「地獄空」攝影集即將在八月中元節前出版,由知名設計師與攝影家黃子欽設計,內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等,感恩十方大德助印,希望疫情退散,平安喜樂,後記如下:
野放台灣五十餘年,貪狼獨坐,三方四正殺破狼格局,少年多舛,白手起家,隨展覽雲遊四海,如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返,遂設幻影堂自詡堂主,一日三省「凡所有相皆是虛妄」,常宅於暗房沖片放大通宵、鍾情黑白世界之單純,彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘,了悟人生一瞬、眨眼即逝,雖非仙人,亦無道骨,初聞離垢地生清淨心,但離華嚴「不動地」尚遠,待修持也。
2017年盛暑拍畢《巨神連線》,心律不整差點心肌梗塞向閻羅王報到,意識死神隨伺在側,人生苦短,如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解,蒙釋迦摩尼佛開示飆淚三晝夜,聞佛法數載始知自我渺如塵埃,甚感慚愧。閒暇乃參訪名寺古剎,禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘,台灣宮廟千奇百怪、宗派錯綜複雜(佛教、道教、一貫道、天主教、基督教、齋教、回教&大同教、儒教鑾堂、天帝教&天德教、慈惠堂&勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……)、神棍橫行(依人不依法、偶像崇拜、斂財、邪淫),因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜,但地獄造景稀少,後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人,各寺造景巧妙、耐人尋味,意境乖張溢於言表,造型扭曲非常人所能塑也,然匠心獨運、自成一格,專研西方藝術數十載方知真誠樸拙最美,絲毫不輸喬托(Giotto di Bondone,1267~1337)乃至米開朗基羅(Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564)矣。
創立於1986年的石門金剛宮風景優美可眺望北濱,雖主祀四面佛,儒釋道眾神尊也不含糊,可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像,安太歲自不在話下,甲子太歲爺雙眼長出手掌印象甚深,1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍,行走暗黑通道觸動感應機關,只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地,十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台,粉嫩色彩搭配卡漫風格,尤為造型簡直恐怖到可愛透頂,該廟主祀森羅殿閻羅天子包拯(包青天),陽世冤屈者可至此參拜祭解,求破懸案者眾,逢中元普渡皆以紙紮船渡亡魂至彼岸,全台唯一閻羅天子巨像籌備中,四周環繞墓地,適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮(1971)地府則是首座電動地府,規模精小但驚嚇度破表,略顯破敗但五光十色仍蠻凶悍,出自已故台南大道長金登富之作,而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外,乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面,尊尊栩栩如生,續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道,造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」(阿彌陀佛、觀世音菩薩、大勢至菩薩巨像)旁設靜態十殿閻羅(1970年代初),雖略為陳舊然韻味猶存,續往上行可抵「證菩提道-釋迦如來應化事迹」雕塑園區,一攬世尊畢生精華。如來年邁時,琉璃國王為報長期被釋迦族輕蔑之傲慢心,世尊雖三次單獨伽跌坐 阻擋大軍進攻之路,但因緣果報無法逆轉,昔日婢女所生王子瞋恨無以復加,還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺,遂以缽盛救度五百族人,最終卻化為血水,佛言神通廣大仍不敵千百劫業力,因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐,目犍連遂展神通救渡,但所食尚未入口皆化為赤火,佛陀囑咐農曆七月十五日僧眾解安居自恣日,於盆中設甘露美食供養十方僧眾,因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌,既渡亡魂也自懺悔。
台南麻豆代天府規模宏大、造型豔麗,不但可遊十八層地獄尚可逛天堂(1979年興建,1983年開放),燈光絢爛、聲響駭人,獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」,至ㄧ殿泰廣王照「孽鏡台」現造惡原形,睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪,觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生(胎、卵、濕、化)回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」,轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」,窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」,直透地心、內中陰森、不見五指、滿溢地漿,皆為極犯,另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」(查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司)後至「孟婆亭」飲「醧忘湯」忘盡前塵往事,依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺(紫河車)」入六道輪迴轉生投胎。據《十八泥犁經》記載,人過世後七七四十九天為「中陰生」,經閻羅王審判善惡業力判定去留或懲罰百千萬劫,犯五逆重罪則墮入「無間地獄(阿鼻地獄)」永劫不復。地藏王乃幽冥教主,統轄十殿閻羅,逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。
人類居於五趣(阿修羅、人、傍生、餓鬼、地獄)雜居地五濁惡世之堪忍世界,犯十惡業(殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴)者必墮三趣惡道。如何出「三界」(欲界、色界、無色界)二十八天?凡人無此意識,別說能破「十二因緣」(無明、行、識、名色、六入、觸、受、愛、取、有、生、老死)還滅門,更別想斷除「四聖諦」(苦、集、滅、道)集地八十一品見惑與八十八使思惑(五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑),了悟「五蘊」(色、受、想、行、識)本空、「十二入」(眼、耳、鼻、舌、意、色、聲、香、味、觸、法)空、「十八界」空,破俱生我執與分別我執、法執甚至空執,生十一處「善心所」(信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害),降二十六處「惡心所」(貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知),須知善根斷盡則陷永劫輪迴、無垠轉世之苦。
地獄可能空滅嗎?若地獄空乏人間多鬼怪,地獄淨空世間何嘗非淨土?若能證空性何處現地獄?
