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วันนี้ขออนุญาตเล่าเรื่องของคนๆ นึงให้เพื่อนๆ อ่านนะคะ : ) ยาวนิดนะ 🧡
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พี่สาเป็นพี่แม่บ้านที่บังเอิญได้รู้จักกันเมื่อประมาณ 6 ปีที่แล้ว เรารู้จักกันเพราะ 'หมา'

'โชค' เป็นหมาในซอยบ้าน ที่ให้ข้าวทุกวัน มีวันนึงมันหายตัวไป หายไปเป็นอาทิตย์ แล้วไปบังเอิญเจออีกครั้งที่ลานจอดรถห้างใกล้บ้าน สืบทราบมาว่า 'โชค' มามีแฟนสาวที่นี่! และมีแม่บ้านคนนึงคอยให้ข้าวให้น้ำและดูแลหมาสองตัวนี้อยู่
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แม่บ้านคนนั้นก็คือ 'พี่สา' - แม่บ้านบริษัทนึงในซอยห้างฯ แกเอ็นดูทั้งโชคและแฟนสาว คอยดูแลตลอด วันนึงทางห้างฯ แจ้งมาว่าให้ย้ายหมาออกไปแกก็ยังโชคดีที่เจ้าของบริษัทอนุญาตให้พี่สาพาหมาเข้ามาอยู่ในออฟฟิศได้ เงินเดือนพี่สา 8,000 บาท แต่พอเงินเดือนออก สิ่งแรกที่แกทำก็คือไปซื้ออาหาร ซื้อขนมให้โชคและแฟนสาว แต่หลังที่ได้รู้จักกัน เราก็ขออนุญาตดูแลค่าอาหารหมาๆ ที่พี่สาดูแล หมาตรงหอพัก และระหว่างทางจากหอพักมาที่ทำงาน พี่สาหุงข้าว ต้มไก่ทุกเช้าเพื่อคอยให้ข้าวหมาจรพวกนี้ --
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จริงๆ ชีวิตพี่สาที่ผ่านมาตั้งแต่รู้จักกัน สิ่งที่ทำให้พี่สาร้องไห้ทุกข์ใจอย่างเดียวคือเรื่องหมาแก แกโดนยามที่ห้างด่า โดนคนดูถูก โดนคนพูดจาไม่ดีเสียๆ หายๆ เพียงเพราะแกให้ข้าวหมา ทั้งๆที่แกจะรอให้หมากินเสร็จทุกครั้งและเก็บกวาดเรียบร้อย
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มีทีนึง มีคนเอาหมาโตสองตัวมาปล่อยในซอยห้างฯ แกเห็นแกก็คอยให้ข้าว ทำที่บังฝนให้ เอาตัวลงไปผูกไปพัน ราวกับเป็นความรับผิดชอบของตัวเอง แกเมตตาทั้งๆ ที่ก็ไม่รู้จะทำยังงัย แต่ก็เป็นโชคดีที่คราวนั้นเราหาบ้านให้แกได้ เป็นคุณหมอหนุ่มผู้ใจดีจากรพส.เกษตรนั่นเอง
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หลังจากนั้นไม่นาน พี่สาเป็นมะเร็ง
แกผ่าตัด ทำคีโม ฉายแสง ด้วยสิทธิประกันสังคมจนเหมือนจะหายดีแล้ว ประกอบกับบริษัทที่แกทำจะปิดตัว แกจึงบอกว่าจะกลับไปบ้านที่ต่างจังหวัด
พี่สามีเงินเก็บทั้งชีวิตอยู่ 8หมื่นบาท แกใช้ทั้งหมดในการไปต่อเติมบ้านที่ต่างจังหวัด เพื่อที่จะเอาหมาแกไปอยู่ด้วย
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พี่สาเป็นคนที่มีชีวิตชีวามาก ถึงจะป่วย จะเจ็บแค่ไหน ก็แค่บ่น ไม่เคยโอดครวญ เหมือนมีโรค ก็รักษาไป - วันๆ คิดแต่เรื่องทำบุญ เรื่องเลี้ยงหมา เรื่องหลาน มีแค่นี้ ขนาดช่วย Covid เราให้หน้ากากผ้าแกไป แกก็เอาส่วนนึงไปถวายพระทั้งๆที่ตอนนั้นหน้ากากก็หายากมากกก - สิ่งเดียวที่แกเป็นห่วงก็คือเรื่องหมา พี่สามีเงินน้อยนะ แต่แกไม่เคยบ่นว่าตัวเองจน เพราะพี่สาขยันและหาอะไรทำตลอดเวลา ไม่เคยขอหรือพึ่งพาใคร ยกเว้นเรื่องหมาที่ยอมให้เราซื้อให้ หรือออกค่ารักษาให้
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เสียดายที่แกกลับมาป่วยอีกรอบ และครั้งนี้ก็หนักมาก
แต่ทุกครั้งที่ไปเยี่ยม ถึงแม้ร่างกายจะทรุดโทรม แต่แววตามีแต่ความสุข มีพลัง มีชีวิตชีวา อธิบายไม่ถูกแต่เป็นแววตาของคนเข้มแข็ง ไม่เคยท้ออะไรในชีวิตเลย -- จนเมื่อเช้าของวันนี้ แกก็จากไปอย่างสงบ อาทิตย์ก่อนยัง vdo call กับแก แกแทบจะไม่มีแรงแล้ว แต่ก็พยายามตอบเวลาคุย พยายามยิ้มตลอด เราก็บอกกับแกเสมอว่า พี่สาไม่มีอะไรต้องห่วงแล้วนะ บุญก็ทำ ทานก็ทำ หนี้ก็ไม่มี - ไมมีอะไรดีไปกว่านี้แล้ว : ) เสียดายอย่างเดียวคือไม่ได้มาอยู่ด้วยกันแบบสบายๆ อย่างที่เคยชวนแกไว้

