100 PHIM CHÂU Á XUẤT SẮC
1. Tokyo Story (Ozu Yasujiro, 1953) – Japan
2. Rashomon (Kurosawa Akira, 1950) – Japan
3. In the Mood for Love (Wong Kar Wai, 2000) – Hong Kong
4. The Apu Trilogy (Satyajit Ray) – India
5. A City of Sadness (Hou Hsiao-hsien, 1989) – Taiwan
6. Seven Samurai (Kurosawa Akira, 1954) – Japan
7. A Brighter Summer Day (Edward Yang, 1991) – Taiwan
8. Spring in a Small Town (Fei Mu, 1948) – China
9. Still Life (Jia Zhang Ke, 2006) – China
10. The Housemaid (Kim Ki-young, 1960) – Korea
11. Close Up (Abbas Kiarostami, 1990) – Iran
12. A One and a Two (Edward Yang, 2000) – China
13. Spring, Summer, Fall, Winter… and Spring (Kim Ki-duk, 2003) – Korea
14. Oldboy (Park Chan-Wook, 2003) – Korea
15. Late Spring (Ozu Yasujiro, 1949) – Japan
16. A Taste of Cherry (Abbas Kiarostami, 1998) – Iran
17. Uncle Boonmee Who Can Recall His Past Lives (Apichatpng Weerasethakul, 2010) – Thailand
18. Ugetsu Monogatari (Mizoguchi Kenji, 1953) – Japan
19. The Music Room (Satyajit Ray, 1958) – India
20. The Cloud-capped Star (Ritwik Ghatak, 1960) – India
21.Where is the Friend’s Home (Abbas Kiarostami, 1987) – Iran
22. Raise the Red Lantern (Zhang Yimou, 1991) – China
23. Sopyonje (Im Kwon Taek, 1993) – Korea
24. Crouching Tiger Hidden Dragon (Ang Lee, 2000) – Taiwan
25. Spirited Away (Miyazaki Hayao, 2001) – Japan
26. Tropical Malady (Apichatpong Weerasethakul, 2004) – Thailand
27. Mother (Bong Joon-ho, 2008) – Korea
28. Poetry (Lee Chang-dong, 2010) – Korea
29. A Separation (Asghar Farhadi, 2011) – Iran
30. A Touch of Zen (King Hu, 1969) – Taiwan
31. Manila in the Claws of Light (Lino Brocka, 1975) – Philippines
32. Mandala (In Kwon Taek, 1981) – Korea
33. A Moment of Innocence (Mohsen Makhmalbaf, 1981) – Iran
34. Happy Together (Wong Kar Wai, 1997) – Hong Kong
35. The River (Tsai Ming-Liang, 1997) – Taiwan
36. Blissfully Yours (Apichatong Weerasethakul, 2002) – Thailand
37. Awaara (Raj Kapoor, 1951) – India
38. Floating Clouds (Naruse Mikio, 1955) – Japan
39. Pyaasa (Guru Dutt, 1957) – India
40. The Lonely Wife (Satyajit Ray, 1964) – India
41. The Cow (Dariush Mehrjui, 1969) – Iran
42. Red Sorghum (Zhang Yimou, 1987) – China
43. Days of Being Wild (Wong Kar Wai, 1990) – Hong Kong
44. Farewell My Concubine (Chen Kaige, 1993) – China
45. Vive l’amour (Tsai Ming Liang, 1994) – Taiwan
46. The Adopted Son (Aktan Abdykalykov, 1998) – Kyrgyzstan
47. Peppermint Candy (Lee Chang-dong, 1999) – Korea
48. I Was Born, But… (Ozu Yasujiro, 1932) – Japan
49. The Story of the last Chrysanthemums (Mizoguchi Kenji, 1939) – Japan
50. Living [Ikiru] (Kurosawa Akira, 1952) – Japan
51. Sansho The Bailiff (Mizoguchi Kenji, 1954) – Japan
52. The House is Black (Forough Farrokhzad, 1963) – Iran
