 theurbanrhapsody.com Facebook 的最佳解答
Holiday Self Care 🎄💕
The holiday season is just around the corner and as most of us will be celebrating Christmas and New Year, some of us might find this overwhelming. Self-care can only happen when you are enjoying what you do hence only do things that make you happy.
Here are some of what you can ponder along when you need it :
🌻 Permit yourself to say "No" to things you don’t want to do.
🌻 Make space for messy feelings like the grief that is associated with the holidays.
🌻 Allow yourself to receive love, gifts, and attention without feeling guilty.
🌻Set a realistic expectation for yourself associated with the holidays.
🌻 Make a plan that is comfortable for you and stick to it.
The holiday season can be happy, fun, and memorable. Sometimes, it can also be just a normal day like every other day. You choose what makes you happy and comfortable then do it.
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#wellnessblogger #selfacceptance #mindfulnesspractice #bekindtoyourself #malaysianbloggers #socialmediainfluencer #compassion #forgiveness #wellnessjourney #mentalhealthwarrior #holidayselfcare #honoryourself #youcandothis #radicalselflove #selfloveclub #kindmindclub #malaysianblogger #endthestigma #mentalhealthadvocate #mentalhealthawareness #sharminjeet #malaysianindian #malaysianmentalhealthawareness #writerscommunity #sharminwrites
normal grief 在 陳君浩 阿Bu Facebook 的最佳貼文
我提自己要睇
《5月35日》(庚子版) 粵語演出,附中英文字幕
網上演出 全球直播
我們就來個光明正大的紀念,衝擊這條不正常的底線。
編劇 莊梅岩 X 導演 陳曙曦
去年一票難求 今年全新班底 創作屬於香港人的「庚子版」
2019年版本好評如潮:
▪ 「上至劇本、導演、演員、下至燈光、佈景、音響、服裝也配合得天衣無縫,而這種感動至今仍然使我回憶起時不禁眼泛淚光。這是一齣香港人應該要看的舞台劇。」 著名演員 葉德嫻
▪ 「我不只是看一個演出,更是在見證歴史。真相要說下去,好好的說下去。」著名演員 蘇玉華
▪ 「這個演出我已經看過兩次了,每次看,都深深觸動,更拷問我的良知,面對不公義,要如何回應,才不至苟活一生。」傳媒人 吳志森
▪ 「活像套預言劇,編劇莊梅岩句句人話,下下到肉!」《明報周刊》 陳詠恩
▪ 「優異的本港創作劇,簡練感人,有笑有淚而不落俗套,亦有激情火花……劇中處理老夫老妻和絕症,特別是喪兒之母的哀痛,真實感人,遠勝一般煽情俗品。」劇評人 石琪
▪ 「以實在的劇情觸及高層次的理念,道德人性,政治到哲學思考,正是莊梅岩的功力所在。」劇評人 江祈穎
一年伊始,雙雙步入八十歲的小林和阿大就迎來滿身病痛。兩個老人等待死亡,是再自然不過的事。
只是,兩夫婦唯一的兒子哲哲三十年前死於不自然,許多事情到今日還沒有問出個明白來。
小林期待從苦苦問責的歲月中解脫,相反一直膽小的阿大越想越不忿,以前顧著二人的晚年才不去抗爭,現在連老伴也快將離去,他還有什麼要害怕的?
如是,他倆定下偉大的目標:在5月35日當天,要堂堂正正去拜祭兒子。
在不正常國家的陽光底下做正常的事也是不合法的。
「我們就去衝擊,這條不正常的底線。」阿大說。
「老伴,我終於覺得你愛我了。」小林說。
相約在5月35日,來個光明正大的紀念。
編劇:莊梅岩
導演:陳曙曦
演員:區嘉雯、喬寶忠、黎濟銘、郭小杰
現場演奏:Celloman
佈景及服裝設計:賴妙芝
燈光設計:馮國基
音響設計:陳偉發
聯合監製:列明慧、張家弘、黃懿雯
製作經理及舞台監督:劉漢華
"May 35th" Gengzi Edition
Global Live Online Performance
In Cantonese, with Chinese & English surtitles
- Synopsis:
Another year has just passed. Octogenarians Siu Lum and Ah Dai are afflicted with the usual ailments of old age. They await death—a natural occurrence that is a part of life.
