「地獄空」攝影集即將在八月中元節前出版,由知名設計師與攝影家黃子欽設計,內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等,感恩十方大德助印,希望疫情退散,平安喜樂,後記如下:
野放台灣五十餘年,貪狼獨坐,三方四正殺破狼格局,少年多舛,白手起家,隨展覽雲遊四海,如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返,遂設幻影堂自詡堂主,一日三省「凡所有相皆是虛妄」,常宅於暗房沖片放大通宵、鍾情黑白世界之單純,彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘,了悟人生一瞬、眨眼即逝,雖非仙人,亦無道骨,初聞離垢地生清淨心,但離華嚴「不動地」尚遠,待修持也。
2017年盛暑拍畢《巨神連線》,心律不整差點心肌梗塞向閻羅王報到,意識死神隨伺在側,人生苦短,如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解,蒙釋迦摩尼佛開示飆淚三晝夜,聞佛法數載始知自我渺如塵埃,甚感慚愧。閒暇乃參訪名寺古剎,禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘,台灣宮廟千奇百怪、宗派錯綜複雜(佛教、道教、一貫道、天主教、基督教、齋教、回教&大同教、儒教鑾堂、天帝教&天德教、慈惠堂&勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……)、神棍橫行(依人不依法、偶像崇拜、斂財、邪淫),因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜,但地獄造景稀少,後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人,各寺造景巧妙、耐人尋味,意境乖張溢於言表,造型扭曲非常人所能塑也,然匠心獨運、自成一格,專研西方藝術數十載方知真誠樸拙最美,絲毫不輸喬托(Giotto di Bondone,1267~1337)乃至米開朗基羅(Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564)矣。
創立於1986年的石門金剛宮風景優美可眺望北濱,雖主祀四面佛,儒釋道眾神尊也不含糊,可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像,安太歲自不在話下,甲子太歲爺雙眼長出手掌印象甚深,1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍,行走暗黑通道觸動感應機關,只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地,十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台,粉嫩色彩搭配卡漫風格,尤為造型簡直恐怖到可愛透頂,該廟主祀森羅殿閻羅天子包拯(包青天),陽世冤屈者可至此參拜祭解,求破懸案者眾,逢中元普渡皆以紙紮船渡亡魂至彼岸,全台唯一閻羅天子巨像籌備中,四周環繞墓地,適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮(1971)地府則是首座電動地府,規模精小但驚嚇度破表,略顯破敗但五光十色仍蠻凶悍,出自已故台南大道長金登富之作,而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外,乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面,尊尊栩栩如生,續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道,造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」(阿彌陀佛、觀世音菩薩、大勢至菩薩巨像)旁設靜態十殿閻羅(1970年代初),雖略為陳舊然韻味猶存,續往上行可抵「證菩提道-釋迦如來應化事迹」雕塑園區,一攬世尊畢生精華。如來年邁時,琉璃國王為報長期被釋迦族輕蔑之傲慢心,世尊雖三次單獨伽跌坐 阻擋大軍進攻之路,但因緣果報無法逆轉,昔日婢女所生王子瞋恨無以復加,還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺,遂以缽盛救度五百族人,最終卻化為血水,佛言神通廣大仍不敵千百劫業力,因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐,目犍連遂展神通救渡,但所食尚未入口皆化為赤火,佛陀囑咐農曆七月十五日僧眾解安居自恣日,於盆中設甘露美食供養十方僧眾,因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌,既渡亡魂也自懺悔。
台南麻豆代天府規模宏大、造型豔麗,不但可遊十八層地獄尚可逛天堂(1979年興建,1983年開放),燈光絢爛、聲響駭人,獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」,至ㄧ殿泰廣王照「孽鏡台」現造惡原形,睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪,觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生(胎、卵、濕、化)回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」,轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」,窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」,直透地心、內中陰森、不見五指、滿溢地漿,皆為極犯,另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」(查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司)後至「孟婆亭」飲「醧忘湯」忘盡前塵往事,依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺(紫河車)」入六道輪迴轉生投胎。據《十八泥犁經》記載,人過世後七七四十九天為「中陰生」,經閻羅王審判善惡業力判定去留或懲罰百千萬劫,犯五逆重罪則墮入「無間地獄(阿鼻地獄)」永劫不復。地藏王乃幽冥教主,統轄十殿閻羅,逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。
人類居於五趣(阿修羅、人、傍生、餓鬼、地獄)雜居地五濁惡世之堪忍世界,犯十惡業(殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴)者必墮三趣惡道。如何出「三界」(欲界、色界、無色界)二十八天?凡人無此意識,別說能破「十二因緣」(無明、行、識、名色、六入、觸、受、愛、取、有、生、老死)還滅門,更別想斷除「四聖諦」(苦、集、滅、道)集地八十一品見惑與八十八使思惑(五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑),了悟「五蘊」(色、受、想、行、識)本空、「十二入」(眼、耳、鼻、舌、意、色、聲、香、味、觸、法)空、「十八界」空,破俱生我執與分別我執、法執甚至空執,生十一處「善心所」(信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害),降二十六處「惡心所」(貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知),須知善根斷盡則陷永劫輪迴、無垠轉世之苦。
地獄可能空滅嗎?若地獄空乏人間多鬼怪,地獄淨空世間何嘗非淨土?若能證空性何處現地獄?
