關於 no thank you in french ，我們在網路上蒐集到這些相關的討論、資訊與評價

Today was the first day of PSLE.

I thought I did quite a good job by waking the big girl up, making her French Toast, braiding her hair and writing her a letter of encouragement - with her favourite Sumikko Gurashi design - to wish her all the best.

But this girl, she touches me in ways I never expect and brings joy through the little things she does. Not only does she make life happier for me, she is also my motivation to be a better, braver and stronger mum.

This afternoon, after enduring an over 4-hour wait in school due to a technical glitch during her oral exam and only having a bun and biscuit between 7am to 230pm, she came back home on her own, hungry but not whiny. I served her a big bowl of herbal chicken soup with mee sua which she ate heartily before taking a rest.

In the evening, she helped me to take care of the baby and after dinner, we watched a couple of hours of TV to relax, including AGT and Just for Laughs Gags, because I do think it's more important for her to feel happy than stressed at this point.

Before she went to bed, she wrote this sweet thank you letter for me which I totally didn't see coming and it totally melted my heart. Ironically, it's day 1 of her major exam yet she cheered and lifted me up more than what I did for her. Awwww. And I think I needed this.

Love you so much, my dear Angel. No matter what happens, you know I will always, always be proud of you. Thank you for being you.

All the best to those who are taking their PSLE too! ❤

P.S. She also dropped her molar, which is her 18th tooth, tonight too. Yup, only two more milk teeth to go and her last few visits from Tooth Fairy. This girl is growing up so fast and it's a bittersweet feeling but I am embracing every moment of seeing her mature into a fine young lady.

#ahappymum #psle #firstborn #thankfulforyou #growingup #motherhood #heartfelt

【989陽光列車 0900-1200 每週歌單】

8/28 (五)
09:03:08 情歌沒有告訴你 梁靜茹
09:07:29 再見不見 童立安
09:11:45 愛已蔓延 殷悅
09:18:40 我們的未來 家入里歐
09:23:41 彎彎的月光 周蕙
09:27:00 如果你知道 羽泉
09:36:30 Count On Me Bruno Mars
09:40:45 我很忙 A-Lin
09:49:41 Senorita Shawn Mendes 尚恩曼德斯/Camila Cabello
09:52:50 I Don't Care 李玟
Total time is 60:01
10:04:03 Thank You Meghan Trainor
10:07:25 你的情歌 TANK
10:11:59 無力女子退社單 鄉村少女組
10:19:20 情人(粵) 黃家強/梁漢文
10:24:04 來不及對不起 崔子格
10:34:12 我只想在乎我在乎的 白安
10:39:34 HAKKA CANDY 薄荷糖 KinKi Kids 近畿小子
10:49:19 很想牢牢地抱住你 鄺美雲
10:54:02 我把人生唱成一首給你的歌 周華健
Total time is 60:00
11:04:11 忠孝東路走九遍 動力火車
11:08:55 妳是我的Wifi 夜貓組
11:12:01 Dynamite BTS 防彈少年團
11:18:23 傳奇三部曲 費玉清
11:24:25 阿嬤的話(台) 蕭煌奇
11:34:40 別弄花我的妝 關詩敏/Karencici
11:38:44 Bo Peep Bo Peep T-ARA(ALPHA)
11:46:57 煙火 蔡黃汝
11:51:42 Don't Stop Believin' Journey 旅行者合唱團
Total time is 60:01

8/27 (四)
09:04:10 最好的我 龔芝怡/房祖名
09:09:18 THAT WAY SHAKIRA
09:12:23 一起飛一起愛 蕭敬騰
09:19:06 Little by little CHEEZE
09:23:27 愛情Yogurt 林俊傑
09:27:44 像是一顆星星 楊丞琳
09:36:18 Take You Dancing Jason Derulo
09:40:26 邊吃巧克力邊倒立 瑞瑪席丹
09:48:41 你要不要先回家 吳映潔
09:51:30 艾琳娜 動力火車
09:56:20 #Showervibes 吳卓源
Total time is 60:00
10:04:02 至少還有你 巫啟賢
10:07:57 離開我的依賴 王艷薇
10:11:44 Say Something Justin Timberlake/Chris Stapleton
10:19:17 還有[粵] 王傑/容祖兒
10:23:24 好朋友只是朋友 郁可唯
10:32:24 One Love David Guetta 大衛庫塔/Estelle
10:37:21 I Do 莫文蔚
10:41:44 星期三的午後 OFF COURSE
10:49:15 相約到永久 關之琳/劉德華
10:53:14 慢慢來 歐得洋
Total time is 60:00
11:04:08 在你身邊 韋禮安
11:07:37 On My Mind Ellie Goulding 艾麗高登
11:11:04 那種人 Marz23
11:19:29 不如甭相識(台) 孫淑媚
11:22:19 我沒資格 蕭秉治(廷廷)
11:31:12 咆哮 (Growl) (live) EXO
11:35:03 還原 關詩敏
11:38:42 只有夜來香 盧廣仲
11:49:36 Kings & Queens, Pt. 2 Ava Max/Lauv, Saweetie
11:52:26 愛得正好 蘇永康/陳潔儀
Total time is 60:01

