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Catherine: Full Body for Nintendo Switch Demo Let's Play with Japanese Voice Actors - https://personacentral.com/catherine-full-body-nintendo-switch-demo-lets-play-voice-actors/
Hello. I am KIVΛ.
Over the past 3 years, I have been working under Rayark Inc. on the rhythm game title 《Cytus II》 as Sound Director, as well as music and sound effects production, together with story design and a portion of motion design. In June last year, I found myself going into different paths with the company, so I left the position as regular staff member, but continued to work with the remainder of the project until version 3.0, where the story finally reaches the finale, so did my journey and objectives for this game development journey. Having this opportunity, I would like to share some of my thoughts regarding this epilogue.
Since I joined this project, the focus of design has always been the joint experience of story and music. With the story reaching the end, I would like to potrait the overall ambient to be more film-like, which players might experience the tension of the climax through music. Having such thoughts, I was determined to unify the music genre in 3.0 as film-score like, blending in motifs from song lineup of each and every game character. I am totally aware that level design for symphonic music is difficult, especially in emphasizing the groove like how it was usually done in electronic music. I want to thank all level designers for their hard work in overcoming such challenges.
The epic vibe from combining contemporary electronic and symphonic music is something that I always wanted to attempt for, and in my previous works there has been appearance of such sound elements, but by using only virtual instruments it might just not reaching my expected result. I want to thank Rayark for being so generous to provide all the support, making the symphonic recording come true.
Having such opportunity, I went for two of my friends who I have never work together with: Shao-ting Sun, a recording engineer in Carnegie NYC; Chamber Chu, a symphonic music producer. They have been my game peers for quite a while, but I have always been admiring their aesthetics and abilities in sound design, and these two grandmasters have definitely outperformed themselves. I spent a whole week staying with Chamber for the arrangement of symphonic parts, which was a very precious experience in music creation. The recording team that Sun brought together, as well as the professional performers that participated in the recording session, is by no doubt astonishing. Recalling that we rushed for the full score of all the pieces until the very morning of the recording session (our sincere apologies), but it took no more than 5 takes for all sections to get the desired outcome. Absolutely fascinataing.
It is also worth mentioning that the entire team of roughly 60 were all Taiwanese. I guess we might have made another achievement in the history of Taiwanese game music production. I am so honoured to have the opportunity in leading such a groundbreaking project, together with all the grandmasters.
3 years isn't that long, but it is more than one out of ten for my life. There were other creation experience that were fun but painful, and many achievements were unlocked when I worked in this company. Standing on the stage in front of the screaming crowd, working with Japanese voice actors that I admired for so long, having so many supporters of my work, all these could never be possible without Rayark. Even I left the company going for different paths, I still wish for the very best of this company to become a even better one.
It is a pity that I can no longer work together with the fantastic members of Team Cytus. Perhaps they are fed up with my twisted personality and being stubborn for what I wanted to create. I would like to thank you all for your understanding and forgiveness. Each of you have the profession and passion, and I found myself so tiny and unintellegent working with all of you, and I have learned a lot over the years. I wish all of you could push the creative industry in Taiwan even further forward. I am returning as a mere artist, working hard on what I could. No matter how harsh life is, I am still working on it, as this is the only thing I am capable to do.
Last but not least, I would like to thank all of you players that have supported this game. Without you, this could never happen. No matter to me, to the Team and to the players, 《Cytus II》 might not be the perfect piece of game, we might have different imaginations on the enormous world settings, characters or even the game design itself. What in common was we spent 3 years to experience the creation and playing process. It is the story and music that linked us together. I believe this is the charisma of the game. I wish you are all loving this game, loving the characters, and loving the time that we created together.
There are so many more to thank, to apologize, the satisfaction and sorrows, and they are all included in this ending music. It is time for me to step down.
Thank you, and goodbye.
Another great response to Shrey Bhargava's self righteous pity party. Every minority is invited to join! Come, let's blame the majority race for everything that's wrong in our lives, it is never our fault, it is because we are oppressed! Wow, so convenient!
Shrey has written another post boohooing about how racism (yawn), how minorities don't get roles easily in singapore, and how the Chinese are blind because we have privileged.
Cut your crap. If a Chinese director wants to make a movie about Chinese NS men, that's his fucking prerogative. If it features Indians or Malays as token characters, that's also his freedom and right. Why? You think every local movie needs to have an Indian main character then it's not considered racist is it?