地獄曠古來便廣泛流傳各部族間,老死生滅為自然運行之基礎、宇宙意識之核心,然今文明昌盛如咱城邦並非慾望消弭之所,惡性所及實無可根除,礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層,乃遁於壓抑、束己情懷,暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄,心多妄念,妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間,會靈於曠野密林以增性靈乃出世高人修煉之舉,我等凡人擅闖宛如迪士尼般之人造地獄,三魂七魄尚不足以出竅,驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧,豈不謬哉?
病毒肆虐年半有餘,全球確診者逼近一億八千萬,枉死者近四百萬,堪比戰爭規模,望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空,唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。
姚瑞中寫於2021年端午節
Postscript
I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.
In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).
Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.
Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.
Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.
The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.
June 2021,
Yao Jui-chung
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目前世界情況,產生出的演唱會新型態,也是一次新的嘗試
張韶涵 Angela Zhang - Undefined 未定義演唱會
STAFF
出品人 Executive Producer:
張韶涵 Angela Zhang / Adrian Leong / Connie
藝人團隊 Artiste Team
Artiste Manager: 張韶軒 Connie
Overall Project Lead: 楊鈞堯 Bryan Yang
製作團隊 Show Production Team
Creative Director: 張韶涵 Angela Zhang
Show Production: We Play Studio
Director: 易正庭 Tim Yi
Executive Director: 李宜螢 Grace Lee
Stage Director: 冉永賢 Jan Yung Hsien
Production Assistant: 盧育潔 Lu Yu Chieh
Teleprompter: 廖奕潔 Liao Yi Jie
Stage Designer: ARTJOEY
Lighting Designer: 上海喬銳舞台藝術工程中心 Shanghai Chiao Ruei Art Enggineering Center / 李政偉 Lee Gheng Wei
Laser Designer: 周平 Chou Ping
Motion Graphics Designer: 邦博視覺設計 Bombo Visual Design Co.,Ltd / 集象視覺設計 Chi Hsiang Visual Design Ltd
Motion Graphics Directors: 盧韋勳 Lu Wei Hsun / 林修皜 Lin Hsiu Hao / 陳美蒨 Chen Mei Chien
Audio Engineer: 陳泰山 Chen Tai Shan
Assistant Audio Engineer: 蔡育書 Tsai Yu Shu
Camera Support Equipment: 無限映像製作有限公司 Multimedia Production
影片製作團隊 Documentary Production Team
Video Director: 陳映之 Chen Ying Chih
Assistant Video Director: 夏圓 Hsia Yuan
Video Director’s Assistant: 錢承榆 Yu Chien
Producer: 葉鑑濤 Colin Ip
D.P.: 陳映之 Chen Ying Chih
First Assistant Camera: 鎖震峰 So Chen Feng
Second Assistant Camera: 李英豪 Li Ying Hao
Artiste Videographer: 張伯瑞 Ray Chang
Art Director: 王宥睎 Wang You Si
Production Executive: 王琇筠 Wang Hsiu Yun