8/26 (三)
09:02:49 In My Blood Shawn Mendes
09:06:15 Round and Round 陳嘉唯
09:09:30 Ba Ba Ba 草蜢
09:15:13 女超人聯盟 文慧如
09:18:07 Always Come Back To Your Love Samantha Mumba 莎曼珊曼芭
09:22:18 另一扇窗 林逸欣
09:30:27 Crazy 4 U 倖田來未
09:35:31 OAOA(live) 五月天
09:39:12 讓我想一想 (live) 陳綺貞
09:47:20 如果雨之後 周興哲
09:51:52 失眠 許慧欣
Total time is 60:01
10:04:09 雪花飄 張玉華
10:07:15 Con Calma(Remix) Daddy Yankee 洋基老爹/Snow, Katy Perry
10:10:14 起源 丁世光
10:14:56 不想回家(粵) 陳蕾
10:18:58 兩隻老虎 林正
10:22:34 魚干女草食男 亦帆/黃宥傑
10:31:15 What's your name？ 雨的遊行(ame no parade)
10:36:04 你對我說 Icy Ball 冰球樂團
10:45:45 愛的代價 杜德偉
10:49:35 初戀 梁文音
10:53:13 Skinny Love BIRDY
Total time is 60:01
11:04:04 不能沒有你 酷愛樂團
11:07:47 怪美的 蔡依林
11:10:46 Medicine Jennifer Lopez/French Montana
11:16:01 留乎人探聽(台) 郭婷筠
11:20:38 距離 林俊傑
11:24:49 Good Times 王詩安
11:32:49 無法離開(Sleepless Night) SHINee
11:38:12 別再問我怎麼辦 關詩敏
11:40:46 美麗的力量 小宇-宋念宇
11:49:05 Baby Celine Dion
11:52:34 藍天 黃義達
Total time is 60:01

8/25 (二)
09:04:10 甜美的繩索 李千娜
09:08:13 販賣溫柔 卓義峰
09:15:01 Have It All Jason Mraz 傑森瑪耶姿
09:19:24 再見錯的人 徐若瑄
09:22:17 繼續奮鬥 葛仲珊
09:28:27 Amor_愛 胡立歐 Julio Iglesias
09:33:14 夢寐以求 王力宏
09:37:49 疼 NAT 健豪
09:50:47 Have you ever fallen in love? Standing Egg
09:54:32 同棲 吳汶芳
Total time is 60:01
10:04:02 Break My Heart Dua Lipa
10:07:42 YES! 棒棒堂
10:12:21 最高品質靜悄悄 9m88/leo王
10:18:18 柴可夫(粵) 徐偉賢
10:22:00 煙火 蔡黃汝
10:31:41 Do You Really Want To Hurt Me Culture Club
10:37:55 彎彎的月光 周蕙
10:41:13 我是你的梁詠琪 梁詠琪
10:49:02 流言 周慧敏/林隆璇
10:53:45 聽見下雨的聲音 A-Lin
Total time is 60:01
11:04:08 我最親愛的 張惠妹
11:09:04 Up All Night Charlie Puth
11:12:16 灰燼 呂薔
11:19:40 朋友我挺你(台) 羅文聰
11:23:44 Stay Gold BTS 防彈少年團
11:27:42 夏的季節 張清芳/林子良
11:36:52 大隸式 大隸
11:39:08 美麗的 我不碰就是了 關詩敏
11:42:12 Do It Pitbull/Mayer Hawthorne
11:49:43 少女 林宥嘉
11:53:39 誓言 徐懷鈺
Total time is 60:01