In that case I ask... why are Bollywood movies full of only Indians? Why aren't one of the leads in 3 Idiots any race other than Indian?!!! Such an atrocity and blatant racism. Sure, Bollywood shows are in Tamil, but hey I don't care, this is as racist as The Voice asking for Chinese speakers! I don't care, include a Chinese mute character please, and he must not be a token role! Otherwise the director is racist! 🙄
Obviously like Donovan said there are privileges to being a majority race, a majority anything. That much is undeniable. While the Chinese in singapore should be mindful of consideration for all the other ethnic groups and always be respectful, but the automatic assumption that jobs be not only handed to you, but CREATED FOR you purely for the sake of your race isn't one of them.
Singapore is built on meritocracy.
Keep up your self victimizing charade and keep blaming society for your failures in life - you will find that soon nobody respects you.
And unlike the white liberals who have been indoctrinated with white guilt since their school days and think they have to pay for their ancestors' crime, you will find Singaporeans way less susceptible to your guilt tripping. Asians, including Indians and Chinese alike, don't subscribe to victim-playing. We work hard and succeed despite the odds - I suggest you get on with the program. Nobody owes you or your race a level playing field. Your whining rings hollow, since you exist in one of the most racially harmonious countries in the world, where the govt has taken careful steps to ensure equality for all the 4 main races.
Dear Shrey Bhargava,
As far as I can tell from your post, there was nothing racist about your Ah Boys to Men audition and I'll be kind enough to tell you and the 3000-odd people whom have shared your post why.
You were tasked to perform the role of a 'full blown Indian' and you have interpreted that as having to 'portray a caricature of my race' and being 'reduced to my accent'.
The casters were not racist and the element of racism here is non-existent because that was the role that is being demanded of you here, whether it was that of a Singaporean Indian, North Indian, British Indian or Red Indian.
Suppose Samuel L. Jackson had tried to audition for the role of Jack Dawson in Titanic, a part that really went to Leonardo DiCaprio. It is obvious that he would have been turned down because he was black. Now, is this not a clear-cut case of racial discrimination? Surely no one (maybe except that crazy Sangeetha) would be absurd enough to claim that the directors or scriptwriters of Titanic were racist and had "reduced" Jackson down to his skin colour?
That is because the role of Jack Dawson (may he rest in peace at the bottom of the Atlantic) is one of a white man.
Why is it somehow more 'wrong' for you to portray the role of a stereotypical Indian from India, than for Wang Wei Liang to portray the stereotypical Chinese gangster, or for Maxi Lim to portray the role of a stereotypical bootlicking yes-man recruit, or for Tosh Zhang to portray a stereotypical authoritative army Sergeant?
If Wang Wei Liang were to drop out of the Lobang King role right now and I be in line to audition for the role, I'd be similarly asked by the casting director to play the role of a 'full blown ah beng'.
That would mean me summoning out to the best of my abilities the most vicious, stereotypical characteristics of a Chinese 'ah beng'. I'd have to speak in subpar broken English, exercise a liberal use of dialect profanities and demonstrate an aptitude for violence in the face of problems.
I have no doubt in my mind that a lot of the ones whom are throwing support behind you right now would not similarly rally and call to arms in the same righteous manner for me because I had to depict a caricature of the stereotypical Chinese hooligan.
Yet what is the difference? Certainly not all Chinese 'ah bengs' are characterised with the same rebellious, malingering characteristics like that of Wang Wei Liang's character. I have done my National Service alongside some of them (in a god-forsaken rifleman unit no less), and most of them in fact are some of the most patriotic men I have ever seen.
Why is a racial stereotype anymore of a grievous injustice than the stereotype of an occupation, a cultural identity or any other form of stereotype? It is not.
If your objection is with being pigeonholed into a simplified, hackneyed image of a particular person, then you must similarly condemn all forms of stereotypes in film - not just stereotypes that are played along racial lines. And it is unnecessary for me to point out that stereotypes in the arts are ubiquitous in any and all forms.
In your follow-up post, you ramp up your distinct brand of illogic. You claim that it is wrong for the minority character to be of insignificance because this is a film that is a "SINGAPOREAN story".
But this begs the question. What defines being 'Singaporean'? Given that 40% of our population are comprised of foreigners and non-residents, isn't it just as wrong that these Filipinos, Indonesians, Japanese and Koreans are utterly unrepresented in Ah Boys to Men? Is it fair to stick to the 'Chinese, Malay, Indian' categorisation that in the first place, is a categorisation formulated on arbitrary standards by our government?
Is there any reason why your standard of what is 'Singaporean' should take priority over mine, or over the casting director's?
Yes, actors need jobs and it is certainly true that a racial minority would not enjoy the luxury of roles to pick from in comparison to one in the racial majority. But it is not clear WHY this is unfair, which is what you seem to me implying by "Minority actors do not have the privilege to pick and choose what to audition for".