Set Decorator: 賴儀恬 Lai Yi Tian / 游東榮 Yo Tung Jung
Gaffer: 黃柏源 Huang Bo Yuan
Best Boy: 蘇志豪 Su Chih Hao / 張偉傑 Chang Wei Chieh / 李正傑 Li Cheng Chieh / 王俊淵 Wang Juan Yun
Production Coordinator: 林煜翔 Lin Yu Shiang / 徐鵬森 Hsu Peng Sen
Haute Couture Design: 李育昇 Li Yu Shen (Dorian Li)
Design assistant & manager: 林昕誼 Lin Xin Yi
Hair design: 鄭泰忠 Teddy Cheng / 吳曉芳 Sarah Wu
Talents:
王若蓁 Wang Ruo Zhen / 江彥蓁 Chiang Yen Chen
吳汶憶 Wu Wen Yi / 吳姝純 Wu Shu Chun
梁雅媛 Liang Ya Yuan / 許杏君 Hsu Hsin Chin
郭彥汝 Kuo Yen Ju / 陳妤蓁 Chen Yu Zhen
劉庭音 Liu Ting Yin / 羅沛育 Lo Pei Yu
Transportation: 張輔弼 Chang Fu Bi
Film Editor: 陳映之 Chen Ying Chih / 黃品婕 PJ Huang / 施雅馨 Shih Ya Shin
CG: 短波組影像 Shortwave Film
VCR配樂 Background Music
Song: 無名 No name
Producer: 楊鈞堯 Bryan Yang
Arrangement: 林樂偉 Ludwig
Recording Engineer: 陳志翔 Sean Chen
Recording Studio: 白金錄音室 Platinum Studio
Sound Mixer: 楊鈞堯 Bryan Yang
Mixing Studio: 發條工廠錄音室 Clockworkers Studio
Production Assistant: 葉承睿 Turtle Yeh
樂隊 Band
Music Director: Kenn C
Band Leader & Drums: 王聖展 Evan Wang
Keyboard: 李宜玲 Elin Lee
Guitar: 張庭榮 Chang Ting Rong / 翁光煒 Wico Weng
Bass: 陳紀烽 Vincent Chen
Backing Vocals: 邵慧芸 Shao / 芙賽.以撒 Fusay Isak / 薛詒丹 Dan Hsueh / 李芯芮 Cheryl Lee
Programmer: 張忠義 Chang Chung Yi
Violins: 袁繹晴 Helen Yuan / 許罡愷 Hsu Kang Kai
/ 顏毓恆 Victor Yen / 曾敏青 Tswng Ming Ching / Rohnie Tan Wei Chien / 龍俊宇 Lung Chun Yu
Violas: 許義昕 Eddie Hsu / 袁繹晴 Helen Yuan
Cellos: 吳登凱 YoYo / 李姿慧 Lee Tzu Hui / 許書閒 Hsu Su Hsien
Band Assistant: 曹鈺羚 Momo Tsao
音樂製作團隊 Music Production Team
Music Producer: Kenn C / 楊鈞堯 Bryan Yang
Assistant Producer: WeiLiang Sim @KennC Music
Mixing Engineer: Frank Lee @AlcheMiX / Kenn C / WeiLiang Sim @ KennC Music
Mastering: Kenn C Music Mastering
Vocal Design: Kenn C
Backing Vocals Team: Agnes Yue / Susanna Liu / Becka / Carmen Ang / Eunice Liew / Esther Ong
Additional Guitars: Kenn C / WeiLiang Sim @KennC Music / Wei-Ming @KennC Music
Additional Programming: WeiLiang Sim @KennC Music
Recording Studio: Kenn C Music / 雲耀音樂
Production Assistants: WeiLiang Sim / Wei-Ming / Becka
Project Manager: 王聖展 Evan Wang / WeiLiang Sim @ KennC Music
舞蹈團隊 Choreography Team
Choreographer: 王守婕 Miracle Wang
Dance Captains: 黃柏語 Huang Bo Yu / 賴昀祺 Lai Yun Chi
Dancers: 原英行銷有限公司 (演出事業部) / Infamous Creative and Marketing Co. (Talent Agency Department.)