8/24 (一)
09:02:47 新球鞋男孩夢 馬念先
09:07:39 LOVER AAA
09:12:22 最美的女孩 南拳媽媽
09:18:37 擋箭牌 郭修彧
09:23:30 LOVE MORE Bii畢書盡
09:28:10 那種人 Marz23
09:36:51 Darkside Alan Walker/Tomine Harket
09:42:09 幸福佇身邊(台) 荒山亮
09:49:58 浪漫的問號 汪小敏
09:53:33 Freedom Kygo/Zak Abel
Total time is 60:00
10:04:10 幸福的力量 張信哲/Olivia
10:08:10 如果雨之後 周興哲
10:12:41 Starboy The Weeknd/Daf Punk
10:18:40 想見你想見你想見你(粵語版) 八三夭
10:22:38 Be with SPYAIR
10:32:46 Shape Of You Ed Sheeran 紅髮艾德
10:42:25 猴籠 蕭敬騰
10:51:36 這樣愛你對不對 李宗盛
10:55:26 沒有錯 家家
Total time is 60:00
11:04:04 New Flame Chris Brown 克里斯小子/Usher,Rick Ross
11:08:12 我好想好想你 蕭秉治(廷廷)
11:12:24 天燈 梁靜茹
11:20:23 春日如你 SUPER JINIOR-藝聲/SURAN
11:23:33 你在等什麼 汪東城
11:27:02 未來的日子 Mom & Dad 媽爹
11:34:58 Hey Baby你是我的 李佳薇
11:38:32 假裝快樂 關詩敏
11:42:03 Something Stupid Michael Buble 麥可布雷
11:49:25 謝謝你愛我 容祖兒
11:53:56 人間失格 李玖哲
Total time is 59:59

🎹鋼琴的大千世界/名家名言：「為何稱我為大師？主人在這裡（指著鋼琴），我只是他的奴才。」

— 李斯特著名的弟子，德國鋼琴家、作曲家、教育家 萊森奧爾(Alfred Reisenauer)

Why, there is the master (pointing to the piano), I am only the slave.”

— Alfred Reisenauer (1 November 1863 – 3 October 1907) German pianist, composer, and music educator.

📹 跟隨在李斯特學習長達十二年至李斯特過世(1874-1886)的萊森奧爾，演奏李斯特的第十號匈牙利狂想曲：
https://youtu.be/e12YwuHiQtY

📰 延伸閱讀 - 【李斯特學派 / the school of Liszt】♩.♪
https://www.facebook.com/notes/fan-chiang-yi-%E8%8C%83%E5%A7%9C%E6%AF%85/%E6%9D%8E%E6%96%AF%E7%89%B9%E5%AD%B8%E6%B4%BE-the-school-of-liszt/289155141104454/

———————————————————————1905-1906 鋼琴名家萊森奧爾（Alfred Reisenauer）在美國進行數月的巡迴演出，並接受美國著名音樂雜誌”Etude”的專訪。文章於1906年七月出版，隔年他在德國巡迴演出期間於下榻的飯店房間內過世。

📰 藝術家的養成 - 萊森奧爾的見解
The Making of an Artist - The Views of Alfred Reisenauer.

▪️With Liszt

“When I had reached a certain grade of advancement it was my great fortune to become associated with the immortal Franz Liszt. I consider Liszt the greatest man I have ever met. By this I mean that I have never met, in any other walk of life, a man with the mental grasp, splendid disposition and glorious genius. This may seem a somewhat extravagant statement. I have met many, many great men, rulers, jurists, authors, scientists, teachers, merchants and warriors, but never have I met a man in any position whom I have not thought would have proved the inferior of Franz Liszt, had Liszt chosen to follow the career of the man in question. Liszt’s personality can only be expressed by one word, ‘colossal.’ He had the most generous nature of any man I have ever met. He had aspirations to become a great composer, greater than his own measure of his work as a composer had revealed to him. The dire position of Wagner presented itself. He abandoned his own ambitions— ambitions higher than those he ever held toward piano virtuosity—abandoned them completely to champion the difficult cause of the great Wagner. What Liszt suffered to make this sacrifice, the world does not know. But no finer example of moral heroism can be imagined. His conversations with me upon the subject were so intimate that I do not care to reveal one word.