Of course majorities benefit. The same can be said for people whom are right-handed, whom are tall, whom are lucky enough to be born with our five senses. When you lament that "Minority actors do not have the privilege to pick and choose what to audition for", you are no longer making an argument against racism, rather, you are making an argument against reality i.e., the racial proportion of our population.
I have observed this for some time among the young Singaporeans who are most active on social media. One of the most troubling cultural trends as of late is this idiotic penchant to leap at every slightest opportunity they get to call out racism, from the Toggle blackface issue and the Kiss92 incident to a Smartlocal video from last year.
Of course racism exists in Singapore (or anywhere else in the world for that matter), but reducing any and all issues down to race is not very helpful. There are far more productive ways to tackle discrimination. And that begins with changing the institutional framework of our society, such as the freedom of our press and media, so racial minorities are empowered to best represent their own unique cultures. Nit-picking on little details in the media is not one of them.
Like the Nobel Laureate Milton Friedman said: “One of the great mistakes is to judge policies and programs by their intentions rather than their results.” I commend your well-intentioned attempt to speak out against what you have perceived is 'racism', but your analysis is incorrect and your methods are in fact entirely retrogressive.
P.S. It was quite interesting to see how that Vimeo video on your wall provided a most comical caricature of Arabs being equated with bombs/terrorism. It appears that it is just your own racial identity that is most fragile, and that the rest of us must tread precariously around. I wonder if it was only I who cringed so hard?
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カオスな企画にがっくんもお手上げ！？
またコラボしてくださいね…😭
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◆ガクともチャンネルさん
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GAME LIVE JAPAN 2020 is a gaming information program produced by KADOKAWA Game Linkage which operates gaming media, both “Famitsu” and “Dengeki.” It will be broadcasted live for 3 days from Friday, September 25th.
Many game manufacturers are expected to participate in the program and make announcements on new titles and the latest information on upcoming hot titles. We will have game loving entertainers, pop idols, and voice actors as event hosts of the day and provide a must-see program packed with new information for game fans!
Broadcasting date and time:
・GAME LIVE JAPAN 2020 DAY1 (Hosts : Girly Record / Yuki Nakashima)
Friday, September 25th: 7 pm to 11:30 pm (JST)
Friday, September 25th: 3 am to 7:30 am (PDT)
Friday, September 25th: 6 am to 11:30 am (EDT)
■19:00-19:45 DAY1 Opening & Summary of next-generation console information
■20:00-20:30 COVEN AND LABYRINTH OF GALLERIA
■20:30-21:15 PRINNY 1・2
■21:15-22:00 MAD RAT DEAD
■22:00-23:00 Disgaea 6: Defiance of Destiny
■23:00- DAY1 Ending
・GAME LIVE JAPAN 2020 DAY2 (Hosts : Girly Record / Aki Maeshima / Mirin Furukawa)
Saturday, September 26th: 1 pm to 11:30 pm (JST)
Friday, September 25th: 9 pm to Saturday, September 26th:7:30 am (PDT)
Saturday, September 26th: 0 am to 10:30 am (EDT)
■13:00-13:45 DAY2 Opening & Summary of next-generation console information
■14:00-14:45 IdentityⅤ
■15:00-15:45 Knives Out
■16:00-16:45 The latest information for Tokyo Game Show 2020
■17:00-17:45 CODE: D-BLOOD
■18:00-18:45 Fallout 76 & Newest information of PS5 launch titles from Bethesda
■19:00-19:50 Cyberpunk 2077
■20:00-20:50 Shiren the Wanderer: The Tower of Fortune and the Dice of Fate / Cadence of Hyrule - Crypt of the NecroDancer Featuring The Legend of Zelda
■21:00-21:50 Re:ZERO – Starting Life in Another World: The Prophecy of the Throne
■22:00-22:45 New release information from INTI CREATES
■23:00- DAY2 Ending
・GAME LIVE JAPAN 2020 DAY3 (Hosts : Madical Lovely / Ruriko Aoki)
Sunday, September 27th: 1 pm to 10:30 pm (JST)
Saturday, September 26th: 9 pm to Sunday, September 27th:6:30 am (PDT)
Sunday, September 27th: 0 am to 9:30 am (EDT)
■13:00-13:45 DAY3 Opening & Summary of next-generation console information
■14:00-14:45 EARTH DEFENSE FORCE: WORLD BROTHERS
■15:00-15:45 Bubble Bobble 4 Friends / DARIUS COZMIC REVELATION
■16:00-16:45 Special feature on Noda Crystal's self-made games
■17:00-17:45 Hyrule Warriors: Age of Calamity
■18:00-18:45 Dragalia Lost
■19:00-19:45 Y School Heroes: Bustlin’ School life / MEGATON MUSASHI
■20:00-20:55 JACK JEANNE
■21:00-21:45 Shadowverse: Champion's Battle
■22:00- DAY3 Ending
All broadcasting schedule is in JST, Japanese Standard Time.