53. Woman in the Dunes (Teshigahara Hiroshi, 1964) – Japan
54. Scattered Clouds (Naruse Mikio, 1967) – Japan
55. Daughter in Law (Khodzhakuli Narliyev, 1972) – Turkmenistan
56. Dersu Uzala (Kurosawa Akira, 1975) – Japan
57. In the Realm of the Senses (Oshima Nagisa, 1976) – Japan
58. A time to live and a time to die (Hou Hsiao-hsien, 1985) – Taiwan
59. Through the Olive Trees (Abbas Kiarostami, 1994) – Iran
60. Children of Heaven (Majid Majidi, 1997) – Iran
61. Osama (Siddiq Barmak, 2003) – Afghanistan
62. West of Tracks (Wang Bing, 2003) – China
63. Paradise Now (Hany Abu Assad, 2005) – Palestine
64. Mukhsin (Yasmin Ahmad, 2006) – Malaysia
65. Secret Sunshine (Lee Chang-dong, 2007) – Korea
66. The Goddess (Wu Yonggang, 1934) – China
67. Humanity and Paper Balloons (Yamanaka Sadao, 1937) – Japan
68. Street Angels (Yuan Mizhi, 1937) – China
69. The Life of Oharu (Mizoguchi Kenji, 1952) – Japan
70. Mother India (Mehboob Khan, 1957) – India
71. Floating Weeds (Ozu Yasujiro, 1958) – Japan
72. Good Morning (Ozu Yasujiro, 1959) – Japan
73. Paper Flowers (Guru Dutt, 1959) – India
74. The Naked Island (Shindo Kaneto, 1960) – Japan
75. Intentions of Murder (Imamura Shohei, 1964) – Japan
76. A Man Vanishes (Imamura Shohei, 1967) – Japan
77. Holiday (Lee Man-hee, 1968) – Korea
78. The Cruel Sea (Khaled Al Siddiq, 1972) – Kuwait
79. Insiang (Lino Brocka, 1976) – Philippines
80. Vengeance Is Mine (Imamura Shohei, 1979) – Japan
81. Batch ’81 (Mike de Leon, 1982) – Philipines
82. Taipei Story (Edward Yang, 1984) – Taiwan
83. The Runner (Amir Naderi, 1985) – Iran
84. My Neighbor Totoro (Miyazaki Hayao, 1988) – Japan
85. Ju Dou (Zhang Yimou, 1990) – China
86. Life, and Nothing More (and Life Goes on…) (Abbas Kiarostami, 1992) – Iran
87. The Puppetmaster (Hou Hsiao-hsien, 1993) – Taiwan
88. Chungking express (Wong Kar Wai, 1994) – Hong Kong
89. The Scent Of Green Papaya (Tran Anh Hung, 1994) – Vietnam, France
90. Gabbeh (Mohsen Makhmalbaf, 1995) – Iran
91. The White Balloon (Jafar Panahi, 1995) – Iran
92. The Day a Pig Fell into The Well ( Hong Sangsoo, 1996) – Korea
93. Hana-bi (Kitaro Takeshi, 1997) – Japan
94. Flowers of Shanghai (Hou Hsiao-hsien, 1998) – Taiwan
95. Chunhyang (Im Kwon Taek, 1999) – Korea
96. The Color of Paradise (Majid Majidi, 1999) – Iran
97. The Poet (Garin Nugroho, 1999) – Iran
98. Blackboards (Samira Makhmalbaf, 2000) – Iran
99. The Circle (Jafar Panahi, 2000) – Iran
100. The Day I became a Woman (Marzieh Meshkini, 2000) – Iran
#whatever
同時也有40部Youtube影片,追蹤數超過1,240的網紅山水畫家的藝術Taiwan Artist World,也在其Youtube影片中提到,#鼻頭漁港#鼻頭角公園#瑞芳 鼻頭漁港位於新北瑞芳區,附近有鼻頭角步道和鼻頭角公園可以踏青玩水, 港區腹地不大,不過因為緊鄰山陵,而有一種奇險之感。 這天的天氣並不算太好,雲層算是蠻厚的,不過最後還是要感謝上天的厚愛,給了一個有點味道的光線效果。 另外還遇到差一點嚇破膽的驚險過程,正當專心...