造型團隊 Styling Team
Artiste Stylist: 張家衣 Zhang Jia Yi
Dancer Stylist: 王守婕 Miracle Wang
Makeup Artist: 陳聆薇 Venny Chen
Assistant Makeup Artist: 陳雯瑄 Chen Wen Xuan
Hair Design: 林秋子 / Ethan
Hair Stylist: Stone / Ethan
Hair Stylist Assistant: Yen / Kimi
現場拍攝團隊 Live Videography Team
Video Director: 陳映之 Chen Ying Chih
Assistant Video Director: 夏圓 Hsia Yuan
Video Director’s Assistant: 錢承榆 Yu Chien
Camera Support Equipment: 無限映像製作有限公司 Infinity Multimedia Production
Video Producer: 葉鑑濤 Colin Ip
Cameraman: 張伯瑞 Ray Chang / 鎖震峰 So Chen Feng / 楊家哲 Gary Yang / 鐘楚雄 Kevin Zhong / 劉威廷 Liu Wei Ting / 陳柏全 Chen Bo Chuan
Cameraman’s Assistant: 梁發侃 Liang Fa Kan / 李英豪 Li Ying Hao / 謝明倢 Hsieh Ming Chieh / 林永森 Lin Yung Sen
Photography Team: 林忠佑 Lin Zhong You / 洪晃偉 Hong Huang Wei / 陳威仁 Chen Wei Ren / 周厚求 Zhou Hou Qiu / 余奕龍 Yu Yi Long / 楊尊喆 Yang Zun Zhe / 藍震濃 Lan Jhen Nong / 田凱弘 Tian Kai Hong
Artiste Videographer: 張伯瑞 Ray Chang / 何雨書 Book Ho
Gaffer: 黃柏源 Huang Bo Yuan
Best Boy: 蘇志豪 Su Chih Hao / 王俊淵 Wang Juan Yun
Production Coordinator: 林煜翔 Lin Yu Shiang / 徐鵬森 Hsu Peng Sen
Costume Design: 李育昇 Li Yu Shen (Dorian Li)
Costume Supervisor: 林昕誼 Lin Xin Yi
Hair Design: 鄭泰忠 Teddy Cheng / 吳曉芳 Sarah Wu
Talents: 王若蓁 Wang Ruo Zhen / 江彥蓁 Chiang Yen Chen / 吳汶憶 Wu Wen Yi / 吳姝純 Wu Shu Chun / 梁雅媛 Liang Ya Yuan / 許杏君Hsu Hsin Chin / 郭彥汝 Kuo Yen Ju / 劉庭音 Liu Ting Yin / 羅沛育 Lo Pei Yu / 董韋伶 Tung Wei Ling
Film Editor: 陳映之 Chen Ying Chih / 張雅萍 Chang Ya Ping / 張伯瑞 Ray Chang / 彭琦媗 Chi Hsuan / 施雅馨 Shih Ya Shin
側拍團隊 Artiste Videography & Photography Team
Key Visual Photographer & Artiste Videographer: Kevin im
Artiste Videographer (Documentary): 陽子 Chin Yang
硬體團隊 Technical Production Team
Technical Director: 洪逸敏 Fion Hung
Technical Coordinator: 大馬 DAMA
Stage Engineering: 城鎮事業有限公司 Cheng Zhen Stage Co.,Ltd
Mechanics Engineering: 城鎮事業有限公司 Chen Zhen stage Co.,Ltd
Structure Engineering: 星船音響工程有限公司 Starship Engineering Co.,Ltd
Lighting Engineering: 鼎悍專業燈光音響工程有限公司 Din Han Profession Lighting& Sound Engineering Co.,Ltd
Laser Engineering: 垠鑫企業有限公司 INSHINLASER Co.,Ltd
LED Engineering: 唯特企業有限公司 Weite Enterprise Limited
Visual Engineering: 成陽傳播事業有限公司 Cherng Yang Communiction Co.,Ltd
Sound Engineering: 瑞揚專業音響有限公司 Reyn Yang Professional Sound Co.,Ltd
Electricity Engineering: 助盛實業有限公司 Zhu Sheng Industrial Co.,Ltd
Effects Engineering: 鉉坤企業有限公司 Xuan Kun Enterprise Co.,Ltd
Backstage Support: 豪佳仁活動展覽有限公司 Haojiaren Event Exhibition Co.,Ltd
Film Studio: 鴻臣影視製片廠 Hong Chen Film Studio
shu前世 在 臺灣吧 - Taiwan Bar Facebook 的最佳解答
健保要破產了?