地獄曠古來便廣泛流傳各部族間,老死生滅為自然運行之基礎、宇宙意識之核心,然今文明昌盛如咱城邦並非慾望消弭之所,惡性所及實無可根除,礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層,乃遁於壓抑、束己情懷,暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄,心多妄念,妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間,會靈於曠野密林以增性靈乃出世高人修煉之舉,我等凡人擅闖宛如迪士尼般之人造地獄,三魂七魄尚不足以出竅,驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧,豈不謬哉?
病毒肆虐年半有餘,全球確診者逼近一億八千萬,枉死者近四百萬,堪比戰爭規模,望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空,唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。
姚瑞中寫於2021年端午節
Postscript
I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.
In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).
Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.
Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.
Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.
The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.
June 2021,
Yao Jui-chung
同時也有1部Youtube影片,追蹤數超過1萬的網紅yanchannel煙爺,也在其Youtube影片中提到,哈囉~大家好!我是煙爺! (≧∀≦)ノ 此款是陰屍路影集裡面,十字弓帥哥(?)─戴瑞跟他的哥哥梅爾的前傳 算是幫影集做補完,另外這是一款第一人稱的射擊遊戲w 因為我本身實在是對拿槍的遊戲蠻不拿手的(诶 所以想用這個作品當成練習的遊戲,一方面是因為想看十字弓帥哥的劇情(竟然 如果喜歡我的影片,歡迎...
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dead end影集 在 凱特C's電影美劇課 Facebook 的最佳貼文
最近兩個月看了很多新劇,但一直沒時間寫成長篇,先用短文來整理一下。整季看完的有八部,從高分到低分依序排列:
⭐️《#核爆家園》(Chernobyl)
看了一下目前今年下半年宣布會推出的劇後,可以確定這部在我的年終新劇榜單中,不排第一也會有第二。故事還原 1986 年的車諾比核災事件,描繪消防員、醫護人員、科學家們為了拯救歐洲大陸和人民免於遭受災難,決心投入救災的經過。
有點慶幸這部是在 HBO 播出,以每周播出一集的方式,因為每看完一集都需要一些時間來好好平復心情。雖然看介紹會認為著重在「災難」的描寫,但其實這部較多是聚焦在「人」的作為。有時看到很憤怒,有時則看到忍不住落淚。
不過雖然編劇盡可能用淺顯易懂的方式來說明核災發生的原因,但對我這種高中理化沒學好的人來說還是有點燒腦的。所以在看劇前建議還是可以大概先去了解一下事件發生的經過,比較好進入狀況。
⭐️《#別人眼中的我們》(When They See Us)