▪️Liszt’s Pedagogical Methods

“His generosity and personal force in his work with the young artists he assisted, are hard to describe. You ask me whether he had a certain method. I reply, he abhorred methods in the modern sense of the term. His work was eclectic in the highest sense. In one way he could not be considered a teacher at all. He charged no fees and had irregular and somewhat unsystematic classes. In another sense he was the greatest of teachers. Sit at the piano and I will indicate the general plan pursued by Liszt at a lesson.”

Reisenauer is a remarkable and witty mimic of people he desires to describe. The present writer sat at the piano and played at some length through several short compositions, eventually coming to the inevitable “Chopin Valse, Op. 69, No. 1, in A flat major.” In the meanwhile, Reisenauer had gone to another room and, after listening patiently, returned, imitating the walk, facial expression and the peculiar guttural snort characteristic of Liszt in his later years. Then followed a long “kindly sermon” upon the emotional possibilities of the composition. This was interrupted with snorts and went with kaleidoscopic rapidity from French to German and back again many, many times. Imitating Liszt he said, “First of all we must arrive at the very essence of the thing; the germ that Chopin chose to have grow and blossom in his soul. It is, roughly considered, this:（見譜例圖四）

Chopin’s next thought was, no doubt:（見譜例圖五）

But with his unerring good taste and sense of symmetry he writes it so:（見譜例圖六）

Now consider the thing in studying it and while playing it from the composer’s attitude. By this I mean that during the mental process of conception before the actual transference of the thought to paper, the thought itself is in a nebulous condition. The composer sees it in a thousand lights before he actually determines upon the exact form he desires to perpetuate. For instance, this theme might have gone through Chopin’s mind much after this fashion:（見譜例圖七）

The main idea being to reach the embryo of Chopin’s thought and by artistic insight divine the connotation of that thought, as nearly as possible in the light of the treatment Chopin has given it.

“It is not so much the performer’s duty to play mere notes and dynamic marks, as it is for him to make an artistic estimate of the composer’s intention and to feel that during the period of reproduction, he simulates the natural psychological conditions which affected the composer during the actual process of composition. In this way the composition becomes a living entity—a tangible resurrection of the soul of the great Chopin. Without such penetrative genius a pianist is no more than a mere machine and with it he may develop into an artist of the highest type.”

▪️A Unique Attitude.

Reisenauer’s attitude toward the piano is unique and interesting. Musicians are generally understood to have an affectionate regard for their instruments, almost paternal. Not so with Reisenauer. He even goes so far as to make this statement: “I have always been drawn to the piano by a peculiar charm I have never been able to explain to myself. I feel that I must play, play, play, play, play. It has become a second nature to me. I have played so much and so long that the piano has become a part of me. Yet I am never free from the feeling that it is a constant battle with the instrument, and even with my technical resources I am not able to express all the beauties I hear in the music. While music is my very life, I nevertheless hate the piano. I play because I can’t help playing and because there is no other instrument which can come as near imitating the melodies and the harmonies of the music I feel. People say wherever I go, ‘Ah, he is a master.’ What absurdity! I the master? Why, there is the master (pointing to the piano), I am only the slave.”

▪️The Future of Pianoforte Music.

An interesting question that frequently arises in musical circles relates to the future possibilities of the art of composition in its connection with the pianoforte. Not a few have some considerable apprehension regarding the possible dearth of new melodic material and the technical and artistic treatment of such material. “I do not think that there need be any fear of a lack of original melodic material or original methods of treating such material. The possibilities of the art of musical composition have by no means been exhausted. While I feel that in a certain sense, very difficult to illustrate with words, one great ‘school’ of composition for the pianoforte ended with Liszt and the other in Brahms, nevertheless I can but prophesy the arising of many new and wonderful schools in the future. I base my prophecy upon the premises of frequent similiar (sic) conditions during the history of musical art.” These are Reisenauer’s views upon this matter.

Continuing, he said: “It is my ambition to give a lengthy series of recitals, with programs arranged to give a chronological aspect of all the great masterpieces in music. I hope to be enabled to do this before I retire. It is part of a plan to circle the world in a manner that has not yet been done.” When asked whether these programs were to resemble Rubinstein’s famous historical recitals in London, years ago, he replied: “They will be more extensive than the Rubinstein recitals. The times make such a series posssible (sic) now, which Rubinstein would have hesitated to give.”

