關於 tell me why original ，我們在網路上蒐集到這些相關的討論、資訊與評價

เรียกได้ว่าเป็นปีทองและปีแห่งการปรับเปลี่ยนครั้งใหญ่ของ Summoners War จากค่ายเกมเกาหลียักษ์ใหญ่ Com2uS เริ่มจากช่วงต้นปี 2020 ก็มีคอนเท้นท์เพิ่มเข้ามามากมาย
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ตั้งแต่ หลุมมิติใหม่ มอนสเตอร์ตัวใหม่ แจกคัมภีร์เวทมนตร์ครั้งใหญ่ 100 ม้วน การจับมือกับ Street Figher V อันเป็นการร่วมมือกับพาร์ทเนอร์เกมครั้งแรก รวมถึงอัปเดตที่บอกเลยว่า สะเทือนวงการ แต่ถูกใจใครหลายๆคน นั่นก็คือ การเพิ่มระบบสู้ซ้ำที่แตกต่างจากเกมอื่นนั่นเอง
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วันนี้เราจะมาเจาะลึกระบบสู้ซ้ำนี้ ว่าทำไมจึงปังสะท้านผู้เล่น...
Continue ReadingSummoners War's big change year and Summoners War from the big Korean gaming camp. Com2uS started early 2020, lots of contents added.
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Since the new dimensional hole, new monster gives away 100 big magic scriptures, the handshake with Street Figher V, the first collaboration with the game partner, including the update that shook the industry, but like many people. It's a different repeat system from other games.
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Today, we're going to penetrate this repeated fight system why it's so popular. Old and new players. What's the difference between Summoners War and other games? So what is the selling point of this system. Let's watch.
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The first thing is that Summoners War farm line system is totally attracted to each other and completely ripped off Summoners War's original rules from the idea that players have to play by themselves and interact with the most in-game. Summoners War in the story of strong Commonies. This system comes in to provide more comfort to players with more life time. But the strength of the game is the charm of the game because this system can be repeated limited to 10 Once then clicked by myself to start over. Sounds like a little bit but honestly saves a lot of players time!
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Greatness. Apart from 10 repeat times while fighting. Players can go to other things like Positive Runesum Monster, Upgrade Monster, Upgrade Monster, and more. It's not a fight. It's different from other games that have to be repeatedly opened and soak in that mode. It's only super facilitated. (More time to play with dogs! ))
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This system has a good result of players. The most obvious thing is that this system makes players who don't have time to play or have less time to play. Players who normally don't take long to play. They spend more time with games and facilitate players. Both old and new make farm easier and more comfortable.
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Different combat system from other games. Let me tell you that it's another 1 key points to the heart of Summoners War. It's usually a re-fight or automatic system of other games. It's a free autograph that makes players feel. Oh, why would I play? But Summoners War's fighter system instead of letting players go. It's used the limit on 10 fights to reduce the time of the toll over and over. Interactions with other aspects of games, such as customizing monsters or runes, or spending time talking with people in guild. (During the fight, players can chat with friends in the game! Which is another 1 points that players are very happy.) Com2uS itself has realized the good results of this system's increasingly harmful to maintain Summoners War to remain.
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The game is developing a better point of being able to make it better as a matter of opening several functions, which may make some phones heat faster. It's a normal thing that can happen.
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Even Summoners War is a legendary mobile game that has been opened for more than 6 years, with a commitment to developing a resolution, thoughtfulness, caring for players at every step, every planning that the Summoners War team has prepared well. This game is a good idea. A cool game on top top top shelf
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And today we have special (limited) item) 1 IDs can only receive 1 times and players who accept the same code can't get the same type of code. Free 1 rolls of Magic Scripture (Available from today to 31 January 2564)
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Follow the Summoners War game news on Facebook Fanpage at: https://smarturl.it/SummonersWarFBATBTranslated