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Post นี้ถ้าใครอ่านจบก็คือขอบคุณมากนะคะ แค่อยากจะเล่าความพิเศษของชีวิตแม่บ้านตัวเล็กๆ คนนึง ที่เราประทับใจและคิดว่าชีวิตนี้คงไม่เคยลืม และเพื่อเป็นเกียรติแก่พี่สา 🧡 ในชีวิตเราเคยช่วย 'คน' มาหลายคน แต่คนนี้เป็นคนนึงที่เราประทับใจ เพราะพี่สาไม่เคยขอ ไม่เคยเรียกร้อง (ไม่เคยจริงๆ จนแกป่วยหนักโทรมาขอให้ซื้อชักโครกเคลื่อนที่ให้หน่อย ซึ่งดีใจมากที่แกเอ่ยปากขอ) แกไม่เคยนินทาใคร ไม่เคยว่าร้ายใคร ชีวิตมีแต่ให้ มีแต่ช่วยคนอื่น.. ที่สำคัญคือเมตตากับหมาแมวอย่างไม่มีเงื่อนไข
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ตอนนี้คิดแค่ว่า แกเป็นนางฟ้าไปแล้ว : )

ที่สำคัญ พี่สาเป็นคนที่เราคิดได้ว่า
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“ไม่ต้องรอให้มีมากก็ได้ ถึงจะเริ่มให้”
ขอบคุณที่อ่านจบนะคะ
Today, let me allow you to tell the story of one person for friends to read:) It's a little long. 🧡
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Sister Sa is a housewife who accidentally got to know each other about 6 years ago. We know each other because of 'dog'.

' Chok ' is a dog in the house that gives rice every day. One day, he disappeared for a week and then he ran into the mall parking lot near the home. I found out that ' Lucky ' had a girlfriend here! And there's a housewife feeding rice and taking care of these two dogs.
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That housewife is 'Sister Sa' - a company housewife in the department store. You are so fond of luck and girlfriend. Keeping care all day. The department store told me to move the dog out. You are lucky that the owner of the company allowed Sa to take care of me. The dog comes into the office and gets a salary of Sa 8,000 Baht. But when he pays off, the first thing he does is buy food, buy snacks for luck and girlfriend. But after we know each other, we ask for permission to take care of the dog food that brothers. Dog taking care of the dormitory and on the way from the dormitory to work. Sister Sa cooks chicken boiled rice every morning to keep these stray dog rice --
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In fact, my life has passed since we knew each other. The only thing that makes me feel miserable is about your dog. You got scolded by the mall. You got insulted by someone who talked about bad things. Just because you gave me dog food, you were waiting for me. The dogs are done eating every time and cleaning up.
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Once in a while, someone took two big dogs to release them in the mall. You saw them, they were waiting for them to make a rain cover, and tie them down as if they were your responsibility. They were kind. Even if they didn't know what to do, they would do. It's lucky that we found a home for you to be a kind young doctor from the hospital. Agriculture.
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Shortly after that, Sister Sa had cancer.
You have chemo surgery, you have a chemo, and you will recover from social security rights. Then you will close it. You said you are going to go home to other provinces.
Brother-in-law, money saved his life for 8 thousand Baht. He spent all of them on going to fill up a house in other provinces to take your dog with him.
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Brother Sa is a very alive person. No matter how sick it is, I complain. I never complain. I have a disease. I have to heal. I think about making merit about dog food. I have only this much. I help Covid. I give you a cloth mask. You take part. I went to offer monks. Even when I was a mask, it's very rare. - the only thing you worried about is about dog, brother, husband, little money. But you never complained that you are poor because you are diligent because you are diligent and don't have anything to do. You never For letting us buy it or pay for treatment.
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Pity that you're back to being sick again and this time is heavy.
But every time I visit, even though my body is dilapidated, my eyes are happy, my power is alive. I can't describe it. But the eyes of a strong man never discouraged anything in life -- Until the morning of the day, I left peacefully. The week before the vdo call with you. I don't have energy, but I try to answer. When I talk, I always smile. I always tell you that I have nothing to worry about. Merit is made, I don't have anything to do with debt. - nothing is better than this:) I only regret that I did As casual together as you asked me.