As to American composers, Reisenauer is so thoroughly and enthusiastically won over by MacDowell that he has not given the other composers sufficient attention to warrant a critical opinion. I found upon questioning, that he had made a genuinely sincere effort to find new material in America, but he said that outside of MacDowell, he found nothing but indifferently good salon-music. With the works of several American composers he was, however, unfamiliar. He has done little or nothing himself as a composer and declared that it was not his forte.

▪️American Musical Taste.

Reisenauer says: “American musical taste is in many ways astonishing. Many musicians who came to America prior to the time of Thomas and Damrosch returned to Europe with what were, no doubt, true stories of the musical conditions in America at that time. These stories were given wide circulation in Europe, and it is difficult for Europeans to understand the cultured condition of the American people at the present time. America can never thank Dr. Leopold Damrosch and Theodore Thomas enough for their unceasing labors. Thanks to the impetus that they gave the movement, it is now possible to play programs in almost any American city that are in no sense different from those one is expected to give in great European capitals. The status of musical education in the leading American cities is surprisingly high. Of course the commercial element necessarily affects it to a certain extent; but in many cases this is not as injurious as might be imagined. The future of music in America seems very roseate to me and I can look back to my American concert tours with great pleasure.

▪️Concert Conditions in America.

“One of the great difficulties, however, in concert touring in America is the matter of enormous distances. I often think that American audiences rarely hear great pianists at their best. Considering the large amounts of money involved in a successful American tour and the business enterprise which must be extremely forceful to make such a tour possible, it is not to be wondered that enormous journeys must be made in ridiculously short time. No one can imagine what this means to even a man of my build.” (Reisenauer is a wonderfully strong and powerful man.) “I have been obliged to play in one Western city one night and in an Eastern city the following night. Hundreds of miles lay between them. In the latter city I was obliged to go directly from the railroad depot to the stage of the concert hall, hungry, tired, travel worn and without practice opportunities. How can a man be at his best under such conditions—yet certain conditions make these things unavoidable in America, and the pianist must suffer occasional criticism for not playing uniformly well. In Europe such conditions do not exist owing to the closely populated districts. I am glad to have the opportunity to make this statement, as no doubt a very great many Americans fail to realize under what distressing conditions an artist is often obliged to play in America.”

◆こっタソ動物園チャンネル
新しいチャンネルです！こちらもおヒマな時にどぞ。
⇒https://www.youtube.com/c/こっタソ動物園-kottasoanimals

ご視聴ありがとうございます。
Thank you for watching
I want to deliver delicious Japanese-food recipes to the world

【材料】
●本しめじ：5本
●醤油：大さじ1
●みりん：大さじ1
●おろし生姜
●おろしにんにく
●小麦粉：大さじ2
●コーンスターチ：大さじ2
●米油（普通の油でも大丈夫だけど油の吸収を抑えてくれるよ♪）
※衣は片栗粉でもOK
※本しめじじゃなくてもお好みのきのこでも美味しいよ♪
-------------------------------------------------------
今回は最近ハマりにハマってる本しめじのやみつき唐揚げを作りました。
漬ける時間も油や衣の準備をしているくらいの時間で大丈夫だし
揚げ時間も凄く短いので5分くらいで出来てめちゃくちゃ良いんです♪
（今回は揚げ物用の鍋で作ってますが
フライパンで揚げ焼きで作ればもっとお手軽だと思います）
いつも片栗粉で作ってる方やお弁当のおかずに作ろうと思っている方は
小麦粉プラスコーンスターチの衣をぜひ試してみてね！
ビールのおつまみやご飯のおかずには勿論ですが
クセがないキノコなのでお子さんもきっと喜んでくれると思うし
糖質制限をされている方にも薄衣なのでオススメですよ♪
サクッとジューシーな本しめじのやみつき唐揚げ
とっても簡単なので是非一度作ってみて下さい。
めちゃくちゃハマりますよ♪
ただ思っていた以上にペロリと食べれちゃうので
少し多めに作ることをオススメします！！
今回はさすがに少なすぎました(^◇^;)w