Streaming date and time, contents, or hosts are subject to change due to unavoidable circumstances without prior notice.
GAME LIVE JAPAN
https://www.famitsu.com/sp/glj2020/
Dengeki Online Twitch
https://www.twitch.tv/dengekionline
WeeklyFamitsu Twitch (English)
https://www.twitch.tv/weeklyfamitsu
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https://space.bilibili.com/631884530/
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#GAMELIVEJAPAN
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GAME LIVE JAPAN 2020 is a gaming information program produced by KADOKAWA Game Linkage which operates gaming media, both “Famitsu” and “Dengeki.” It will be broadcasted live for 3 days from Friday, September 25th.
Many game manufacturers are expected to participate in the program and make announcements on new titles and the latest information on upcoming hot titles. We will have game loving entertainers, pop idols, and voice actors as event hosts of the day and provide a must-see program packed with new information for game fans!
Broadcasting date and time:
・GAME LIVE JAPAN 2020 DAY1 (Hosts : Girly Record / Yuki Nakashima)
Friday, September 25th: 7 pm to 11:30 pm (JST)
Friday, September 25th: 3 am to 7:30 am (PDT)
Friday, September 25th: 6 am to 11:30 am (EDT)
■19:00-19:45 DAY1 Opening & Summary of next-generation console information
■20:00-20:30 COVEN AND LABYRINTH OF GALLERIA
■20:30-21:15 PRINNY 1・2
■21:15-22:00 MAD RAT DEAD
■22:00-23:00 Disgaea 6: Defiance of Destiny
■23:00- DAY1 Ending
・GAME LIVE JAPAN 2020 DAY2 (Hosts : Girly Record / Aki Maeshima / Mirin Furukawa)
Saturday, September 26th: 1 pm to 11:30 pm (JST)
Friday, September 25th: 9 pm to Saturday, September 26th:7:30 am (PDT)
Saturday, September 26th: 0 am to 10:30 am (EDT)
■13:00-13:45 DAY2 Opening & Summary of next-generation console information
■14:00-14:45 IdentityⅤ
■15:00-15:45 Knives Out
■16:00-16:45 The latest information for Tokyo Game Show 2020
■17:00-17:45 CODE: D-BLOOD
■18:00-18:45 Fallout 76 & Newest information of PS5 launch titles from Bethesda
■19:00-19:50 Cyberpunk 2077
■20:00-20:50 Shiren the Wanderer: The Tower of Fortune and the Dice of Fate / Cadence of Hyrule - Crypt of the NecroDancer Featuring The Legend of Zelda
■21:00-21:50 Re:ZERO – Starting Life in Another World: The Prophecy of the Throne
■22:00-22:45 New release information from INTI CREATES
■23:00- DAY2 Ending
・GAME LIVE JAPAN 2020 DAY3 (Hosts : Madical Lovely / Ruriko Aoki)
Sunday, September 27th: 1 pm to 10:30 pm (JST)
Saturday, September 26th: 9 pm to Sunday, September 27th:6:30 am (PDT)
Sunday, September 27th: 0 am to 9:30 am (EDT)
■13:00-13:45 DAY3 Opening & Summary of next-generation console information
■14:00-14:45 EARTH DEFENSE FORCE: WORLD BROTHERS
■15:00-15:45 Bubble Bobble 4 Friends / DARIUS COZMIC REVELATION
■16:00-16:45 Special feature on Noda Crystal's self-made games
■17:00-17:45 Hyrule Warriors: Age of Calamity
■18:00-18:45 Dragalia Lost
■19:00-19:45 Y School Heroes: Bustlin’ School life / MEGATON MUSASHI
■20:00-20:55 JACK JEANNE
■21:00-21:45 Shadowverse: Champion's Battle
■22:00- DAY3 Ending
All broadcasting schedule is in JST, Japanese Standard Time.
Streaming date and time, contents, or hosts are subject to change due to unavoidable circumstances without prior notice.
GAME LIVE JAPAN
https://www.famitsu.com/sp/glj2020/
Dengeki Online Twitch
https://www.twitch.tv/dengekionline
WeeklyFamitsu Twitch (English)
https://www.twitch.tv/weeklyfamitsu
bilibili (Chinese)
https://space.bilibili.com/631884530/
◆◇ Famitsu.com Twitter ◇◆
https://twitter.com/famitsu
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