A 60 second short film submitted to a competition for fun 😊
Synopsis:
The country is affected by a global pandemic. As a result, a lockdown is imposed and the creative industry is being shut down yet again, affecting the income of production studios and freelance production crews.
Despite covid-19 cases are on a sharp rise, the Government decides to reopen the shopping mall.
Technical:
Z CAM E2-M4, Viltrox EF-M2 II, Tokina Global 11-16mm F2.8, The Tiffen Company Pro-mist 1/8. Shot on Zlog ProRes 422, 2.4:1 24p.
Zoom H5 for voice over.
Entirely edited on Blackmagic Design DaVinci Resolve 17.
同時也有1部Youtube影片,追蹤數超過805的網紅Faris Azim,也在其Youtube影片中提到,Faris Azim from Organization XIII & Zeppo Youngsterz •Produced, Directed, Choreographed, Music Edited and Conceptualize by : Faris Azim http://www.in...
creative crews 在 黃心健 Hsin-Chien Huang Facebook 的最佳貼文
🎉🎉🎉“Samsara Ep1.” Puts Taiwan On the Map! New Media Artist Hsin-Chien Huang Wins the Top Awards of SXSW🏆🏆🏆🥳
The awards ceremony of the American international film festival, South by Southwest Film Festival (SXSW), will be held in the morning on March 20, 2021. The latest VR production created by artist Hsin-Chien Huang has taken the festival by storm and bring home the prestigious “Jury Awards” in the virtual cinema competition category. “Samsara Ep. 1” is the first VR production from Taiwan to receive such honor and has put the creativity of Taiwan on the map!
In the acceptance speech, Huang mentioned that he would like to thank the jury of SXSW for the recognition and encouragement. It was absolutely his honor to win this award. He’d also like to thank the full support from the Ministry of Culture of Taiwan 文化部, the Taiwan Creative Content Agency 文化內容策進院 Taiwan Creative Content Agency , and Kaohsiung Film Archive 高雄市電影館 VR 體感劇院 VR FILM LAB to make it possible to complete the work. Finally, he thanked all the crew members of the production for letting the world see how amazing the VR production from Taiwan.
The story background of “Samsara” is set as a timeline when humans completely destroyed the environment on earth and begin to go on a quest through space for hundreds of years. People try to immigrant to a new planet, so they redesign the DNA to adapt to a new environment and evolve into a new life form. However, after so many years, people gradually realize that it is never possible to find a new planet to settle. They merely keep returning to the original earth they have damaged in a different era, in a different life form, as an endless circle of reincarnation.
The plot involves many different social issues, including ecology, technology, natural resource, and war, and calls on viewers to reflect themselves with a profound philosophical perspective. Moreover, several concepts of embodied cognition are used in the story to make viewers transform into different animals, including Taiwan’s indigenous species, such as Taiwan Blue Magpie and Formosan Black Bear, to interact with the scenes. “Samsara Ep.1” also features the latest somatosensory technology, including the 4Dviews shooting techniques by the Industrial Technology Research Institute and Taiwan Creative Content Agency, with 48 4DV-EX-Z cameras and a digital shooting system composed of a high-sensitivity 4 million-pixel full-color CCD sensor. “Samsara Ep.1” is able to be taken from an omnidirectional view without blind spots and be shot without any blind spots to create the ultimate immersive experience.
The first SXSW was held in Austin, Texas in 1987. This long-standing international event is held around March every year ever since. The festival features various themes, such as films, music, VR/AR, art and games, etc. The SXSW is the world’s largest event for creative content. Many creators and brand owners in the fields will not miss out on the festival. Therefore, the festival has become a trial balloon, attracting hundreds of bands and film crews to participate, estimated over 400,000 people joining the event. This year, the festival has changed the event to an online form for the first time since the pandemic is raging as before. All screening events, industry matchmaking, seminars will be carried out via its own online platform, SXSW Online, without difficulty. It has made it possible for all the artists, creators, and professionals to break down the physical borders and participate in this magnificent annual event together.
There are nine productions in total nominated in the Virtual Cinema Competition category this year, with teams from the US, Canada, the UK, France, Germany, Poland, Australia, South Korea, and so on. This is the first time that “Samsara Ep.1” has competed in the international film festival and has achieved a great result with much international recognition. This is also the first time for Taiwanese production to receive an award from the SXSW competition. The full version of “Samsara” is expected to start the global tour in the second half of the year. Huang said that “Samsara” would return to Taiwan for its Asian premiere and ask the fans in Taiwan to stay tuned!