[Ingredients]
● Hon Shimeji mushrooms: 5
● Soy sauce: 1 tablespoon
● Mirin: 1 tablespoon
● Grated ginger
● Grated garlic
● Wheat flour: 2 tablespoons
● Cornstarch: 2 tablespoons
● Rice oil (regular oil will work too, but it will help reduce oil absorption ♪)
※ You can also use potato starch for the batter.
※ You can use any mushrooms you like, not just Hon Shimeji mushrooms ♪
-------------------------------------------------------
This time I made the addictive Hon Shimeji mushrooms Karaage that I
have been addicted to lately.
You only need to soak them for as long as it takes to prepare the oil
and batter, and the frying time is very short, so you can do it in
about 5 minutes, which is really good ♪
(I used a deep-fat frying pan this time, but I think it would be even
easier if you use a frying pan for deep-frying.)
If you've always used potato starch, or if you're thinking of making
it for a side dish for lunch, you should definitely try the flour plus
cornstarch batter!
It's a great snack for beer or a side dish for rice, but I'm sure your
kids will love it too, since it's a mushroom with no peculiarities,
and it's also a good choice for people on a carbohydrate restriction
diet since it's a thin batter ♪
Deep-fried crispy and juicy shimeji mushrooms are addictive.
It is very easy to make, so please try making it at least once.
You'll be hooked ♪
I recommend making a little more than you expected!!
This time we made too little (^◇^;)w

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●twitter
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●連絡先
⇒kossarisyuntaso@gmail.com

#こっタソの自由気ままに #本しめじのやみつき唐揚げ #Karaage #きのこのから揚げ #蘑菇#MushroomsRecipe #しめじレシピ #JamurShimeji #버섯 #和食 #低糖質おつまみ #糖質制限レシピ #ヤセ筋 #低糖質レシピ #ヘルシー #ダイエットレシピ #激痩せ #糖質制限レシピ #ロカボレシピ #dietfood #lowcarbdiet #dietrecipe #晩ごはんレシピ #ご飯泥棒 #おかず #極上レシピ #ワンパンレシピ #時短レシピ #おうちごはん #至福の料理 #ご飯のお供 #太らないレシピ #やみつきレシピ #酒のつまみ #簡単つまみ #こっタソレシピ #男飯レシピ #mukbang #먹방 #男子ごはん #HomeCooking #StayHome #大食い #男ウケ料理 #晩酌 #自炊 #酒の肴 #簡単レシピ #弁当 #作り置き #Bento #recipesfordinner #マツコの知らない世界 #WithMe #Eazyrecipe #モッパン #から揚げ #唯一無二の絶品レシピ #こっタソ動物園

みなさんお久しぶりです！
絶賛就活中なので、投稿頻度ゲキ落ちくんで申し訳ないです！
すこーーーーーーしずつ投稿していきます！

限界就活生もちよ「バレンタイン？？？なにそれおいしいの？？
　　　　　　　　　チョコ？えーーー私今しょっぱいものの気分だから
　　　　　　　　　フライドポテトの動画出すね⭐︎（Happy Valentain...）」

スライムジャパンさんの「ジャンキーフレンチフライ」
Slime Japan's “ Junky French Fries”!

0:00 〜 OP

0:29 〜 本編開始　
the beginning of the main part

0:57 〜 触り始め　
begin to touch

1:11 〜 容器から出す　
take out of a container

1:20 〜 片手で触る　
touch with one hand

1:25 〜 両手でガッツリ遊ぶ　
play with both hands

3:19 〜 もこもこテクスチャーで遊ぶ
play with a fluffy texture

4:41 〜 もこもこにして容器に還元　
fluff up and return to the container

4:46 〜 じゅわじゅわ天国
sizzly heaven

6:19 〜 じゅわじゅわ天国
sizzly heaven

6:59 〜 じゅわじゅわ天国
sizzly heaven

7:52 〜 じゅわじゅわ天国
sizzly heaven

ハードタイプのスノーフィズスライムです！
This is hard type snow fizz slime!

野菜のスライスと、バーガーのチャーム付きでした♪
It came with a slice of vegetables and a burger charm♪

揚げたてのフライドポテトのようなサクサク感です
It's crispy like freshly fried potatoes.

フィズが凝縮されていて、初めは硬めの感触です
The fizz are condensed and it feels stiff at first.

怒涛のチリチリ音に癒されます
You will be healed by the tingling sound.

伸ばすときの音すら至高です
Even the sound when stretching is supreme.

バブル音とジュワジュワが最高です！！
Bubble sound and juwajuwa are the best!!