這部之前寫過長文了。簡單來說,這部真人實事改編迷你影集在艾娃杜威內(Ava DuVernay)執導下,蘊藏了一種強大的力量。雖然同樣牽涉到種族議題,但她並未刻意放大這個部分,而是把焦點放在五位少年從被捕、審問、出庭、入獄到出獄的心境轉變。
完整心得可以看這:http://tinyurl.com/yxsx3nob
⭐️《#死生之交》(Dead to Me)
故事描述一位寡婦尚未從丈夫死亡的悲痛中恢復,在尋找肇事逃逸的駕駛時,與一位樂觀女子相識後變成了朋友,但對方似乎不如表面上看來如此。
第一眼看卡司和題材沒有吸引到我,但點開首集後一下子就把一整季看完了。故事轉折其實不難猜,但兩位角色的強大魅力為整體加分超多,尤其是茱蒂。故事表面看來主要是想抓到肇事者,但實際上在處理「失去」這件事下了不少功夫,喜歡笑中帶淚類型的可以看看。
⭐️《#迷幻臥底》(Undercover)
目前看過二部比利時影集,第一部是我曾經大推過的《心如白紙》(Tabula Rasa),另一部就是這部《迷幻臥底》。一男一女臥底探員搭檔潛入迷幻藥製毒商老大的拖車營別墅,試圖獲得關於毒品交易的情報,將他緝拿到案。
臥底題材多到數不清,雖然這部也有不少主角快要被揭穿的情節,但沒有那種好萊塢式驚險時刻,是屬於比較冷調的風格,也因此少了那麼一點點讓人坐立難安的感覺。不過男女主角的互動滿有火花的,會讓人期待第二季他們再度搭檔查案。
⭐️《#驚濤》(High Seas)
印象中西班牙影集總是要灑狗血一下,這部也不例外。故事看來有點像是郵輪版的《東方快車謀殺案》,角色們被困在船上不得動彈,接著陸續有人死亡,再加入兩個世代間的恩怨情仇。雖然有點狗血,但因為時代劇是我的菜,故事也有轉折,整季看下來還算精彩。
⭐️《#小偷小搶》(Trinkets)
一位新搬到鎮上的高中女生在小偷匿名會上認識了兩位同學,發展出一段暖心的友誼。說不上好看,就是平平淡淡的小品,但滿喜歡劇中藉由一位角色的故事,來描繪別人眼中的自己和內心自我的衝突。
⭐️《#新社會》(The Society)
為什麼我要點開這部?這是看完《新社會》後的感想。我絕對是被宣傳時打著《Lost檔案》混合《蒼蠅王》的口號給迷惑了。The End.
⭐️《如/果》(What/If)
今年目前看過最糟的一部,可惜了芮妮齊薇格(Renée Zellweger)。雖然看到由《復仇》主創打造,可以預期故事會有點八點檔,但精采程度完全不如《復仇》,兩條支線跟主線劇情可以說沒什麼交集,也就等於根本沒有存在的必要。卡司群演技也普普,整部劇就是有一種粗糙感。
下面這幾部是還沒看完的,努力消化中。
-《#好預兆》(Good Omens)
-《#老無所懼》(Too Old to Die Young)
-《#第22條軍規》(Catch-22)
-《#全歐最酷線上藥頭》(How to Sell Drugs Online (Fast))
-《#城市故事》(Tales of the City)
-《#高校十八禁》(Euphoria)
dead end影集 在 凱特C's電影美劇課 Facebook 的最佳貼文
最近兩個月看了很多新劇,但一直沒時間寫成長篇,先用短文來整理一下。整季看完的有八部,從高分到低分依序排列:
⭐️《#核爆家園》(Chernobyl)
看了一下目前今年下半年宣布會推出的劇後,可以確定這部在我的年終新劇榜單中,不排第一也會有第二。故事還原 1986 年的車諾比核災事件,描繪消防員、醫護人員、科學家們為了拯救歐洲大陸和人民免於遭受災難,決心投入救災的經過。
有點慶幸這部是在 HBO 播出,以每周播出一集的方式,因為每看完一集都需要一些時間來好好平復心情。雖然看介紹會認為著重在「災難」的描寫,但其實這部較多是聚焦在「人」的作為。有時看到很憤怒,有時則看到忍不住落淚。