「city in the clouds」的推薦目錄:
- 關於city in the clouds 在 Facebook 的最讚貼文
- 關於city in the clouds 在 Focus Taiwan Facebook 的最佳貼文
- 關於city in the clouds 在 吳文遠 Avery Ng Facebook 的最佳解答
- 關於city in the clouds 在 山水畫家的藝術Taiwan Artist World Youtube 的最讚貼文
- 關於city in the clouds 在 Nora Hsu- Barrel Leaf Youtube 的最佳貼文
- 關於city in the clouds 在 韋禮安 WeiBird Youtube 的最讚貼文
- 關於city in the clouds 在 Floating city in the clouds: Fake or fata morgana? - YouTube 的評價
- 關於city in the clouds 在 City in the Clouds | Facebook 的評價
- 關於city in the clouds 在 35 CITIES IN THE SKY IMAGES/PICTURES ideas - Pinterest 的評價
city in the clouds 在 Focus Taiwan Facebook 的最佳貼文
Sunlight seeps through thick clouds over Taoyuan City on Friday. The weather in northern Taiwan has been unstable, as #Typhoon #InFa swirls between Taiwan and Okinawa.
https://focustaiwan.tw/photos/20210723ENP0002m
city in the clouds 在 吳文遠 Avery Ng Facebook 的最佳解答
【吳文遠十一遊行案法庭陳詞 — 中文譯本】
法官閣下:
從小我父母便教我要有同理心,要關顧社會上相對不幸的人。儘管在早年職業生涯上取得不俗成就,但我從來沒有意欲將追求個人財富視為人生目標。
當我在國外生活了多年後回到香港定居時,我為這個我自豪地稱之為家的城市,存在如此嚴重的社會不平等而感到困惑和擔憂。 令我震驚的是,社會如何漠視對窮人和少數族裔的歧視。既有的社會結構,有時甚至會鼓勵這種歧視繼續發生。同時,我們也無法一如其它地方,享有基本的民主權利和自由。
這些都是我參與社會運動以至參與政治的動機。我希望盡己所能,為被忽視的弱勢階層鼓與呼,替不能為自己發聲的人說話。
與許多人相比,我很幸運能夠接受良好教育,並擁有一定程度上的財務自由和社會地位。我們很幸運,能夠過上舒適生活,並有自由選擇我們的道路。我選擇為社會平等而奮鬥。其實這個法庭上許多人都差不多,我們都喜歡香港,這個稱為家的地方。或許我們在生活中選擇了不同的角色,但目標都是相同:為他人服務。
可悲的是,我擔心我們已經逐漸成為社會制度中的例外。當下許多香港人根本沒有那些機會,包括貧困長者,欠缺向上流動機會、被邊緣化的年輕人,還有犧牲所有時間但只能為家庭僅僅維持基本生活的工人。這些人再努力,生活中的選擇仍然局限於維持生計。對他們來說,「選擇」是負擔不起的奢侈品,更不用說如何決定自己的命運。
在生活壓力下,我們的視野通常很難超越自身的社交圈子,更難的是對陌生人展現同理心。兩極化的政治分歧產生越來越多裂痕,令我們有時候無法互相理解、和而不同,亦不願意試圖尋求某種程度的妥協。
我一直希望,一個較民主的制度能夠成為一道橋樑,彌合上述社會鴻溝,或者至少容讓我們選擇怎樣共同生活。
2019年的動盪,為整個社會帶來了沉重的打擊。無論政治立場如何,我敢肯定這個法庭上有許多人,都為此而傷心欲絕。整座城市都被不信任、仇恨和恐懼所淹沒。今天固然不是討論這個問題的合適地方,但我希望法庭能夠理解,僅靠司法機構並不能解決已經根深蒂固的社會政治鴻溝。
我們需要集體力量、勇氣、誠實和同理心來修補我們的家。看看幾位同案被告,他們在服務社會方面有著非凡的紀錄。比起囚禁在監獄,我相信他們能夠對社會作出更大貢獻。
為了追求全體香港人的權利,我的確違反了法律,並且已準備面對法院的判決。令人敬重的幾位同案被告,畢生捍衛法治,為民主而戰,為無聲者發聲,我十分榮幸能夠與他們並肩同行。
我相信終有一天,籠罩我們城市的烏雲將會消散,光明將會重臨,愛和同理心將會戰勝歸來。
吳文遠
2021年5月24日
Avery Ng Man Yuen’s Statement
Your Honour,
I was brought up by my parents to value the importance of empathy, to care and to feel for others in our community less fortunate. Although I enjoyed great success early in my career, I never had a desire to pursue personal wealth in the more traditional sense.