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This post, if you can read this, I thank you very much. I just want to tell you the specialty of the life of a small housewife that I am impressed with and I think that I will never forget. And in honor of Sister Sa 🧡 in our life, we have helped There are many people, but this one is one I am impressed with because my husband never asked for it. Never asked for it. (Never really, until you are sick. Call me to ask me to buy a mobile toilet. I'm so happy that you say that I don't gossip about anyone. If you are bad, you will have life to help others.. The important thing is to be kind to dogs and cats unconditionally.
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Now only think that you're an angel:)

Most importantly, Sister Sa is someone we can think of.
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′′ You don't have to wait until you have plenty. You can start giving
Thank you for reading this.Translated

【水世界】的前製設定與現場劇照

WATERWORLD (1995)
In celebration of today’s anniversary of this wet mess/epic. Let’s celebrate the hard work this crew put into bringing this world to life. Water movies are never easy but when it comes to this movie anytime you bring it up and a crew member from it is in earshot, the stories pour out. Not always bad, I know a AC that said he had a blast, he loved the boat rides out and all the camaraderie the crew had to have to get thru it. To all the crew that helped bring WATERWORLD to life, We salute you and thanks for the memories. I personally enjoy this hot mess of a movie, it’s one of the last ones of its kind...done practically...in a way.
let’s take a deepest of dives into WATERWORLD

The director, Kevin Reynolds, knew there would be problems before production had even started, “During pre-production. Because having never shot on water to that extent before, I didn’t really realise what I was in for. I talked to Spielberg about it because he’d gone to do Jaws, and I remember, he said to me, “Oh, I would never shoot another picture on water”.
“When we were doing the budget for the picture, and the head of the studio, Sid Sheinberg, we were talking about it and I said, “Steven told me that on Jaws the schedule for the picture was 55 days, and they ended up shooting a 155 days”. Because of the water. And he sat there for a moment and he said, “You know, I’m not sure about the days, but I do know they went a hundred percent over budget”. And so, Universal knew the potential problems of shooting on water. It’s monstrous.”
The film began with a projected budget of $100 million which had reportedly increased to $175 million by the end of production. The principle photography had overrun for at least thirty days more than originally planned due to one major decision.

Whereas today they would film in water tanks with partially built sets, employing green screens to fake the locations, back in 1995 they decided to build everything full size and shoot out on the ocean.

This causes extra logistical problems on top of those that already come with making a major action blockbuster. Cast and crew have to be transported to sets. The camera boats and sets float out of position and will have to be reset between takes taking up valuable production time.

The first draft of Waterworld was written by Peter Radar, a Harvard graduate who wanted to break into the film business. His contact in the film industry was Brad Kevoy, an assistant to the legendary director Roger Corman.

Roger Corman is best known for making films very quickly on a small budget. He also liked to give young talent a chance to direct and write their own films. Brad informed Peter that if he could write a Mad Max rip off, he would arrange to finance and let him direct the picture.

Radar came back and pitched the idea for what would become Waterworld. Kevoy took one look at him and said,

“Are you out of your mind? This would cost us three million dollars to make this movie!”
So Radar kept hold of the idea and decided to re-write the script but, this time, going wild. He wrote what he wanted to see on-screen, limited only by his imagination, not a real world production budget.

He managed to get the newly written script shown to a pair of producers with whom he had made contact with. They loved it and ironically they passed it onto Larry Gordon. He shared the enthusiasm saying it had the kind of cinematic possibilities he was looking for. A deal was signed on Christmas Eve of 1989.

As further script rewrites progressed, it became clear that Waterworld was too big for the Larry Gordon’s production company to undertake by themselves. In February 1992, a deal was signed with Universal Pictures to co-produce and co-finance the film. This was now six years after the first draft had been written.

Universal had signed director Kevin Reynolds to Waterworld. Whilst he was finishing his latest film, Rapa Nui, pre-production for Waterworld was already underway.

The decision was taken that the largest set for the film, known as the atoll, would be built full size. The atoll was the primary location for film and in the story served as the location for a small population of survivors.

The logic behind this decision was due to the high percentage of live action filming required in this location, as well as a huge action set piece. No sound stage would be big enough to incorporate this number of scenes and it was crucial that we see the mariner sail his boat into the atoll, turn around and set out again. A full-size construction was the only way to go as the use of miniature and special effects would be impractical.

The next problem was deciding where to build this huge set. After much research, Kawaihae Harbour in Hawaii was chosen as the location. The atoll could be constructed in the harbour and rotated when needed thus allowing for open sea in the background. Later towards the end of principle photography, the atoll could be towed out into the open sea for the filming of the big action sequences which would be impractical to shoot in an enclosed harbour.