不過雖然編劇盡可能用淺顯易懂的方式來說明核災發生的原因,但對我這種高中理化沒學好的人來說還是有點燒腦的。所以在看劇前建議還是可以大概先去了解一下事件發生的經過,比較好進入狀況。
⭐️《#別人眼中的我們》(When They See Us)
這部之前寫過長文了。簡單來說,這部真人實事改編迷你影集在艾娃杜威內(Ava DuVernay)執導下,蘊藏了一種強大的力量。雖然同樣牽涉到種族議題,但她並未刻意放大這個部分,而是把焦點放在五位少年從被捕、審問、出庭、入獄到出獄的心境轉變。
完整心得可以看這:http://tinyurl.com/yxsx3nob
⭐️《#死生之交》(Dead to Me)
故事描述一位寡婦尚未從丈夫死亡的悲痛中恢復,在尋找肇事逃逸的駕駛時,與一位樂觀女子相識後變成了朋友,但對方似乎不如表面上看來如此。
第一眼看卡司和題材沒有吸引到我,但點開首集後一下子就把一整季看完了。故事轉折其實不難猜,但兩位角色的強大魅力為整體加分超多,尤其是茱蒂。故事表面看來主要是想抓到肇事者,但實際上在處理「失去」這件事下了不少功夫,喜歡笑中帶淚類型的可以看看。
⭐️《#迷幻臥底》(Undercover)
目前看過二部比利時影集,第一部是我曾經大推過的《心如白紙》(Tabula Rasa),另一部就是這部《迷幻臥底》。一男一女臥底探員搭檔潛入迷幻藥製毒商老大的拖車營別墅,試圖獲得關於毒品交易的情報,將他緝拿到案。
臥底題材多到數不清,雖然這部也有不少主角快要被揭穿的情節,但沒有那種好萊塢式驚險時刻,是屬於比較冷調的風格,也因此少了那麼一點點讓人坐立難安的感覺。不過男女主角的互動滿有火花的,會讓人期待第二季他們再度搭檔查案。
⭐️《#驚濤》(High Seas)
印象中西班牙影集總是要灑狗血一下,這部也不例外。故事看來有點像是郵輪版的《東方快車謀殺案》,角色們被困在船上不得動彈,接著陸續有人死亡,再加入兩個世代間的恩怨情仇。雖然有點狗血,但因為時代劇是我的菜,故事也有轉折,整季看下來還算精彩。
⭐️《#小偷小搶》(Trinkets)
一位新搬到鎮上的高中女生在小偷匿名會上認識了兩位同學,發展出一段暖心的友誼。說不上好看,就是平平淡淡的小品,但滿喜歡劇中藉由一位角色的故事,來描繪別人眼中的自己和內心自我的衝突。
⭐️《#新社會》(The Society)
為什麼我要點開這部?這是看完《新社會》後的感想。我絕對是被宣傳時打著《Lost檔案》混合《蒼蠅王》的口號給迷惑了。The End.
⭐️《如/果》(What/If)
今年目前看過最糟的一部,可惜了芮妮齊薇格(Renée Zellweger)。雖然看到由《復仇》主創打造,可以預期故事會有點八點檔,但精采程度完全不如《復仇》,兩條支線跟主線劇情可以說沒什麼交集,也就等於根本沒有存在的必要。卡司群演技也普普,整部劇就是有一種粗糙感。
下面這幾部是還沒看完的,努力消化中。
-《#好預兆》(Good Omens)
-《#老無所懼》(Too Old to Die Young)
-《#第22條軍規》(Catch-22)
-《#全歐最酷線上藥頭》(How to Sell Drugs Online (Fast))
-《#城市故事》(Tales of the City)
-《#高校十八禁》(Euphoria)
dead end影集 在 yanchannel煙爺 Youtube 的最佳解答
哈囉~大家好!我是煙爺! (≧∀≦)ノ
此款是陰屍路影集裡面,十字弓帥哥(?)─戴瑞跟他的哥哥梅爾的前傳
算是幫影集做補完,另外這是一款第一人稱的射擊遊戲w
因為我本身實在是對拿槍的遊戲蠻不拿手的(诶
所以想用這個作品當成練習的遊戲,一方面是因為想看十字弓帥哥的劇情(竟然
如果喜歡我的影片,歡迎各位訂閱我的頻道((´∀`))人((´∀`))ノ
有任何需要改進的部分也希望大家不吝嗇的給予建議,非常感謝各位喔!