【だからキミは負けるんだ】


今日は、仕事のノウハウみたいなではなくて、僕が今、一番熱を入れている映画『えんとつ町のプペル』のお話をしたいと思います。

僕は、もともと漫才師としてスタートして、漫才を書いていて、自分を育ててくれた師匠と呼べる人が「後藤ひろひと」という劇作家ですから、舞台の脚本も書いていて……
そこから絵本作家に転職して、絵を描いて、ストーリーを描いて、で、絵本の曲も作るんですね。
あの「♪ハロハロハロハロウィン」って曲を作った人です。

https://youtu.be/Rihe2JOyLQA

劇場の楽屋に小道具のギターがあるもんですから、空き時間に触っているうちに、ギターが弾けるようになりました。

ちなみに、次々回作の絵本『夢幻鉄道』のテーマソングもいいのが作れたので、YouTubeで検索してみてください。

https://youtu.be/PkoCXybjrrw

　
そんな感じで仕事をしているので、映画『えんとつ町のプペル』における僕の役割は、「原作・脚本・製作総指揮・宣伝・作詞作曲」という忙しいことになっています。



このことを受けて、時々、「ゴーストライターがいるんでしょ！」と時々言われるんです（笑）

これに関しては、「西野がこんなに素晴らしいものを作れるハズがない」という意味なので、褒め言葉でしかないのですが、残念ながら、僕、ゴーストライターなんていないんです。

　
分業している場合は、「分業しています」と公表しています。
その方がいいんですよ。
いろんなクリエイターさんに「西野の仕事に参加したい」と思ってもらった方が得なので、絶対に、その人の名前を出す。

出さない場合もありますが、それは出すべきではない場合です。

たとえば、三日前にYouTubeチャンネルにアップした『えんとつ町のプペル』の動画の備考欄には、歌詞の他に、「歌、作詞作曲、編曲、振付」のスタッフの名前しか入っていません。

照明さんや美術さんや衣装さんの名前は入っていないんですね。
あくまで、あそこは音楽に関する情報を載せる場所として位置付けているので。

関わったスタッフの名前を全員書いてしまったら、８０人ぐらいになっちゃう。

ああいった、いわば「CM」の場合は、基本、スタッフの名前は載せません。
テレビCMの最後に「ディレクター＝○○」と出ないのと同じです。



ただ、ストーリーを書いたり、音楽を作ったりする場合、僕には「ゴーストライター」と呼ばれる人はいません。

珍しいパターンだと思いますが、こと「ビジネス書」においても、僕はライターを雇っていません。
自分で書いた方が圧倒的に早くて、自分の仕事が減るからです。

パフォーマンスでも何でもなくて、５万部売れるビジネス書でよければ、５〜６時間で書けます。
すでに自分の中にある体験と考察を文字起こしするだけなので。



「キー！」となるかもしれませんが、「ゴーストライターだろ！」と言っちゃたり、思っちゃったりする人が、コンパしたり、ナンパしたり、家族旅行に行ったり、ワイドショーを観てタレントの不倫にとやかく言ったり、何も考えずにボケーっと受験勉強している間、僕は、一つでも踏み誤ると死んでしまう戦場でずっと戦ってきました。
かれこれ２０年ほど、平均労働時間は１９時間です。

でもって、この２０年というのは、「勝ちパターンを捨て続けた２０年」で、コツを掴んだ職は、どんどん捨てて、新しい領域に挑戦し続けた２０年です。

なもんで、能力と知識量に圧倒的な差が生まれるのは当たり前の話で、僕は「努力は報われる」ということを言っていきたいので、ここは隠したくありません。

反則技を使っているわけでも何でもなくて、「キミの１０００倍努力してるから、キミの１０００倍の結果を出しているんだよ」というだけの話だと思っています。

　
そして、この現実を受け入れず、「いやいや、ドーピング的な…何か特別な力が働いているに違いない」という思ってしまっているうちは、一生始まらないまま人生が終わっちゃうので、それが嫌なら受け入れてください。


「僕、こんな努力をしてますよ」と自分から言う奴、なかなかいないと思うのですが、いい機会なので言っておきます。

　
今日も映画『えんとつ町のプペル』のアフレコがあるわけですが、そこでは、声優さんから質問があったり、「ここは、こんな感じでお願いします」と指示を出さなきゃいけない。

なので、家で「指示を出す練習」をしていくんです。
自分も、実際にやれるようにしておく。


たとえば…


「えんとつ町は煙突だらけ。
そこかしこから煙が上がり、頭の上はモックモク、黒い煙でモックモク。
朝から晩までモックモク。
えんとつ町に住む人は黒い煙に閉じ込められて、青い空を知りやしない。輝く星を知りやしない。