When I settled back in Hong Kong after years of living abroad, I was baffled and disturbed by how severe the social inequality existed in a city I am proud to call my home. I was struck at how discrimination against the poor and the minorities far too often goes ignored or can even at times is encouraged by the established social structure; and how we cannot have the basic democratic rights and freedoms that other places enjoy.
These were my motivations to join social activism and enter into politics. I chose to spend my energy to speak for the underprivileged, the disenchanted and often ignored segments of society. To offer a voice for those who could not speak for themselves.
Compared to many, I am privileged to have a great education and a certain level of financial freedom and social standing. We are fortunate enough to be able to lead comfortable lives and have the freedom to choose the path that we take. I chose to fight for social equality. Many of those in this court are not that much different. We all love Hong Kong, the place we call home. We chose our different roles in life but with the same aim: to serve others.
Sadly, I fear that many of us are increasingly the exception to the rule. Today far too many Hong Kong people do not have that chance, whether that is our elderly who live in poverty, marginalized youth with few opportunities for social mobility, or workers who give up all their time slaving away to provide the bare minimum for their families. These people all struggle to make ends meet with very limited options in life. “Choice” for them is a luxury that they cannot afford. Let alone having the gratification of being able to dictate their own destiny.
I recognise, with the pressures of life, it is often difficult for people to see beyond their own social bubble. It is harder still to acquire empathy for strangers. Polarized political division increasingly has driven a wedge between people, making it sometimes impossible for people to understand and empathise with one another, to disagree agreeably, and attempt to find some level of compromise.
It has always been my hope that a more democratic system could be the bridge that heals this social divide or at the very least allow us to choose how we can live together in our home.
I’m certain that none of us in this court wanted to see the turmoil in 2019, which has seen our whole society suffer regardless of political preference. Distrust, hatred, and fear has engulfed Hong Kong. Today is certainly not the right forum for this immense topic. However, I hope the court can understand that the Judiciary alone cannot resolve the deep-rooted socio-political divide which exist.
It will take our collective strength, courage, honesty, and empathy to mend our home. Looking at my fellow defendants with their extraordinary history in serving this society, I believe they can do far greater good among us in society than being locked in prison.
In pursuit of the rights of all Hong Kong people, I have broken the law. I am prepared to face the court’s judgement. I am proud to be in the company of my esteemed fellows who have spent their lives championing the rule of law, fighting for the democracy and voicing for the voiceless.
I believe the storm-clouds that currently reside over our home will one day lift, and make way for a bright and clear day. I believe love and empathy will eventually prevail.
————————————
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city in the clouds 在 山水畫家的藝術Taiwan Artist World Youtube 的最讚貼文
#鼻頭漁港#鼻頭角公園#瑞芳
鼻頭漁港位於新北瑞芳區,附近有鼻頭角步道和鼻頭角公園可以踏青玩水, 港區腹地不大,不過因為緊鄰山陵,而有一種奇險之感。
這天的天氣並不算太好,雲層算是蠻厚的,不過最後還是要感謝上天的厚愛,給了一個有點味道的光線效果。
另外還遇到差一點嚇破膽的驚險過程,正當專心看螢幕時,好調整想要的鏡頭角度,突然畫面有黑影出現,立即看了一下空拍機,才發現老鷹已經在旁邊盤旋打量中,好在沒有給我抓下去,可能它老兄也應該只是好奇想問候一下吧!
Bitou Fishing Port is located in Ruifang District, New Taipei City. The Bitou Cape Trail and Bitou Cape Park are nearby to enjoy the water. The hinterland of the port area is not large, but because it is close to the hills, it has a sense of danger.
The weather on this day is not too good, the clouds are quite thick, but in the end, we still have to thank God for the love, which gives a light effect with a little taste.
In addition, I encountered a thrilling process that was almost scared. When I was watching the screen intently, I adjusted the angle of the camera. Suddenly, dark shadows appeared on the screen. I immediately looked at the aerial camera and found that the eagle was hovering around. Fortunately, I didn't catch it. Maybe it's just curious and want to greet me!