ねっちりしていて、手離れ音が大きく響きます
It's a little sticky, and the sound of the hand-off sounds loudly.

空気を含むとフワッとします
It becomes fluffy when it contains air.

机によく貼り付いて、よく伸びるテクスチャーです
It is a texture that sticks well to the desk and stretches well.

香ばしいフライドポテトの香りでした！
It smells like real french fries!

スモークされたお肉のような香りにも感じました！
I also felt the scent of smoked meat!

それでは引き続きASMRをお楽しみ下さい！
Please continue to enjoy ASMR!

ごちそうさまでした！
Thank you for the meal!lol

ご視聴ありがとうございました！
Thank you for watching!!!!

#スライムジャパン #slimejapan

〜＊〜〜＊〜〜＊〜〜＊〜〜＊〜〜＊〜

サブチャンネル【もちよの研究室】はコチラ！
↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓
https://www.youtube.com/channel/UCWmSQDBSNQTX6kpFm6lYLnw

Instagram, twitter, BASE shop, メルカリはこちら！
↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓
https://linktr.ee/mochiyoslimestore

スライムの提供についてはコチラ！
↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓
https://www.instagram.com/s/aGlnaGxpZ2h0OjE3ODQ4ODU4NzU3MDI2MzA3?igshid=1hr3jy34zfnpo&story_media_id=2286885986591781571

イヤフォンやヘッドフォンをして聴いて頂くとよりいい音で楽しめるかとおもいますので、是非に😎

また、画面右上のチョンチョンチョンのとこから画質を1080pに設定して動画を見ていただけると、高画質でお楽しみ頂けます💪💪

どうもこんびんは！
もちよすらいむです🧜🏻‍♀️

有名なスライマーさんのスライムのレビューや、自分で作ったスライムの動画などのASMRを中心に、いろいろなジャンルの動画を上げていきたいと思います！

太古の動画や、short ver.の動画、編集実況などは全てインスタグラムのアカウントの方にあります。インスタライブでスライムを触ったりもします。

興味を持ってくだされば、是非インスタアカウントのもチェックして頂きたいです☺️
↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓ ↓
https://www.instagram.com/mochiyoslime


＊大学に通いつつ資格試験の勉強もしている学生の身ですので、更新が突然途絶える可能性があります🙇‍♀️

＊慢性鼻炎でして、呼吸音が入ってしまうことがあります🤦‍♀️
また、机に爪がコツンと当たる音が入ってしまうことがあります。苦手な方は、ご視聴非推奨です🙇‍♀️

＊自室にて、マイクを使って撮影してます！ですが、多少は「サーー」というホワイトノイズが入っています。また、稀ですが実家ぐらしなので家族の出す生活音が入ってしまう可能性があります。そういったものが苦手な方にも、ご視聴非推奨です🙇‍♀️