#人類世界的8大秘密
帶你瞭解健保的前世今生,與未來!
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臺灣優秀的醫療環境 💊🛌💉
還有親民的健保用過都說讚 💪
但你一定聽過 #健保要破產了?
哪泥~這樣的話,我們的健康該怎麼辦?
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讓我們從沒有健保的日子開始說起
一起來看看健保的未來該何去何從!
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人類世界臺灣健保的八大秘密
等你來揭秘 ⛏!
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_
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#秘密來源(供探勘挖掘)
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◤秘密一
1. 以前的醫藥費很貴:1965-12-08/聯合報/07版/聯合副刊
2. 基本工資數據,勞動部
3. 沒有全民健保時,有不同的保險制度:結穗跨步 全民健保十八紀實 / 蔡淑鈴總編輯 . 臺北市 : 健保署 , 2013.12
4. 洗腎一次要花多少錢:陳文侯。洗腎篇 洗腎(血液透析) 37年來的演變與展望
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◤秘密二
1. 健保的人口覆蓋率:Tsung-Mei Cheng (2015) Reflections on the 20th Anniversary of Taiwan’s Single-Payer National Health Insurance System. Health Affairs.
2. 93% 醫療院所 加入全民健保:衛生福利部中央健康保險署網站
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◤秘密三
1. 紙本健保卡:全民健康保險雙月刊,第114期。中央健康保險署
2. 三卡召喚就醫資料、雲端系統就醫資料與用藥紀錄:衛生福利部中央健康保險署網站
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◤秘密四
1. 找到心臟手術治療方法:冠狀動脈繞道手術術後抗血小板治療之比較研究。Journal of Data Analysis ; 11卷5期 (2016 /10/01) , P39 - 52
2. 伴侶的暴力傷害:利用傷害型態及醫療利用辨識親密伴侶暴力受虐者。醫務管理期刊 ; 13卷1期 (2012 / 03 / 01) , P32 - 47
3. 健保也降低了貧富生存時間差距:健保前後不同收入區域口腔癌預期壽命損失分析實施國民健康保險後,收入和地區相關人群口腔鱗狀細胞癌患者的生存差異減少。成功大學公共衛生研究所學位論文; 2013年(2013/01/01),P1-26
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◤秘密五
1. 看病次數世界第三:衛生福利統計動向 (2013)
2. 看診時間只有 5分鐘:全民健康保險雙月刊,第114期。中央健康保險署
3. 上路五年,急診與洗腎增加比例:Tsung-Mei Cheng (2003) Taiwan’s New National Health Insurance Program: Genesis and Experience So Far. Health Affairs.
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◤秘密六
1. 健保有盈餘作為儲備金、健保局向銀行借錢:Tsung-Mei Cheng (2003) Taiwan’s New National Health Insurance Program: Genesis and Experience So Far. Health Affairs.
2. 2002年第一次調漲保費、給付上限與部分負擔、藥價調查:衛生福利部中央健康保險署網站
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◤秘密七
1. 衛生福利部中央健康保險署網站
2. 中華民國開發性製藥研究協會提供之資料
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◤秘密八
1. 墨西哥糖稅:M Arantxa Colchero, Barry M Popkin, Juan A Rivera, Shu Wen Ng (2016) Beverage purchases from stores in Mexico under the excise tax on sugar sweetened beverages: observational study. BMJ. 253: h6704.
