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五月第一篇💗💗
好有質感的咖啡廳
超like👌🏻
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⼀個觸摸與觸控的新維度
The Dimension of Touch 🕊
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近期去過最美的咖啡廳☕️
必須頒給 @bitsandpieces_taipei
雖然不是磁磚拼貼地板的粉
但來到現場覺得超搭還真好看
坐在悠閒的戶外座位區
有種歐洲步調的慵懶與放鬆
有陽光時一定超棒
必須再訪☀️
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※ 引述《jlef (淒美..)》之銘言:
: 張懸的報導在藝文版做了將近一整頁
: 而且還放了兩張大照片 很漂亮
https://www.taipeitimes.com/News/feat/archives/2006/06/12/2003313155
Deserts Chang says the leap from the pub circuit to a major label won't
change the essence of her music
By Ginger Yang
STAFF REPORTER
Monday, Jun 12, 2006,Page 13
Deserts Chang launched her debut album My Life Will ... at The Wall last
weekend.
PHOTOS: HU HSUNG-SIANG
She smokes, drinks and swears, and is unlike the cutesy mass-market acts that
dominate the Mando-pop industry. But it is her straightforward attitude and
lack of packaging that appeal to her audience. Deserts Chang (張懸), who has
been composing music since her teens, finally launched her debut album My
Life Will ... at The Wall (這牆), an alternative music venue in Taipei, last
weekend.
Despite having a bit of a rough edge, she inspires fans with her soothing
voice, poetic lyrics and charismatic personality. Ironically, although her
fan base is comprised largely of college students, especially those with
artistic pretensions, Chang is a high school dropout.
"I couldn't stand the conservative restrictions in high school," Chang told
the Taipei Times. "If I received a diploma based on that value system, then I
would never [be able to] embrace my true colors. And I wouldn't be able to
compromise with that value system."
Chang comes from an upper-class family; her father Chiao Jen-ho (焦仁和) is a
former Straits Exchange Foundation secretary general. While a famous dad
might be an asset, Chang has been quoted in the media as saying that she
wants to make it on her own, not ride to success on her father's name. Hence
the stage name Deserts Chang, which sounds mysterious and suggests something
hanging in limbo, an image she says is a good representation of her
personality.
"He's like an apparition behind my back," Chang said of her father. "I think
it must depress him the way his picture always gets published when there is
news about me."
After years playing the pub circuit, Chang signed with Sony BMG. Her debut
album has already broken the record for pre-orders for a debut release in
Taiwan.
My Life Will ... contains songs that she wrote between the ages of 13 and 19.
The record was scheduled for release five years ago, but the company issuing
it encountered financial problems and the deal fell through.
That was the hardest time in her life. "At that time, people around me
started a rumor that it was my fault. I was seriously hurt. I hated feeling
betrayed," said Chang, as she puffed on a cigarette.
She described song-writing as "picking things up from bits and pieces
scattered in the air," adding that it helped shelter her during her
tumultuous teenage years. In the song I'm Screaming, she revels in teenage
angst, singing in English: "I'm screaming, I'm losing all of it. I'm trying
to be mature someday but 'till now it's still in vain .... I'm bearing. I'm
losing all of it. I'm trying to be understood. But you said I haven't seen it
yet."
Baby (寶貝), her most downloaded song, is also a product of this struggle. It
was written after she turned 13, when she ran to the banks of a river after a
fight with her mother. She had not yet learned how to play an instrument, but
she said the melody came to her mind naturally.
"I didn't even think Baby was a song at that time," Chang said, explaining
that it was just a tune she sung to herself.
This voice of anger and alienation doesn't appeal just to college students.
It also caught the attention of Sony BMG's album producer, Li Shou-chuan (李壽
全), a Golden Horse Award winner for his role in producing a movie
soundtrack. Li admired her talent and persuaded her to sign a contract with
Sony BMG, ending her career as an independent singer.
This transformation left some fans feeling betrayed. On Internet bulletin
boards, fans wrote that the intimacy they once felt towards her had vanished.
Some said that they had once been like a goddess in a secret religion, but
now everyone had access to Chang and her music. Some are afraid that
commercial pressures will tarnish the essence of her music.
"My music will not be changed. It shouldn't be labeled just because of the
way it is published," Chang said.
When asked how she felt about interacting with mainstream media, her response
was blunt. "Painful," she said. "I'm shy. I don't like to talk too much about
myself."
Her shyness and lack of self-assurance are also manifested in the 20 or more
bracelets she wears, mostly given to her by friends. These trademark
ornaments ease her tension and give her a sense of security, and she never
removes them. One was a gift from her first boyfriend.
Chang is a regular at Witch House (女巫店) in Taipei, a cafe with a regular
lineup of live music performances. It is a home away from home for her.
"Actually I was brought up by Witch House. I learned a lot from the people
there."
"When I left home ... I worked at a restaurant as waitress, then I sang songs
at Witch House to make a living," Chang said.
At a time when the "whole world" didn't recognize her, music was her only
refuge. "I escaped to the world of music." Since the age of 19, she has
written more than 100 songs, she says, adding that her debut album contains
only a tiny fraction of the songs she's written.
As singer, guitarist and songwriter, Chang's image is similar to that of
Cheer Chen (陳綺貞), one of the contenders for Best Female Singer in
Saturday's Golden Melody Awards. After working as a waitress and playing
occasional gigs at Witch House, her career has been on a steady upward
trajectory. Her band Mango Run was named the most popular act at the
Ho-Hi-Yan Taipei Rock Festival in 2003.
Now, on the cusp of bigger and better things in her musical career, she
expressed no regrets over dropping out of high school. "If people can master
a single thing in their lives, that's enough."
This story has been viewed 919 times.
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總覺得這文章是中文文法看來很親切啊~(笑)
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享受 幻滅
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◆ From: 218.34.226.161
※ 編輯: mmmbop 來自: 218.34.226.161 (06/13 01:20)
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