見上げることを捨てた街で、一人の男が上を見た。
町を覆った黒い煙に、男が想いを馳せたのは、酒場で出会ったお喋りモグラが聞かせてくれた夢物語。

煙の向こうの世界の話。光り輝く世界の話。
ありやしないと思ったが、全くないとも言い切れない。
なぜなら誰も行っていない。答えは誰も持っていない。

それから男は日ごと夜ごと、煙の向こうの世界の話を、何度も何度も叫んだが、バカだバカだと囃されて、ホラ吹きものだと切り捨てられた。

男が一体、何をした。
男が誰を傷つけた？　
そこに理由はありゃしない。

見上げることを捨てた町では、『目立たぬように』の大合唱。
見上げることを捨てた町では、夢を語れば笑われて、行動すれば叩かれる。

黒い煙は町を飲み込み、一縷の光も許さない。
黒い煙は人を飲み込み、あらゆる勇気を認めない。
それでも男は声をあげ、震える膝をひた隠し、船に乗り込み海にでた。
暗くて怖い海にでた。
誰もいない海にでた」



これは主人公の少年の父親が、自作の紙芝居を披露するシーンのセリフなのですが、今、僕は何かを見ながら書いたわけではなくて、これぐらいは暗記してるんです。
指示を出す人間として、これぐらいは。

これって、「何回もやっているうちに覚えた」という類のものなので、才能とかセンスじゃないじゃないですか。

これがプロです。


もし良かったら、一度、僕の会社のインターン生にでもなって、僕の近くで、僕の仕事を見てみてください。

たぶん、絶望すると思います（笑）

先ほども申し上げましたが、「努力がモノを言う」というところを伝えていきたいので、今後も、この部分は包み隠さず、積極的に頑張ったアピールをしていきたいと思います。



そうそう。

映画公開は１２月２５日なのですが、１２月２５日の夜に、YouTubeの生配信をして、映画をご覧になられた方に向けて、「あそこのシーン、実は○○なんだよ」という話をしたいので、映画は初日に観に行ってください。

今のうちに、１２月２５日のスケジュールに印を入れておいてね。
それでは、映画『えんとつ町のプペル』のアフレコに行ってきます。


　
▼西野亮廣の最新のエンタメビジネスに関する記事(1記事=2000~3000文字)が毎朝読めるのはオンラインサロン(ほぼメルマガ)はコチラ↓
https://salon.jp/nishino
That's why you lose.


Today, it's not like work know-how, but I would like to talk about the movie ′′ a in the town ′′ that I'm in the middle of the day, and I'm going to have a good time.

I was originally a manzai teacher, writing a manzai, and a master who raised me is a playwright called ′′ goto hiroto...... so I also wrote the script of the stage......
I'm going to change my job to a picture book writer, draw a picture, draw a story, and make a picture book song too.
This is the one who made the song. Hallo Halloween ′′

https://youtu.be/Rihe2JOyLQA

There's a prop guitar in the theater dressing room, so I can play guitar while I'm touching the free time.

By the way, I was able to make a theme song for the picture book ′′ Phantom Railway ′′ which was made one after another, so please search for it on Youtube.

https://youtu.be/PkoCXybjrrw

　
I'm working like that, so my role in the movie ′′ a in the town ′′ is going to be busy called ′′ Original Script Production General command promotion lyrics,"



Sometimes it's said that sometimes," there's a ghost writer!" lol

As for this, it means ′′ Nishino can't make such a wonderful thing," so it's only a compliment, but unfortunately, I don't have a ghost writer.

　
If you are in the middle of labor, you are publishing ′′ division of labor,"
It's better to be.
It's better to have a lot of creators think ′′ I want to participate in nishino's work so I'll definitely name the person.

Sometimes you don't put it out, but it's if you shouldn't put it out.

For example, in the notes section of the video of ′′ a no-′′ that I uploaded to the youtube channel three days ago, besides the lyrics, there is only the name of the staff of ′′ songs, lyrics, arrangement, choreography ′′ I'm sorry.

There is no name of lighting, art, or costumes.
It's just that it's a place to put information on music.

If you write all the names of the staff involved, it will be about 80 people.

Oh well, so in case of ′′ cm I don't put the name of the basic, staff.
At the end of the tv commercial, ′′ it's the same as not going out with director.



It's just that if you write a story or make music, I don't have anyone called ′′ Ghost writer

I think it's a rare pattern, but even in the ′′ business book I don't hire a writer.
It's more overwhelming to write yourself, because my work is reduced.

If you don't have a performance or anything, you can write it in 5 TO 6 hours if you don't mind a business book that sells 5 million
I'm just going to make a character of my experience and thoughts already in my own.



It may be ′′ key!" but," it's a ghost writer, and people who think about it, are compound, flirting, family trip, and watch the shows. I've been fighting for a battlefield where I'm going to die when I'm talking about talent adultery, and I'm studying the exam without thinking about anything.
It's been about 20 years, average working time is 19 hours.