shu前世 在 蕩男 Youtube 的精選貼文
PWS 東亞聯賽 生存戰
Twitch中文轉播頻道:https://www.twitch.tv/pubg_taiwan
完整賽事VOD:https://www.twitch.tv/videos/997740016
比賽日期:4/14~5/16 每星期三~日 晚上6:00
總決賽:5/21~5/23 晚上6:00
隊伍:
韓國:Gen,AF,DNW,KIA,GRF,GBL,OPGG,T1,emT,MaD,ATA,GNG,GPS
台港澳:EMI,AE,GEX,NW,WCG,NS,DG
日本:E36,DGW,V3F,RC,RJ,USG,JUP
其他賽區:BJ,NCT
賽制:
和之前世界賽一樣,分周中跟周末
生存戰兩天取12名 吃雞就晉級,第三天是外卡賽 取4名 比吃雞數
總共有28隊 韓國12 台港澳7 日本7 韓國外卡:2
今日主播:Pual、Kmomo
#PWS #生存戰 #PWS東亞聯賽
shu前世 在 Taiwan Bar Youtube 的最佳貼文
#歡迎光臨臺灣吧 #健保 #臺灣 #衛福部 #健保25週年
臺灣優秀的醫療環境 💊🛌💉
還有親民的健保用過都說讚 💪
但你一定聽過 #健保要破產了?
哪泥~這樣的話,我們的健康該怎麼辦?
讓我們從沒有健保的日子開始說起
一起來看看健保的未來該何去何從!
人類世界臺灣健保的八大秘密
等你來揭秘 ⛏!
--
㊙ 8大秘密在這裡 ㊙
0:00 訂閱開場記得打開鈴鐺喔
0:20 新聞報導中的健保現況
0:53 秘密一:沒有健保的日子怎麼看病
1:42 秘密二:全民健保上路了
2:43 秘密三:紙本健保卡可以集點數
3:47 秘密四:全民健保真的讓全民健康嗎?
4:45 秘密五:臺灣人把醫院當賣場逛
5:24 秘密六:健保正在破產中
6:37 秘密七:健保資源的分配
7:45 秘密八:健保的未來怎麼辦
9:02 一起來想一想
--
⛏ 秘密來源(供探勘挖掘)⛏
◤秘密一
1. 以前的醫藥費很貴:1965-12-08/聯合報/07版/聯合副刊
2. 基本工資數據,勞動部:https://www.mol.gov.tw/topic/3067/5990/13171/19154/
3. 沒有全民健保時,有不同的保險制度:結穗跨步 全民健保十八紀實 / 蔡淑鈴總編輯 . --
臺北市 : 健保署 , 2013.12
4. 洗腎一次要花多少錢:陳文侯。洗腎篇 洗腎(血液透析) 37年來的演變與展望。http://www.tcmed.org.tw/edcontent.php?lang=tw&tb=35&id=52
◤秘密二
1. 健保的人口覆蓋率:Tsung-Mei Cheng (2015) Reflections on the 20th Anniversary of Taiwan’s Single-Payer National Health Insurance System. Health Affairs. https://doi.org/10.1377/hlthaff.2014.1332
2. 93% 醫療院所 加入全民健保:衛生福利部中央健康保險署網站
◤秘密三
1. 紙本健保卡:全民健康保險雙月刊,第114期。中央健康保險署
2. 三卡召喚就醫資料、雲端系統就醫資料與用藥紀錄:衛生福利部中央健康保險署網站
◤秘密四
1. 找到心臟手術治療方法:冠狀動脈繞道手術術後抗血小板治療之比較研究。Journal of Data Analysis ; 11卷5期 (2016 /10/01) , P39 - 52
2. 伴侶的暴力傷害:利用傷害型態及醫療利用辨識親密伴侶暴力受虐者。醫務管理期刊 ; 13卷1期 (2012 / 03 / 01) , P32 - 47
3. 健保也降低了貧富生存時間差距:健保前後不同收入區域口腔癌預期壽命損失分析實施國民健康保險後,收入和地區相關人群口腔鱗狀細胞癌患者的生存差異減少。成功大學公共衛生研究所學位論文; 2013年(2013/01/01),P1-26
◤秘密五
1. 看病次數世界第三:衛生福利統計動向 (2013)
2. 看診時間只有 5分鐘:全民健康保險雙月刊,第114期。中央健康保險署
3. 上路五年,急診與洗腎增加比例:Tsung-Mei Cheng (2003) Taiwan’s New National Health Insurance Program: Genesis and Experience So Far. Health Affairs.