But 30 years ago, their son Chit met an unnatural death. Even today, many unanswered questions still surround the incident.
Siu Lum looks forward to being released from those bitter years lost searching for accountability. On the other hand, Ah Dai, who had been cowardly for years, grows all the more impetuous. Decades ago, he avoided such conflicts, concerned only about preparing for their future. With his spouse now staring death in the face, what is left to fear?
The two set an ambitious goal: On May 35th, they’ll hold a proper gravesite ritual for their son.
A normal activity that takes place in broad daylight in an abnormal country is still against the law.
“Let’s challenge this abnormal bottom line,” said Ah Dai.
“Spouse, finally, I believe you love me,” Siu Lum replied.
It’s a date: to commemorate May 35th openly, in broad daylight.
Great acclaims from 2019 version:
● "The script, direction, acting, as well as the light, set, sound and costumes are perfectly interwoven. The sentiments still move me to tears from time to time. A must-see performance for Hong Kongers." Renowned actress, Deanie Ip
● "I'm not only an audience, but the witness of history. The truth deserves to be told, precisely and continuously." Renowned actress, Louisa So
● "Just like a prophecy. Playwright Candance Chong wrote every word with conscience and insights." Chan Wing-yan of Ming Pao Weekly
● "This original Hong Kong production is brilliant, concise and touching. The sophisticated mix of humour and sorrow sparks with passion. When it depicts the old couple fighting against the fatal illness, and above all the mourning grief of losing their son, the emotions are so genuine which makes it no ordinary tearjerker." Theatre critic, Shek Ki
● "Down to earth plot projecting high principles such as morality, humanity, politics and philosophy. That's what makes Candance Chong so outstanding." Theatre critic, Kong Yan-wing
Production Team:
Playwright:Candace Chong Mui-ngam
Director:Chan Chu-hei
Actor:Patra Au Ka-man, Kiu Po-chung, Lai Chai-ming, Kwok Siu-kit
Live Musician:Celloman
Set & Costume Designer: Yoki Lai Miu-chi
Lighting Designer:Gabriel Fung kwok-kee
Sound Designer:Chan Wai-fat
Producer:Lit Ming-wai、Cheung Ka-wang、Gladys Wong Yee-mun
Production Manager:Lau Hon-wah
#6431truth #六四 #5月35日 #六四舞台
normal grief 在 translation Youtube 的最佳解答
#'88年に林忍氏、オニオンソフトが開発、ボーステックが発売したサイドビューアクション作品。
BGMはミュージックモード(*1)に存在するonionスタッフによる隠し曲集であり、すべてopnによって奏でられている。
作曲:Onion氏,God氏,C.A Team,Shinobu Hayashi氏,TAMAGO氏
Manufacture: 1988.08.09 Bothtec / Onion Soft
Computer: PC-8801mkIISR series
Sound: YM2203
Composer: Onion,God,C.A Taeam,Shinobu Hayashi,TAMAGO
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00:00:00 01.Box Express Flying in The Sky
00:03:23 02.Santa Train
00:05:30 03.Cross Over Gate
00:06:20 04.Morning Star
00:08:06 05.Chinese to Go Away on a Motorcycle (バイクで去って行く中国の人)
00:09:10 06.The Dance it's Temple (お寺だ、おどれ)
00:10:53 07.Development Room a Full of Mystery (開発ROOMは謎だらけ)
00:12:43 08.Mu (みゅー)
00:13:00 09.People of The City was Run Over (街の人はねてるのに)
00:14:45 10.One Way
00:16:37 11.Theme of Hayashi (林のテーマ)
00:18:48 12.Deep in Grief
00:21:53 13.Master Came to Town (名人が町にやってきた)
00:23:30 14.Sunday Favorite of Kamitama (神たまのすきな日ようび)
00:25:50 15.City of Asia I (アジアの街 I)
00:28:18 16.Pom Pom Pom
00:30:30 17.Oriental Gale
00:32:23 18.The Majestic it's Not Just Sky (雄大なのは空だけじゃないよ)
00:34:42 19.Sunrise of The Zoujyouzi Temple
00:36:24 20.Monkey Showman (MONKEYまわし)
00:38:05 21.Egypt Inadvertently (うっかりエジプト)
00:39:16 22.Theme of Gigaikotsu (ギガイコツのテーマ)
00:40:20 23.Arabic Yamato (アラビック ヤマト)
00:41:32 24.Sunset of The Zoujyouzi Temple
00:43:49 25.Yamuchin Fly Away (飛び出せやむちん)
00:45:35 26.Run Yamuchin (走れやむちん)
00:47:21 27.Voice of Ghost
00:49:09 28.GoGo Kamitama (ゴーゴー カミタマー)
00:51:21 29.City of Asia II (アジアの街 II)
00:53:38 30.Song of The Rosen (ローゼンの唄)
00:55:57 31.Yattoko Kamedomo (やっことかめども)
00:57:55 32.Amazing Disk Theme
00:58:52 33.Onitama and Kamitama is Great (オニタマ カミタマ すごいのね)
01:01:14 34.What Humdrum LifeWhat humdrum life
01:04:11 35.Amazing Silent
01:04:30 36.Missed The Ship! (ふねにのりおくれた!)