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【梁震明簡歷】
國立台北藝術大學美術創作研究所畢業。
曾任國立台南藝術大學藝術史系及東海大學美術學系講師。
個展12次,國內外聯展30餘次。
作品曾在香港蘇富比、羅芙奧及沐春堂拍賣成交。
著作「墨色的真相」與「台灣寺廟龍柱造型之研究」獲國立編譯館出版刊行。
現為羲之堂代理之專職水墨畫家。
「山水畫家的藝術」頻道推薦播放清單:
梁震明水墨作品賞析:https://youtube.com/playlist?list=PL5EQF72_a8UD9nXm38PQcabEIbffxyp-h
梁震明水墨創作介紹:https://youtube.com/playlist?list=PL5EQF72_a8UATfktfF0G6o3zCLipJvc-n
水墨藝術材料介紹:https://youtube.com/playlist?list=PL5EQF72_a8UDs1alttOymTOkXl3IhRW04
紓壓療癒輕音樂空拍影片:https://youtube.com/playlist?list=PL5EQF72_a8UCrrHknKxWuwRy8UIh6EnUQ
台灣海景空拍影片分享:https://youtube.com/playlist?list=PL5EQF72_a8UD471Ieo4YaalS5yvbDAIyu
4K畫質空拍影片分享:https://youtube.com/playlist?list=PL5EQF72_a8UD72YQD4vgRR9NaI-brI-4Q
桃園青埔特區記錄:https://youtube.com/playlist?list=PL5EQF72_a8UBSI3tWDXsgQUuzgKzRSGxY
新北景點空拍:https://youtube.com/playlist?list=PL5EQF72_a8UAfbQybqr__G4cLGrtVugsl
桃園景點空拍:https://youtube.com/playlist?list=PL5EQF72_a8UBweKa4jfWGZW39J9ASipD7
新竹景點空拍:https://youtube.com/playlist?list=PL5EQF72_a8UAk7e3AvAuU6IWQsbvn49e6
宜蘭景點空拍:https://youtube.com/playlist?list=PL5EQF72_a8UCnNCun9gC5UM3In0ztXDG_
#DJI #dronefootage #dronevideo #dronephotography #dronestagram #drones #fpv #djiglobal #photography #pro #aerialphotography #dronepilot #travel #nature #dronefly #fpvfreestyle #quadcopter #dronevideo
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city in the clouds 在 Nora Hsu- Barrel Leaf Youtube 的最佳貼文
先前有不少人留言和私訊詢問一些有關 ED 復原的事,於是就整理了一下自己先前做的一些事、還有心態上的調整,覺得有助於自己與身體還有與食物的關係復原。希望對你們也會有幫助!
Love,
Nora 葉子
*Disclaimer 聲明:我並不是ED方面的醫師,主要只是想透過影片分享個人的ED復原經驗,也希望能讓更多人注意到 ED 與我們健康的重要性。可以的話請詢求 ED 專業治療與協助。
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» 我如何變成 Vegan - https://youtu.be/Jtjf87f7s4Y
» 我剛開始的 all-in 影片 - https://youtu.be/xriXu9Ic5KA
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推薦相關書:
Body Kindness*: https://amzn.to/3cOExpa
Sick Enough*: https://amzn.to/2XD9qWv
Eating Disorders 資訊:
https://www.rethink.org/advice-and-information/about-mental-illness/learn-more-about-conditions/eating-disorders/
Five Reasons to Ditch the Counters and Apps
https://www.recoverywarriors.com/fitbit-five-reasons-to-ditch/
I Worked Out Twice a Day Until It Started Messing With My Hormones
https://www.wellandgood.com/exercise-cortisol/
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其它可能你想知道的
• 關於我 - http://bit.ly/BarrelLeaf-about
• 我如何找回月經 - https://youtu.be/EoocBkRk7Ow
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• iHerb 購物 - http://bit.ly/shop-iherb-zh
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Music by
Ben Camden - Clouds (acoustic version) - https://thmatc.co/?l=A8E9356A
Pui Mun - Miss The Coffee Time With You - https://thmatc.co/?l=BFF4BFA7
Laura Zocca - The City - https://thmatc.co/?l=7878BC67
*此影片無贊助
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city in the clouds 在 韋禮安 WeiBird Youtube 的最讚貼文