Director Kevin Reynolds also discussed the possibility of using the same water tank as James Cameron’s The Abyss, which had filmed there around five years ago,

“We had even entertained the notion of shooting at that big nuclear reactor facility where they had shot The Abyss, to use it for our underwater tank. But we found it in such a state of disrepair that economically it just wasn’t feasible. We didn’t have as much underwater work as they did. Most of The Abyss is interiors and underwater and model work, ours is mostly surface exterior.”

The production company had originally envisioned building the atoll by linking approximately one hundred boats together and building upon this foundation, just like the characters in the film. The production crew set out to search Hawaii and get hold of as many boats as possible.

During this search, a unique boat in Honolulu caught their attention. Upon further investigation, they discovered it was built by Navitech, a subsidiary of the famous aircraft production company, Lockheed.

They approached Lockheed with the strange request of figuring out how they could build the foundations of the atoll. Lockheed found the request unusual but didn’t shy away from the challenging. They agreed to design the atoll foundation and Navitech would construct it.

Meanwhile, an 11ft miniature model of the atoll was sent out to a model ship testing facility in San Diego. Scaled wave tanks are used to determine the effects of the open sea on large scale miniature models of new untested ship designs. This would help determine what would happen with the unusual design of the atoll when it was out of the harbour.

The atoll, when finished, was approximately ¼ mile in circumference. It took three months to construct and is rumoured to cost around $22 million. As the atoll would be used out on the open sea, it required a seafaring license. Nothing like this had been done before and after much deliberation, it was eventually classed as an unmanned vessel. This meant that all cast and crew would have to vacate the set whilst it was towed into position. By the end of production, the atoll was towed out to sea a total of five times.

Shooting out on the open sea presented a series of logistical problem as Reynolds describes,

“We had an entire navy, basically – I mean, this atoll was positioned about a mile off-shore in Hawaii, it was anchored to the bottom of the ocean so it could rotate. What you don’t think about are things like, you’re shooting on this atoll to maintain this notion that there’s no dry land, you always have to shoot out to sea. Away from the land. So we chose a location where we had about a 180 degree view of open water. Nevertheless, any time when you’re shooting, there could be a ship appear in the background, or something like that, and you had to make a choice. Do I hold up the shot, wait for the ship to move out, or do we shoot and say we’re going to incur this additional cost in post-production of trying to remove the ship from the background.

And at that time, CGI was not at the point it is now, it was a bigger deal. And so, even though if you’re shooting across the atoll and you’re shooting out onto open water, when you turn around and do the reverses, for the action, you had to rotate the entire atoll, so that you’re still shooting out to open water. Those are the kinds of things that people don’t realise.

Or something as simple as – if you’re shooting a scene between two boats, and you’re trying to shoot The Mariner on his craft, another boat or whatever, you’ve got a camera boat shooting his boat, and then the other boat in the background. Well, when you’re on open water things tend to drift apart. So you have to send lines down from each of those boats to the bottom, to anchor them so that they somewhat stay in frame. When you’ve got a simple shot on land, you set up the camera position, you put people in front of the camera and then you put background in there. But when you’re on water, everything’s constantly moving apart, drifting apart, so you have to try to hold things down somewhat.

And these are simple things that you don’t really realise when you’re looking at it on film. But logistically, it’s crazy. And each day you shoot on the atoll with all those extras, we had to transport those people from dry land out to the location and so you’re getting hundreds of people through wardrobe and everything, and you’re putting them on boats, transporting them out to the atoll, and trying to get everybody in position to do a shot. And then when you break for lunch, you have to put everybody on boats and take them back in to feed them.”

The final size of the atoll was determined by the size of the Mariners boat, the trimaran. The dimensions for the trimaran were finalised very early on in pre-production, allowing all other vehicles and sets to be sized accordingly.

Production required two trimarans boats which are so called because they have three hulls. The first was based on the standard trimaran blueprint and built for speed but also had to accommodate a secret crew below decks.

During wide and aerial shots it would have to look like Costner himself was piloting the boat. In reality, a trained crew could monitor and perform the real sailing of the boat utilising specially built controls and television monitors below deck.

The second trimaran was the trawler boat which could transform into the racer through the use of special practical effects rigs. Both of these boats were constructed in France by Jeanneau. Normally this type of vessel requires a year to construct but production needed two boats in five months!

Normally once the boat had been constructed, Jeammeau would deliver it on the deck of a freighter, requiring a delivery time of around a month. This delay was unacceptable and so the trimarans were dismantled into sections and taken by a 747 air freighter to the dock Hawaii. Upon arrival, a further month was required to reassemble the boat and get them prepared for filming.

sets recreating the inside of the tanker were built using forced perspective in a huge 1000ft long warehouse which had an adjoining 2000ft field. In this field, they built the set of the oil tankers deck, again constructed using forced perspective. Using the forced perspective trick, the 500ft long set could be constructed to give the impression that it was really twice as long.

There’s more to a film than just it’s sets and filming locations. Over two thousand costumes had to be created with many of the lead actors costumes being replicated many times over due to wear and tear.