◤秘密六
1. 健保有盈餘作為儲備金、健保局向銀行借錢:Tsung-Mei Cheng (2003) Taiwan’s New National Health Insurance Program: Genesis and Experience So Far. Health Affairs.
2. 2002年第一次調漲保費、給付上限與部分負擔、藥價調查:衛生福利部中央健康保險署網站
◤秘密七
1. 衛生福利部中央健康保險署網站
2. 中華民國開發性製藥研究協會提供之資料
◤秘密八
1. 墨西哥糖稅:M Arantxa Colchero, Barry M Popkin, Juan A Rivera, Shu Wen Ng (2016) Beverage purchases from stores in Mexico under the excise tax on sugar sweetened beverages: observational study. BMJ. 253: h6704.
--
🍺 想了解 #臺灣吧 多一點點
訂閱YouTube,新片不漏追| https://lihi.cc/0SEYv
瞧瞧Facebook,會有YT沒有的東西|https://lihi1.com/KUtvp
追蹤Instagram,限動看個夠|https://lihi1.com/OD9Bb
🍺 想了解 #黑啤 多一點點
Facebook很可愛|https://www.facebook.com/beeru.official/
Instagram必追|https://www.instagram.com/beeru_tw/
同時也是YouTubear|https://lihi1.com/gXg6U
臺灣吧線上賣場,很好買慎入|http://taiwanbar.shoplineapp.com/
合作邀約,來酒吧聊聊吧|business@taiwanbar.cc
shu前世 在 光良官方專屬頻道 Michael Wong's Official Channel Youtube 的最佳解答
iTunes:https://reurl.cc/yl9Wa
KKBOX:https://kkbox.fm/ha3Ww5
Apple Music:https://reurl.cc/q31QR
星娛音樂官網:https://reurl.cc/kQLDG
17歲那年,有什麼事情讓你耿耿於懷
也許平凡如我們,擁有的第一個秘密,就叫做喜歡。
多年後的你還會不會記得
有一個我曾邀請你一起向前
光良2019最新單曲「最近的永遠」
陳飛宇、何藍逗主演電影「最好的我們」推廣曲/片尾曲
由光良譜曲、王牌寫詞人葛大為填詞、金曲製作人陳建騏製作
最近的永遠 Nearest Eternity
演唱 Performed by:光良 Michael Wong
作曲 Composer:光良 Michael Wong
作詞 Lyricist:葛大為 David Ke
製作人Producer:陳建騏 George Chen
你送我 一夏天 的晴朗
藏在 那微笑側臉
想還你 一路上 的盼望
轉身 我卻什麼也沒講
不怕時差
跟青春一樣長
我只是害怕
以為你離開了
而我沒追上
你沒回頭
才發現了解
躲在誤解旁邊
想牽的手
隔著最近的遙遠
等你回頭
才發現終點
也在起點旁邊
我不放手
你是最近的永遠
倒敘的幸福
該接下來寫
要趕在我們
變得複雜之前 (變得不勇敢之前)
原來 最極致的掛念
是有勇氣 邀請你向前
世界改變我 卻沒改變
你在我心裡面
最中間的座位
出品&藝人經紀 Publish & Artist Management:星娛音樂有限公司 XYmusic Ltd.
