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大家去看了今天的硬體合成器教學嗎？這個是我的新玩具 Arturia MicroFreak，她好美喔！❤️
My beautiful new toy MicroFreak by @arturia_official !
Check out today’s new synthesizer tutorial on YouTube!
德國憤怒合成器男孩的TLC啊哈哈哈～
Yeahhh... ermmmm............that definitely just happenned....
Multitrack stems for this live jam are now available here :-
https://www.patreon.com/lookmumnocomputer
#TLC No Scrubs Live #Cover / #Remix
Sequenced by two Arturia Beatstep pro's The first beatstep was controlling the two synth lines that were running, which i programmed in at the start on the keyboard. It also controls all the drums, running between two different beats. one for verse (4 to da flooowr) and a breakdown beat for the chorus's, basically just breaking up the kick drum pattern. The second Beatstep in this one was only controlling the JUNO (BUT HOW DO YOU SEQUENCE A POLYPHONIC INSTRUMENT WITH A BEATSTEP PRO??) easy.... the drum channel. assign all of the drum pads to different keys, that way you can play in a polyphonic synth line.
- The first synth line was a single oscillator, running into a moog style ladder filter, with not much attack on its envelope so it sounded like a slow clumsy man being followed by a trombone. In the cover i was adjusting the octave at some points but not much.
- The big bassline which comes in in the chorus is 2 synths. The main part is a triple oscillator going into a ms20 style filter, then into 2 sets of distortion, the second one (a SAFETY VALVE TUBE) has a switch which enables it which boosts the volume, this switch also engages the second bass synth which is a further 3 oscillators and a very low sub oscillator to turn on. These go into a juno style chorus widener and all that stuff. (this switch also fires out a 5v signal to turn up the VCA on the snare spring reverb, and the decay on the high hats) *talk about modular presets hey*
-The juno has 2 midi cables connecting it to the beatstep pro above, so it can send midi and receive midi.
-sadly after however many takes i did of this cover at some point kosmo's face turned off and i didnt realise DOH :(.
-My vocals are running into a roland vocal processor, so i can turn on a pitched down vocal, to add more dynamics, its also going into some saturation and some delay which i turn on and off at points.
-The ms10 is just going through a handful of pedals to make it sound a bit more gnarly, which is tough to saturate a single oscillator synth, so i send it through smallr room reverb first, then into a pitch downing cheapo chinese pedal, then into some distortion then into more reverb. the first instance of reverb gives the distortion something to bite on, instead of just boosting the signal of just a single wave, which aint too fun at all!
I literally listenned to the song a couple of times then just took the essence and forgot most of it haha. hence it ain't really a cover but more a live remix or summit? aaaah who knows!!
Also! the kick trigger is also sent to an envelope generator, which sends out an inverted output to open VCA's on the bass channels, hence you get that snazzy sidechain Ducking **quack quack*
左圖為樂器的channel setting,右圖是這次帶的Moog Voyager REM還有Arturia Minibrute都有一個audio in,可以把其他的樂器送到合成器裡面,透過filter以及其他modulation來改變聲音,今天試著把電吉他通過合成器嘗試得到很合成器感覺的吉他,Moog Voyager是比較復古QQ感,Minibrute的band pass模式則是可以得到很棒的金屬感覺,在台灣應該是完全心思去做這種事情吧.
想到前幾天,錄了一天吉他synth到最後有一個部分是沒有節奏的part,vocal guide也有點沒對準,覺得蠻難彈好的時候才發現,竟然整天錄了8小時沒有開任何的click,真的是蠻驚訝.今天錄一個funk吉他時我想說需不需要 送click,結果被Kevin打槍說: Play with the rhythm! 也不禁思考Click不是不好,但是他就是一個提示作用如果變成製作是的依賴,真的會干擾許多靈感,過去多少年我到底miss掉多少東西啊
Spain / 作曲 Chick Corea
全部聲音（除了鼓聲）來自 Arturia MicroFreak
鼓聲來自 Teenage Engineering PO-32 Tonic
[這部有廣告是因為版權聲明唷！]
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