This is not an uncommon practice for film production, but due to the unique look of the people and the world they inhabit, it did create some headaches. One costume was created with so many fish scales the wardrobe department had to search the entire island of Hawaii looking for anyone who could supply in the huge quantity required.

Makeup had to use waterproof cosmetics, especially on the stunt players. As everyone had a sun burnt look, a three-sided tanning booth was setup. The extras numbering in their hundreds, with ages ranging from six to sixty-five, passed through the booth like a production line to receive their spray tan. The extras then moved onto costume before finally having their hair fixed and becoming ready for the day.

In some scenes, extras were actually painted plywood cutouts to help enhance the number of extras on the set. This can easily be seen in one particular shot on board the Deez super tanker.

Filming on the water is not only a difficult and time-consuming process but also very dangerous. It’s been reported that Jeanne Tripplehorn and Tina Majorino nearly drowned on their first day of filming.

Waterworld’s star Kevin Costner reported having a near-death experience when filming a scene in which the mariner ties himself to his catamaran to survive a storm. The pounding water caused him to black out and nearly drown.

Unbeknownst to most of the crew, Kevin Costner’s stunt double was riding his jet ski across 40 miles of open ocean between his home on Maui and the film’s set on the Big Island. When he didn’t show up for work one day, the production team phoned his wife, who informed them he had already left for work. The stunt double’s jet ski had run out of gas halfway through his “commute” and a storm had swept him farther out to sea. It took a helicopter most of the day to find him. The stunt doubles name was Laird Hamilton.

As well as the logistical problems of creating a film of this scale and on water, they also had to deal with the press who seemed intent on wanting the film to fail. Director Kevin Reynolds discusses the situation,

“It was huge, we were constantly fighting – people wanted to have bad press. That was more exciting to them than the good news. I guess the most egregious example of that that I recall was that the publicist told me that one day…we’d been out the day before and we were doing a shot where we sent two cameras up on a mast of the trimaran and we wanted to do a shot where they tilled down from the horizon down to the deck below. We’re out there, we’re anchored, we’re setting the shot up and a swell comes in, and I look over and the mast is sort of bending.

And I turned to the boatmaster and I said, “Bruno, is this safe?”. And he looks up the mast and he goes, “No”. So I said, “Okay, well, we have to get out as I can’t have two guys fall off from 40 feet up”. So, we had to break out of the set-up, and go back in a shoot something else and we lost another half-day.

Anyway, the next day the publicist is sitting in his office and he gets this call from some journalist in the States and he goes, “Okay. Don’t lie to me – I’ve had this confirmed from two different people. I want the facts, and I want to hear about the accident yesterday, we had two cameramen fall off the mast and were killed”.

And, he goes, “What are you talking about?”. And he goes, “Don’t lie to me, don’t cover this up, we know this has happened”. It didn’t happen! People were so hungry for bad news because it was much more exciting than…they just said it, and you know, it hurt us.”
Upon release, the press seemed to be disappointed that the film wasn’t the massive failure they were hoping it to be. Universal Studios told Kevin Reynolds that one critic came out of an early screening in New York and in a disappointed tone said,

“Well, it didn’t suck.”

It is true that during principle photography the slave colony set sank and had to be retrieved. However due to bad press, the rumour became much bigger and to this day when you mention the sinking set, most people assume it was the huge atoll.

During production, press nicknamed the film “Kevin’s Gate” and “Fishtar”, referring to 1980’s box office failures Heaven’s Gate and Ishtar. Heaven’s Gate failed so badly it led to the sale of United Artists Studio and has become synonymous with failure in Hollywood.

As well as the exaggerated set problems and other various production rumours, there were also difficulties with the script. In a risky move, the film was green lit and moved into production without a finalised script.

The final total is a reportedly thirty-six rewrites. One of the writers involved was Joss Whedon. Joss had worked on many scripts before becoming a director having being at the helm of both The Avengers and the sequel Avengers: Age Of Ultron. He described his experience on Waterworld as,

“Seven weeks of hell”
Everything came to a head just three weeks before the end of principle photography. Kevin Reynolds who was an old friend of Kevin Costner allegedly walked off set or was fired. There was no official statement on what happened.

When Reynolds left the production this event caused many changes to be made. Composer Mark Isham had already composed approximately two-thirds of the film’s score by the time Reynolds left and that event ultimately caused him to leave production. As Mark describes in this interview excerpt,

“Kevin Reynolds quit the film, which left me working for Kevin Costner, who listened to what I had written and wanted a completely different point of view. He basically made a completely different film — he re-cut the entire film, and in his meeting with me he expressed that he wanted a completely different approach to the score. And I said, “oh let me demonstrate that I can give that to you”, so I presented him with a demo of my approach to his approach, and he rejected that and fired me. What I find a lot in these big films, because the production schedules are so insane, that the directors have very little time to actually concentrate on the music.”
Rumours report that Costner took control of production. He directed the last few weeks of principle photography and edited the final cut of the film that was released in cinemas.