經紀人 Artist Manager:孔勝民 Sam Kung
經紀執行 Artist Manager Assistant:陳柏軒 PaulSam Chen,游欣翰 Hans Yu
髮型師 Hair Designed:Eva Chang @ O+ studio
化妝師 Make up:平羽媜 Arial Ping
造型師 Styling:王瑾瑩 Chin Yin Wang
平面攝影 Photographer:黃義文 Evan Huang
單曲封面設計 Cover Designer:陳柏軒 Paulsam Chen
動態側拍 Behind the scenes:游欣翰 Hans Yu
音樂製作團隊 Song Credit
製作人 Producer:陳建騏 George Chen
編曲 Arrangement:吳加恩 Jia En Wu
鋼琴 Piano:吳加恩 Jia En Wu
吉他 Guitar:林樂偉 Ludwig Lim
貝斯 Bass:劉穎嶸 Ying Long Liu
鼓 Drum:陳柏州 Mr.Q
弦樂編寫 Strings Arrangement:劉涵 Hang Liu (隱分子)
第一小提琴 Volin 1:蔡曜宇 Shuon Tsai
第二小提琴 Volin 2:曲靜家 Ching Chia Chu
中提琴 Viola:甘威鵬 Weapon Gan
大提琴 Cello:劉涵 Hang Liu (隱分子)
錄音師 Recording Engineer:陳以霖 Yi Lin Chen(人聲 Vocal),林鉑堅 Johnny Lin(弦樂 Strings)
錄音室 Recording Studio:大小眼錄音室 Twin Eyes Studio(人聲 Vocal),皮老闆錄音室 Master P's Studio(弦樂 Strings)
混音師 Mixing Engineer:Simon Li
混音錄音室 Mixing Studio:nOiz Studio
合聲編寫 & 演唱 Backing Vocal Arrangement & Backing Vocal :田曉玫 Brandy
母帶後期製作 Mastering Engineer:孫仲舒 Chung Shu Sun @ 饅頭音樂工作室 MT Mastering Studio
導演 Director/ 黃中平JP Huang
副導 AD/ 程于珊Sammie Cheng
監製 Production Supervisor/ 干文怡 Kan Wen Yi
導演助理 Director’s Assistant/ 李怡瑩Ally Lee,夏圓Yuan Hsia,鄭婉雯Mon Chang
製片 Producer/ 陳莊賢Chuang Hsien Chen
製片助理PA/ 林峻有 Chun Yu Lin
攝影 DP/ 黃中平JP Huang
攝助 AC/ 吳啟禎Vincent Wu, 吳啟瑞Cloud Wu
二機 B Camera/ 王殊懸Ash Wang
空拍 Aerial photography/ 吳啟禎Vincent Wu
美術指導 Production Designer/ 王殊懸Ash Wang
燈光 Gaffer/ 楊景浩Angen Yang
燈光助理 Best Boy/ 呂佑凱Yu Kai Lu,王俊淵Jun Yuan Wang
場務Grip/ 范子薺Tea,黃正達Huang Zheng Da
九巴 Driver/ 王志偉Zhi Wei Wang
後期 Post Production/ 黃中平導演工作室 JP Director Studio
剪接 Editor/ 吳瑞真 Jui Chen Wu,李怡瑩Ally Lee
調光 Color Grading/ 吳瑞真 Jui Chen Wu學生演員 Talent/
樂團 Orchestra
貝斯 林冠宇 Kuan Yu Lin
吉他 吳振榮 Chen Jung Wu
鋼琴 郭文德 Wen Te Kuo
鼓手 陳文典 Wen Tien Chen
小提琴 李彥呈 Yen Cheng Li
小提琴 林晴薇 Ching Wei Lin
中提琴 歐恩妤En Yu Ou
大提琴 陳慧宇 Hui Yu Chen
合唱團 Choir
簡祈安 Chi An Chien
鄧緁瑤 Chieh Yao Teng
林千慧 Chien Hui Lin
林冠宇 Kuan Yu Lin
郭文德 Wen Te Kuo
陳文典 Wen Tien Chen
李瑀珊 Yu Shan Li
薛琮霖 Tsung Lin Hsueh
柯智雯 Chih Wen Ko
黃家芮 Chia Jui Huang
劉家伊 Chia Yi Liu
陳昱瑾 Yu Chin Chen
蕭力誠 Li Cheng Hsiao
徐翊心 Yi Hsin Hsu
陳萬洲 Wan Chou Chen
鄭心萍 Hsin Ping Cheng
吳佳茵 Chia Yin Wu
洪綺玟 Chi Wen Hung
林嘉榆 Chia Yu Lin
黃鈺惠 Yu Hui Huang
徐紫瑜 Tzu Yu Hsu
楊紫綾 Tzu Ling Yang
謝卉祺 Hui Chi Hsieh
黃宥綾 Yu Ling Huang
黃宥芯 Yu Hsin Huang
陳家豪 Chia Hao Chen
秦子恩 Tzu en Chin
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