✔️SXSW website: https://www.sxsw.com/festivals/film-awards/
✔️SXSW YouTube: https://www.youtube.com/watch?v=T9G_7NZh_Oo&feature=emb_logo
#黃心健 #HsinChienHuang #輪迴 #Samsara #Virtualcinemacompetition
#Juryaward
#VR #台灣VR #TaiwanVR
#SXSWFilm #SXSW #2021SXSW #SXSWOnline
creative crews 在 Facebook 的最讚貼文
The snowy silence
雪白一片很美
360度柔光的照片怎麼拍皮膚都雪嫩
可當你別無選擇身在其中幾個鐘
手凍僵 鞋濕透 腳冰冷
你只會懷念暖氣房 熱咖啡
什麼美不美的
只能留待日後發IG分享 像現在
去年冬天攝影思在日本立山連山的其中一段進行拍攝職人故事
人煙稀少的特殊路線 大雪過後路面深厚的積雪
只有一次的拍攝機會 一到定點立刻判斷位置 畫面建構規劃主角定位以及劇情安排
即使低氣溫對從小在北美的我不算什麼
但凍僵的感覺誰會喜歡
還好煮咖啡是劇情之一
鏡頭外得到一杯熱呼呼50cc雪山手沖
咖啡豆的味道完全不在記憶裡
但我記得那股溫暖
努力工作的犒賞🥶
有時候會覺得
生命的精彩不一定是多少辛苦多少收穫
生活的痕跡都足以將心填滿
用心去過每一刻
每一刻都是精彩
亞熱帶台灣都下幾天雪了
你還好嗎,記得注意保暖
照顧好自己,也照顧好我們的地球
What you don’t see behind these snowy scenes are frozen fingers and saggy wet toes….
I was in Toyama, Japan about this time last year, filming for aNueNue’s Acoustic Future Series with handmade guitar master luthier Mr. Sugita. Through these trips I truly felt how much hard work production crews need to put into making a film. The creative work environment may not always be fair, but we tend to dive in out of passion anyways, despite knowing it all. But I was well taken care of by aNueNue btw… haha
#攝影思攝影 #攝影思的日常
creative crews 在 Faris Azim Youtube 的最讚貼文
Faris Azim from Organization XIII & Zeppo Youngsterz
•Produced, Directed, Choreographed, Music Edited and Conceptualize by
: Faris Azim
http://www.instagram.com/farisazim__
•Managed by
: Puteri Aisya
http://www.instagram.com/aisyamarissa_
•Formation and Position Coordinated by
: Faris Azim and Jonathan Loo
http://www.instagram.com/farisazim__
https://www.instagram.com/94jonloo/
•Studio Coordinated by
: Simon Tan
https://www.instagram.com/simontx4/
•Performed by
: Puteri Aisya
http://www.instagram.com/aisyamarissa_
: Jonathan Loo
https://www.instagram.com/94jonloo/
: Zee
https://www.instagram.com/child.of_caz/
: Simon Tan
https://www.instagram.com/simontx4/
: Aaron Ong
https://www.instagram.com/aaron_vac/
•Edited / VFX by
: Kayden
https://www.instagram.com/kayydeennn/
•Media by
: Kayden and Delcan Production
https://www.instagram.com/kayydeennn/
https://www.instagram.com/delcanchu/
•Costume by
: Negative Clothing
https://www.instagram.com/negativeclothing/
•Rehearsal Venue by
: Mustang Dance Studio
https://www.instagram.com/mustangdanc...
•Makeup Artist by
: Puteri Aisya
http://www.instagram.com/aisyamarissa_
•Supported by
: Malaysia Dance Scene
https://www.instagram.com/malaysiadancescene/
This is my third choreography that I am posting on my youtube channel, this time the story links to my previous video. As you all may know, I started and formed Zeppo Youngsterz and now I was recruited in Organization XIII. So choreographing this and working with both my crews to make it happen has been my target for a while now. We started off with Bad & Boujee and now I would like to proudly present you, Organization XIII with my choreography, DNA. Enjoy!!
Let me tell you little bit about this video, whenever the song DNA by Kendrick Lamar comes on, I had always imagined a riot and a virtual reality inside my head. Also, the song is very strong in beat wise and in rap wise, it has challenged me to choreographed it and to display what I have in my mind in a video, but it all makes sense and I appreciate all the hard work everyone did to make this virtual reality come to life. I really hope you guys enjoyed this! And make sure don’t forget to like and subscribe and share it out, as you all may know what’s coming up next
For any inquiries, contact:
bboyazim@gmail.com
COPYRIGHT:
*COPYRIGHT INFRINGEMENT NOT INTENDED*
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
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