Reynolds discusses his surprise at discovering that one of the most famous scenes from what is known as the extended version, was left on the cutting room floor,

“…it would have differed from what you saw on the screen to some extent, and one of the things I’ve always been perplexed by in the version that was released, theatrically, although subsequently the longer version included it, and the reason that I did the film, was that at the very end of the picture, at the very end of the script, there’s a scene when they finally reach dry land and The Mariner’s sailing off and he leaves the two women behind, and in the script they’re standing up on this high point and they’re watching him sail away, and the little girl stumbles on something.
And they look down and clear the grass away and that’s this plaque. And it says, “Here, near this spot, 1953, Tenzing Norgay and Edmund Hillary first set foot on the summit of Everest”. And that was in script and I was like, “Oh, of course! Wow, the highest point on the planet! That would have been dry land!”. And we got it! We shot that. And they left it out of the picture. And I’m like, “Whaaat?!”. It’s like the Statue of Liberty moment in Planet of the Apes. And I was like, “Why would you leave that out?”

Written by John Abbitt | Follow John on twitter @UKFilmNerd

If any the crew cares to share any of their experiences on it please comment.
Thanks for reading
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Hello Xin chào
Goodbye tạm biệt, thì thào Whisper
Lie nằm, Sleep ngủ, Dream mơ
Thấy cô gái đẹp See girl beautiful
I want tôi muốn, kiss hôn
Lip môi, Eyes mắt ... sướng rồi ... oh yeah!
Long dài, short ngắn, tall cao
Here đây, there đó, which nào, where đâu
Sentence có nghĩa là câu
Lesson bài học, rainbow cầu vồng
Husband là đức ông chồng
Daddy cha bố, please don"t xin đừng
Darling tiếng gọi em cưng
Merry vui thích, cái sừng là horn
Rách rồi xài đỡ chữ torn
To sing là hát, a song một bài
Nói sai sự thật to lie
Go đi, come đến, một vài là some
Đứng stand, look ngó, lie nằm
Five năm, four bốn, hold cầm, play chơi
One life là một cuộc đời
Happy sung sướng, laugh cười, cry kêu
Lover tạm dịch ngừơi yêu
Charming duyên dáng, mỹ miều graceful
Mặt trăng là chữ the moon
World là thế giới, sớm soon, lake hồ
Dao knife, spoon muỗng, cuốc hoe
Đêm night, dark tối, khổng lồ giant
Fund vui, die chết, near gần
Sorry xin lỗi, dull đần, wise khôn
Burry có nghĩa là chôn
Our souls tạm dịch linh hồn chúng ta
Xe hơi du lịch là car
Sir ngài, Lord đức, thưa bà Madam
Thousand là đúng...mười trăm
Ngày day, tuần week, year năm, hour giờ
Wait there đứng đó đợi chờ
Nightmare ác mộng, dream mơ, pray cầu
Trừ ra except, deep sâu
Daughter con gái, bridge cầu, pond ao
Enter tạm dịch đi vào
Thêm for tham dự lẽ nào lại sai
Shoulder cứ dịch là vai
Writer văn sĩ, cái đài radio
A bowl là một cái tô
Chữ tear nước mắt, tomb mồ, miss cô
Máy khâu dùng tạm chữ sew
Kẻ thù dịch đại là foe chẳng lầm
Shelter tạm dịch là hầm
Chữ shout là hét, nói thầm whisper
What time là hỏi mấy giờ
Clear trong, clean sạch, mờ mờ là dim
Gặp ông ta dịch see him
Swim bơi, wade lội, drown chìm chết trôi
Mountain là núi, hill đồi
Valley thung lũng, cây sồi oak tree
Tiền xin đóng học school fee
Yêu tôi dùng chữ love me chẳng lầm
To steal tạm dịch cầm nhầm
Tẩy chay boycott, gia cầm poultry
Cattle gia súc, ong bee
Something to eat chút gì để ăn
Lip môi, tongue lưỡi, teeth răng
Exam thi cử, cái bằng licence...
Lovely có nghĩa dễ thương
Pretty xinh đẹp thường thường so so
Lotto là chơi lô tô
Nấu ăn là cook , wash clothes giặt đồ
Push thì có nghĩa đẩy, xô