🎧 專輯 Sounds of My Life 數位平台點播:https://orcd.co/soundsofmylife
🔔 訂閱韋禮安官方頻道 : https://pse.is/WeiBird_Sub
『Each day new round, rain shine or clouds
The wind breaks out
And I'm gladly drowned In this city』
每個日常其實都不尋常
因為每天都是新的回合
無論熟悉的街道
或是陌生的城市
將自己釋放成全新的狀態
每一刻感受到的世界
就是全新的
『Brand New』是韋禮安去英國遊學時寫的歌。
當人在一個全新的地方,會有一種釋放的感覺,在遊學的兩個月裡,讓自己想通一些事,也更開了眼界;感受到世界很大,還有很多很多可能性,因此,寫下這首完全釋放、重獲新生感覺的Brand New。
—
《Brand New》
詞 WeiBird 韋禮安
曲 WeiBird 韋禮安
New place new town new sights new sounds
New old compounds
New pavements running through this city
Running through this city
New face new frowns new names new crowd
New beers chow down new screams and shouts
In this city
Running through this city
And it makes me feel brand new
And it makes me feel brand new
And it makes me feel brand new
Brand new
And it makes me feel brand new
And it makes me feel brand new
Brand new
Brand new
New change of crowns each day I've found
Less pounds in my pocket
More pounds on the scale
In this city
Oh living in this city
Each day new round, rain shine or clouds
The wind breaks out
And I'm gladly drowned
In this city
Drowned in this city
Cause it makes me feel brand new
Cause it makes me feel brand new
Cause it makes me feel brand new
Brand new
Cause it makes me feel brand new
Cause it makes me feel brand new
Brand new
Brand new
It makes me stop and go
It makes me stop and go
It makes me stop and go
I know I'm not alone
It makes me stop and go
It makes me stop and go
No I'm not alone
No I'm not alone
—
♩ 音樂製作 Song Credit
作詞|WeiBird 韋禮安
作曲|WeiBird 韋禮安
製作人 Producer|韋禮安 WeiBird、蔡尚文 Aven Tsai
編曲 Arrangement|韋禮安 WeiBird
吉他 Guitars|韋禮安 WeiBird
貝斯 Bass|陳紀烽 Vincent Chen
和聲編寫 Chorus Arrangement|簡朝崙 Titan Jian
和聲 Chorus|簡朝崙 Titan Jian、簡愛 Christine Chien
製作行政 Production Administrator|廖婧紋 Melrose Liao
錄音工程師 Recording Engineers|韋禮安 WeiBird (Vocal、Guitars)、陳以霖 Yi Lin Chen (Chorus)
錄音室 Recording Studios|貓在外錄音室 Cat Outside Studio (Vocal、Guitars)、大小眼錄音室 Twin Eyes Studio (Chorus)
混音工程師 Mixing Engineer|宋星凱 Sean M. Sinclair
混音錄音室 Mixing Studio|ff studio
母帶後期處理工程師 Mastering Engineer|Derek Snyder
母帶後期處理錄音室 Mastering Studio|Polygon Audio
OP:Awesome Music 耀聲音樂
TWFG72001013
♩ MV製作 Music Video Credit
MV製作 Production:二二川 ERERCHUAN
導演 Director:張瀞予 Chang Ching Yu
副導演 Assistant Director | WALL
攝影 D.O.P:張瀞予 Chang Ching Yu
攝影助理 Assistant Camera:謝宗諭 / 蘇品豪
攝影器材 Photographic Equipment:鏡頭銀行
燈光器材 Light Equipment:貞寶企業
製片 Producer:卓虹伶
場務 Grip:范子薺
九巴 Driver:獨家企業有限公司
平面攝影 Photography:張瀞予 Chang Ching Yu / 史詠毓 / 王殊懸 / BUZZ
後期導演 Post-production Supervisor:阿薛
剪接師 Editor:BUZZ
──♫─ 更多韋禮安 ─────────────────────────
韋禮安 WeiBird FB|https://www.facebook.com/Weibird.official
韋禮安 WeiBird IG|https://www.instagram.com/weibirdmusic/
韋禮安 WeiBird WeiBo 微博|https://www.weibo.com/weibird
#韋禮安 #WeiBird #BrandNew
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