＊動画を見てくださりありがとうございます💕そしてこの概要を最後まで読んでくださりありがとうございます💕

是非チャンネル登録をして、これからももちよの動画をお楽しみください💁‍♀️

〜＊〜〜＊〜〜＊〜〜＊〜〜＊〜〜＊〜

【今まで買ったスライムショップさん一覧】

《in Japan》
スライムジャパン→ https://slimejapan.thebase.in/

awesomeslime → https://mystyleslime.thebase.in/

さくらスライム→ https://sakuraslime.thebase.in/

TIA slime→ https://gsfr3.app.goo.gl/4KR19

slime lab→ https://slimelab59.thebase.in/

aoba slime→ https://preview.app.goo.gl/gsfr3.app.goo.gl/tyv86u

TAMR slime→ https://preview.app.goo.gl/gsfr3.app.goo.gl/9e9zq

SLY. jp→ http://gsfr3.app.goo.gl/p3yCT

niko slime→ https://www.mercari.com/jp/u/242242940/

very slimes→ https://veryslimes.thebase.in/

いーちゃんスライム→ https://linktr.ee/e_chan_slime

MILK SLIME→ https://gsfr3.app.goo.gl/BfrKYZ

m's slime→ https://msslime.base.shop/

aisu屋→ https://aisuya.theshop.jp/

MOON SLIME→ https://moonslime.base.shop/

z.mama Slime→ https://sksshop.thebase.in/

《overseas》
Slime Fantasiesさん→ https://slimefantasies.com/

BABOSLIMESさん→ https://baboslimes.com/

Rodem Slime Shop→ https://www.etsy.com/shop/rodemslime/

Momo Slimes→ https://momoslimes.com/collections/restock

OG slimesさん→ https://www.ogslimes.com/collections/restock

LUMINATI SLIME→ https://www.luminatishop.com/

#もちよすらいむ #mochiyoslime #べらちゃんのslimeしばき部屋 #slime #asmr #asmrsounds #asmrslime #スライム #音フェチ #音フェチ動画 #音フェチスライム #clayslime #slayslime #butterslime #cloudcream #thickslime #thickie #thickieslime #fluffyslime #clearslime #slusheeslime #slushieslime #fishbowlslime #crunchyslime #slimejapan #スライムジャパン #sakuraslime #さくらスライム #aisu屋さん #tiaslime #slimeogproof #ogslimeproof #aobaslime #awesomeslimeproof #awesomeslime #slimefantasies #slimefantasiesproof
#rodemslime #rodemslimeproof #mooncottonslime #slimebyktmproof

最近リラクシングな動画を出してないから、撮影しました！もっとこういうのを頻繁に載せて欲しかったら是非コメント欄に書いて下さい！enjoy!!

アマゾンのソルトランプ：
https://www.amazon.co.jp/%E3%83%92%E3%83%9E%E3%83%A9%E3%83%A4%E5%B2%A9%E5%A1%A9%E3%83%A9%E3%83%B3%E3%83%97-2-3kg-%E3%83%9E%E3%82%A4%E3%83%8A%E3%82%B9%E3%82%A4%E3%82%AA%E3%83%B3%E7%99%BA%E7%94%9F-%E7%A9%BA%E6%B0%97%E6%B5%84%E5%8C%96%E3%81%A8%E7%99%92%E3%81%97%E3%81%AE%E7%81%AF%E3%82%8A-%E3%83%8A%E3%83%81%E3%83%A5%E3%83%A9%E3%83%AB%E3%82%AF%E3%83%AA%E3%82%B9%E3%82%BF%E3%83%AB/dp/B01AHVV8XY?th=1

❝ Konichiwa! Hello! Hola! Salut! Ciao! Hallo! Zdravo! Kamusta!
Welcome to my channel and thank you for watching ❞

ー Social Media ✰
Instagram: @elenatsushima
➥https://www.instagram.com/elenatsushima/?hl=en

Twitter:@elenatsushima
➥https://twitter.com/elenatsushima?lang=en

Mercari:
➥ https://www.mercari.com/jp/u/156696867/

Tiktok:@elenatsushima
➥https://www.tiktok.com/@elenatsushima?source=h5_m

Check out my podcast as well!
➥ Spotify: https://open.spotify.com/show/6S8HeVYNPXvD6tHJsyoUCZ
➥ iTunes Podcast: https://podcasts.apple.com/jp/podcast/under-the-moonlight-with-elena-tsushima/id1489124639

Business Inquiries Only ▾
( YouTubeでのお仕事依頼、お問い合わせ )
https://www.miha.co.jp/

┉┉┉┉┉┉┉┉┉┉┉┉
｜FAQ's｜

ー年齢は？Age?
18歳!! Eighteen

ー誕生日はいつ？Birthday?
2002年3月31日 March 31st 2002

ー何年生？What grade are you in?
本当だったら高３だけど、もう高校を卒業しました！
I would be a Senior but I have already graduated

ー何人？ Nationality?
アジア系アメリカ人!! Asian (Japanese) American

ーハーフ？ Ethnicity?
日本・フランス・ベトナム・タイ・ラオスのミックス
Japanese/ French/ Vietnamese / Thai / Laotian

ー身長は？Height?
165cmです！around 5'5!!

ー何のカメラ使ってる？ what camera do you use?
Canon G7X mark III

ー何の編集ソフトウエア使ってる？Editing software?
FINAL CUT PRO X / AFTER EFFECTS

┉┉┉┉┉┉┉┉┉┉┉┉

♪ BGM ♪
Music by Eric Reprid - Come Back to Earth - https://thmatc.co/?l=F5B9FE0F
Music by Clueless Kit - How I Behave - https://thmatc.co/?l=42CB9E68
Music by CFEQ - No. 51 - https://thmatc.co/?l=F653264B

FTC ⇀このビデオはスポンサーされてません

#紹介 #セルフケア #selfcare