Marriage đám cưới, single độc thân
Foot thì có nghĩa bàn chân
Far là xa cách còn gần là near
Spoon có nghĩa cái thìa
Toán trừ subtract, toán chia divide
Dream thì có nghĩa giấc mơ
Month thì là tháng , thời giờ là time
Job thì có nghĩa việc làm
Lady phái nữ, phái nam gentleman
Close friend có nghĩa bạn thân
Leaf là chiếc lá, còn sun mặt trời
Fall down có nghĩa là rơi
Welcome chào đón, mời là invite
Short là ngắn, long là dài
Mũ thì là hat, chiếc hài là shoe
Autumn có nghĩa mùa thu
Summer mùa hạ , cái tù là jail
Duck là vịt , pig là heo
Rich là giàu có , còn nghèo là poor
Crab thi` có nghĩa con cua
Church nhà thờ đó , còn chùa temple
Aunt có nghĩa dì , cô
Chair là cái ghế, cái hồ là pool
Late là muộn , sớm là soon
Hospital bệnh viẹn , school là trường
Dew thì có nghĩa là sương
Happy vui vẻ, chán chường weary
Exam có nghĩa kỳ thi
Nervous nhút nhát, mommy mẹ hiền.
Region có nghĩa là miền,
Interupted gián đoạn còn liền next to.
Coins dùng chỉ những đồng xu,
Còn đồng tiền giấy paper money.
Here chỉ dùng để chỉ tại đây,
A moment một lát còn ngay ringht now,
Brothers-in-law đồng hao.
Farm-work đòng áng, đồng bào Fellow- countryman
Narrow- minded chỉ sự nhỏ nhen,
Open-hended hào phóng còn hèn là mean.
Vẫn còn dùng chữ still,
Kỹ năng là chữ skill khó gì!
Gold là vàng, graphite than chì.
Munia tên gọi chim ri
Kestrel chim cắt có gì khó đâu.
Migrant kite là chú diều hâu
Warbler chim chích, hải âu petrel
Stupid có nghĩa là khờ,
Đảo lên đảo xuống, stir nhiều nhiều.
How many có nghĩa bao nhiêu.
Too much nhiều quá , a few một vài
Right là đúng , wrong là sai
Chess là cờ tướng , đánh bài playing card
Flower có nghĩa là hoa
Hair là mái tóc, da là skin
Buổi sáng thì là morning
King là vua chúa, còn Queen nữ hoàng
Wander có nghĩa lang thang
Màu đỏ là red, màu vàng yellow
Yes là đúng, không là no
Fast là nhanh chóng, slow chậm rì
Sleep là ngủ, go là đi
Weakly ốm yếu healthy mạnh lành
White là trắng, green là xanh
Hard là chăm chỉ , học hành study
Ngọt là sweet, kẹo candy
Butterfly là bướm, bee là con ong
River có nghĩa dòng sông
Wait for có nghĩa ngóng trông đợi chờ
Dirty có nghĩa là dơ
Bánh mì bread, còn bơ butter
Bác sĩ thì là doctor
Y tá là nurse, teacher giáo viên
Mad dùng chỉ những kẻ điên,
Everywhere có nghĩa mọi miền gần xa.
A song chỉ một bài ca.
Ngôi sao dùng chữ star, có liền!
Firstly có nghĩa trước tiên
Silver là bạc , còn tiền money
Biscuit thì là bánh quy
Can là có thể, please vui lòng
Winter có nghĩa mùa đông
Iron là sắt còn đồng copper
Kẻ giết người là killer
Cảnh sát police , lawyer luật sư
Emigrate là di cư
Bưu điện post office, thư từ là mail
Follow có nghĩa đi theo
Shopping mua sắm còn sale bán hàng
Space có nghĩa không gian
Hàng trăm hundred, hàng ngàn thousand
Stupid có nghĩa ngu đần
Thông minh smart, equation phương trình
Television là truyền hình
Băng ghi âm là tape, chương trình program
Hear là nghe watch là xem
Electric là điện còn lamp bóng đèn
Praise có nghĩa ngợi khen
Crowd đông đúc, lấn chen hustle
Capital là thủ đô
City thành phố , local địa phương
Country có nghĩa quê hương
Field là đồng ruộng còn vườn garden
Chốc lát là chữ moment
Fish là con cá , chicken gà tơ
Naive có nghĩa ngây thơ
Poet thi sĩ , great writer văn hào
Tall thì có nghĩa là cao
Short là thấp ngắn, còn chào hello
Uncle là bác, elders cô.
Shy mắc cỡ, coarse là thô.
Come on có nghĩa mời vô,
Go away đuổi cút, còn vồ pounce.
Poem có nghĩa là thơ,
Strong khoẻ mạnh, mệt phờ dog- tiered.
Bầu trời thường gọi sky,
Life là sự sống còn die lìa đời
Shed tears có nghĩa lệ rơi
Fully là đủ, nửa vời by halves
Ở lại dùng chữ stay,
Bỏ đi là leave còn nằm là lie.