另外,我也有在Twitch TV上有作一些遊戲的實況,
如果喜歡現場跟台的朋友可以到我的實況台
喜歡的朋友們歡迎追隨我的實況台ヽ(●´∀`●)ノ
實況台址:http://zh-tw.twitch.tv/viva_19900902
大家也可以至粉絲團上留意開台或是影片的先關資訊
Facebook粉絲頁:https://www.facebook.com/vivayanyan
其他連結:
皮克直播:http://tw.pikolive.com/jtv/viva_19900902
GNBOX直播:http://live.gnbox.net/viva_19900902
dead end影集 在 冷門影集Dead End/歸去 - 百合板 | Dcard 的推薦與評價
冷門影集Dead End/歸去. 百合. 2021年1月15日02:09. 好像還沒看過有人在這裡分享這部德國 影集,應該算是非常冷門的劇,在2019播出目前只有一季總共6集。 ... <看更多>
dead end影集 在 [追劇] 德劇「Dead End」(雷) waleyu PTT批踢踢實業坊 的推薦與評價
好啦,我承認Antje Traue演的Emma實在太get到我了,然後Betti又很可愛,所以才在這裡發花痴....,後來發現Antje還演了幾部好萊塢電影,不過,那就不說了。 這影集目前只有 ... ... <看更多>
dead end影集 在 [追劇] 德劇「Dead End」 - 看板the_L_word - 批踢踢實業坊 的推薦與評價
嗯~~,我又來了,前陣子是找不到戲看,現在是一連兩發,就緣份吧,是說我一向囉嗦
,所以,文長,慎入
實在不知道要不要或可不可以推這部片,因為這是部德國影集,在台灣,高調的歐洲影集
只有公視和Netflix會有,其他都要低調,不像美國影集,大部分都可以在網路串流平台
找到。
但是,實在太愛Emma的死人臉和可愛的小女警Betti,不能只有我一個人花痴(是說最近
一直在花痴就是了),所以就來推了。
然後,發現飾演Emma的演員Antje Traue去年演的德國女同志電影My Mother’s Girlfrie
nd(我媽的意外女友)過幾天會在GagaOOLala上架,也就順便幫他們推銷一下吧。
但,如果有踩到版龜,就還是請版主自行刪文,或告知我刪文吧!
不過,這部片雖然有拉點,但不是愛情片,所以如果喜歡看女主角們談情說愛的版友,這
部片就不適合了。這是一部刑事偵探片,雖然案件都不複雜,但安排細膩,推理有劇,加
上劇中人物有趣的互動,以及不時流露出的冷調幽默,喜歡辦案影集的版友,應該是會喜
歡的。
嗯,還是提醒一句好了,害怕屍體和血淋淋場面的版友就慎入了,血淋淋場面有兩場,但
屍體就一直都有了,因為Emma是個法醫,德國人拍片很寫實的,不過沒有CSI那種肚子被
剖開的畫面,所以應該就還好吧。
…..雷。線.....
故事是說有法醫背景的Emma從美國回到德國家鄉小鎮,因為父親一直都是鎮上的驗屍官,
Emma因此得以接觸到鎮上往生人的屍體,並因此從看似平凡無奇自然死亡的死者身上,發
現蛛絲馬跡,因而追查出凶手。但Emma在德國並沒有執法人員的身份,使得鎮上的女警Be
tti一方面對Emma感到好奇,一方面也想破案,但又礙於職責必需阻止Emma四處問人和調
查案件。兩人在這樣的往來當中暗生情緒,只是Emma身上似乎另有隱情,所以.....,然
後......
都說了,顏值重要,演技更重要,Emma和Betti兩個演員這兩項都有,Emma是一個喜樂不
易形於色的角色,但觀眾還是感覺得出她的情緒,Betti個性就比較直接一點,每個情緒
表情都很到位。但火花嘛,這部影集裡兩人實在沒什麼談情說愛的橋段,但在兩人的互動
中,看得出兩人對彼此都很有興趣,演員對起戲來也很有默契。只是這些細節都穿插在謀
殺案的追查過程中,而沒有什麼浪漫的芬圍就是了,但很有趣。就像Emma每次跟著Betti
出去問案,每次都答應Betti不會講話,但每次都忍不住,Betti都會瞪她,然後一副無奈
的表情,Emma一開始還會表示歹勢沒忍住,到最後就直接怎麼了嘛的表情....
好啦,我承認Antje Traue演的Emma實在太get到我了,然後Betti又很可愛,所以才在這
裡發花痴....,後來發現Antje還演了幾部好萊塢電影,不過,那就不說了。
這影集目前只有一季六集,不知道有沒有第二季,不過就算有,以現在歐洲的疫情來看,
也不知什麼時候能拍出來,所以....
就....
醬....
--
※ 發信站: 批踢踢實業坊(ptt.cc), 來自: 124.8.227.46 (臺灣)
※ 文章網址: https://www.ptt.cc/bbs/the_L_word/M.1607958021.A.076.html
※ 編輯: waleyu (124.8.227.46 臺灣), 12/15/2020 03:18:01
... <看更多>