01:07:07 37.Brawl Party (乱闘パーティー)
01:09:00 38.Santa Came (サンタがきましゅ)
01:12:41 39.Why Kamitama (何故なの神たま)
01:13:06 40.Beautiful Sound (美しいひびき)
01:14:17 41.Manhole of Dawn (夜明けのマンホール)
01:14:43 42.Fantastic Dreaming
01:17:10 43.Theme of Jumpper (JUMPPERのテーマ )
01:18:43 44.Flute of The Devil (悪魔のフルート)
01:19:27 45.Jumpper Over Troubled Water (明日にかけるJUMPPER)
01:21:02 46.Reliable Thing
01:23:19 47.Morning Snow was Piled Up (雪がつもった朝)
01:24:58 48.Left Foot of The Skeleton (スケルトンの左足)
01:26:29 49.Theme of Haruma Game (HARUMA GAMEのテーマ)
01:28:34 50.Hose that Doesn't Stop The Water (水の止まらないホース)
01:28:59 51.On The Way Home Hill.... (帰りの坂道には‥‥ )
01:31:00 52.Sea Storm
01:33:01 53.One Night in Town
01:34:46 54.Am Happy (うれしいでしゅ)
01:34:58 55.In The Morning After (宴のあとに)
01:35:31 56.Arabic Numerals
01:36:30 57.The Heartbreak to You (あなたにハートブレイク)
01:37:18 58.Great Wall of Last (最後の大きな壁)
01:40:18 59.Test 1
01:43:39 60 Locomotive Yaemon (機関車やえもん)
01:47:27 61 Air Refueling (空中給油)
01:49:36 62 Yeah, so. That one. (うん、そう。それでしゅ)
01:51:35 63 Theme of 100 Yen Disk (98 Version) (100円ディスクのテーマ/98版)
01:54:22 64 I Want to Sleep Anymore (もうねたいでしゅ)
01:57:12 65 I Was Surprised (意表をつかれたでしゅ)
01:59:03 66 Yearend Festival
01:59:22 67 Whispers of The Devil (悪魔のささやき)
02:02:29 68 Shanodeshu (Arrange Version) ("しゃのでしゅ" アレンジバージョン)
02:02:48 69 Theme of Uncle Came to Singing Contest (のどじまんにやってきたおじさんのテーマ)
02:02:57 70 Manhole of Dawn (Arrange Version) (“夜明けのマンホール”アレンジバージョン)
02:04:43 71 Ready for Festival (お祭りの用意)
02:07:00 72 Reflection of The Temple
02:08:53 73 Ayashoka (彩蒋花)
02:09:58 74 Sound Storm
02:11:51 75 Final Dangerous 2
02:12:24 76 Low High (ろーはい)
02:14:18 77 With a Splash)
02:15:40 78 I was barking dogs (犬に吠えられたでしゅ)
02:18:23 79 Devos Endless Night
02:18:58 80 Freely Gigaikotsu (勝手にギガイコツ)
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(*1) H, N, SPACEを押しつつ起動(NORMAL音源選択でも可能)
normal grief 在 Normal Grief vs. Pathologic Grief vs. Major Depression vs ... 的推薦與評價
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