Tomorrow có nghĩa ngày mai
Hoa sen lotus, hoa lài jasmine
Madman có nghĩa người điên
Private có nghĩa là riêng của mình
Cảm giác là chữ feeling
Camera máy ảnh hình là photo
Động vật là animal
Big là to lớn , little nhỏ nhoi
Elephant là con voi
Goby cá bống, cá mòi sardine
Mỏng mảnh thì là chữ thin
Cổ là chữ neck, còn chin cái cằm
Visit có nghĩa viếng thăm
Lie down có nghĩa là nằm nghỉ ngơi
Mouse con chuột , bat con dơi
Separate có nghĩa tách rời , chia ra
Gift thì có nghĩa món quà
Guest thì là khách chủ nhà house owner
Bệnh ung thư là cancer
Lối ra exit, enter đi vào
Up lên còn xuống là down
Beside bên cạnh, about khoảng chừng
Stop có nghĩa là ngừng
Ocean là biển, rừng là jungle
Silly là kẻ dại khờ,
Khôn ngoan smart, đù đờ luggish
Hôn là kiss, kiss thật lâu.
Cửa sổ là chữ window
Special đặc biệt normal thường thôi
Lazy... làm biếng quá rồi
Ngồi mà viết tiếp một hồi die soon
Hứng thì cứ việc go on,
Còn không stop ta còn nghỉ ngơi!
Cằm CHIN có BEARD là râu
RAZOR dao cạo, HEAD đầu, da SKIN
THOUSAND thì gọi là nghìn
BILLION là tỷ, LOOK nhìn , rồi THEN
LOVE MONEY quý đồng tiền
Đầu tư INVEST, có quyền RIGHTFUL
WINDY RAIN STORM bão bùng
MID NIGHT bán dạ, anh hùng HERO
COME ON xin cứ nhào vô
NO FEAR hổng sợ, các cô LADIES
Con cò STORKE, FLY bay
Mây CLOUD, AT ở, BLUE SKY xanh trời
OH! MY GOD...! Ối! Trời ơi
MIND YOU. Lưu ý WORD lời nói say
HERE AND THERE, đó cùng đây
TRAVEL du lịch, FULL đầy, SMART khôn
Cô đõn ta dịch ALONE
Anh văn ENGLISH , nổi buồn SORROW
Muốn yêu là WANT TO LOVE
OLDMAN ông lão, bắt đầu BEGIN
EAT ăn, LEARN học, LOOK nhìn
EASY TO FORGET dễ quên
BECAUSE là bỡi ... cho nên , DUMP đần
VIETNAMESE , người nước Nam
NEED TO KNOW... biết nó cần lắm thay
SINCE từ, BEFORE trước, NOW nay
Đèn LAMP, sách BOOK, đêm NIGHT, SIT ngồi
SORRY thương xót, ME tôi
PLEASE DON"T LAUGH đừng cười, làm ơn
FAR Xa, NEAR gọi là gần
WEDDING lễ cưới, DIAMOND kim cương
SO CUTE là quá dễ thương
SHOPPING mua sắm, có sương FOGGY
SKINNY ốm nhách, FAT: phì
FIGHTING: chiến đấu, quá lỳ STUBBORN
COTTON ta dịch bông gòn
A WELL là giếng, đường mòn là TRAIL
POEM có nghĩa làm thơ,
POET Thi Sĩ nên mơ mộng nhiều.
ONEWAY nghĩa nó một chiều,
THE FIELD đồng ruộng, con diều là KITE.
Của tôi có nghĩa là MINE,
TO BITE là cắn, TO FIND kiếm tìm
TO CARVE xắt mỏng, HEART tim,
DRIER máy sấy, đắm chìm TO SINK.
FEELING cảm giác, nghĩ THINK
PRINT có nghĩa là in, DARK mờ
LETTER có nghĩa lá thơ,
TO LIVE là sống, đơn sơ SIMPLE.
CLOCK là cái đồng hồ,
CROWN vương niệm, mã mồ GRAVE.
KING vua, nói nhảm TO RAVE,
BRAVE can đảm, TO PAVE lát đường.
SCHOOL nghĩa nó là trường,
LOLLY là kẹo, còn đường SUGAR.
Station trạm GARE nhà ga
FISH SAUCE nước mắm, TOMATO là cá chua
EVEN huề, WIN thắng, LOSE thua
TURTLE là một con rùa
SHARK là cá mập, CRAB cua, CLAW càng
COMPLETE là được hoàn toàn
FISHING câu cá, DRILL khoan, PUNCTURE dùi
LEPER là một người cùi
CLINIC phòng mạch, sần sùi LUMPY
IN DANGER bị lâm nguy
Giải phầu nhỏ là SUGERY đúng rồi
NO MORE ta dịch là thôi
AGAIN làm nữa, bồi hồi FRETTY
Phô mai ta dịch là CHEESE
CAKE là bánh ngọt, còn mì NOODLE
ORANGE cam, táo APPLE
JACK-FRUIT trái mít, VEGETABLE là rau
CUSTARD-APPLE mãng cầu
PRUNE là trái táo tàu, SOUND âm
LOVELY có nghĩa dễ thương
PRETTY xinh đẹp, thường thường SO SO
LOTTO là chơi lô tô
Nấu ăn là COOK , WASH CLOTHES giặt đồ
PUSH thì có nghĩa đẩy, xô
MARRIAGE đám cưới, SINGLE độc thân
FOOT thì có nghĩa bàn chân
FAR là xa cách, còn gần là NEAR
SPOON có nghĩa cái thìa
Toán trừ SUBTRACT, toán chia DIVIDE
PLOUGH tức là đi cày
WEEK tuần MONTH tháng, WHAT TIME mấy giờ?

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