So, this 20 is," 20 years that I've been throwing away the winning pattern," and the job that grabbed the trick is more and more throwing away, and it's been 20 years since I've been trying to challenge the new area I'm sorry.

So, it's obvious that the overwhelming difference in the ability and knowledge is born, and I want to say that ′′ effort is rewarded so I don't want to hide it here.

I'm not using a foul trick, but I'm just saying that I'm trying twice as hard as you, so I'm going to have 1000 times the results of you," I'm sorry.

　
And I don't accept this reality," no no, it's doping... I think something special is working... my life is over without starting for a lifetime. So accept it if you don't like it.


I don't think there's a person who says ′′ I'm doing this kind of effort but I'm going to say it because it's a good opportunity.

　
There is also a recording of the movie ′′ a in the town ′′ today, but there is a question from the voice actor, and I have to give instructions that ′′ I'm going to have a good time here,"

So I'm going to do ′′ practice to instruct ′′ at home.
I will actually be able to do it.


For example...


′′ A town is full of chimney.
Smoke from there, moc mok on my head, black smoke and moc mok.
Moc. from morning to night.
People who live in a town are trapped in black smoke and don't know the blue sky. I don't know the shining stars.

In a city that abandoned looking up, one man looked up.
The Black smoke that covered the town, the man made his thoughts on the dream that the heyyy mole I met at the bar told me.

The story of the world across the smoke. The story of the shining world.
I thought it wouldn't be, but I can't say it at all.
Because no one has gone. No one has the answer.

Then the man shouted over and over again, day and night, the story of the world across the smoke, but he was told that he was stupid, and he was cut off as a hola.

What the hell did a man do?
Who did the man hurt?
There is no reason there.

In the town that abandoned looking up, a big choir of ′′ conspicuous,"
In a town that abandoned looking up, if you speak your dreams, you will be laughed, and if you act, you will be slapped.

Black smoke swallows the town and doesn't allow the light of all times.
Black smoke swallows people and doesn't acknowledge every courage.
And yet the man gave a voice, trembling his knees, and he got into the ship and went to the sea.
It was in a dark and scary sea.
I was in the sea with no one ′′



This is the line of the scene of the protagonist boy's father showing off his own kamishibai, but now I didn't write it while watching something, and I'm memorizing this much.
As a person who gives instructions, this is so much.

This is the kind of thing that ′′ I remembered while I've been doing it many times," so it's not talent or sense.

This is the professional.


If you'd like, once you'd like to be my company intern student, near me, take a look at my work.

I think I'm probably going to despair lol

I said it earlier, but I want to tell you that ′′ effort is saying things," and in the future, I would like to make an appeal that I have been actively working hard.



That's right.

The movie is on December 25th, but on the night of December 25th, I'm going to have a live broadcast on Youtube, and I'm going to have a good time with the movie," the scene over there, actually ○○ I want to talk about ′′ what is it so go see the movie on the first day.

While you're in the middle of the day, mark your schedule for December 25th.
Well, I'm going to go to the recording of the movie ′′ a in town ′′


　
▼ an article about the latest entertainment business of ryo nishino (1 articles = 2000 to 3000 characters) can be read every morning online salon (almost mail magazine) is here ↓
https://salon.jp/nishinoTranslated

【3, 2, 1, ACTION!】

從我2016年6月懵懵懂懂的第一次做臉書直播，到現在有68隻影片上載在Youtube，不知不覺已有四年了。

有位二十多歲的女客人說，她和男朋友看了我早期的影片，再看我現在的影片，他們驚嘆我的改變如此的大。

是啊，我自己也沒想到有一天，我能坐擁來自世界各地三萬多的訂閱人數。

一隻影片的背後，承載著很多人的心血。

我拍片、寫稿、打扮自己，在鏡頭前的表情控制、眼神力度和說話語氣和速度，這些都是經歷了多年的千錘百鍊。有時一些影片我不滿意，隔天還會重拍。

我有一位新加坡的小幫手，他幫我做初剪，打出中英文字幕稿，然後再發給我，往往我都得再修改，才把初剪和字幕稿發給台灣的剪輯師做後製。

這整個過程需大約六個工作天。

剪輯師把完成作品發給我，經過我們一到兩輪的修改後，就是你們看到的Youtube 影片了。

都說了嘛，現在當風水命理師需要十八般武藝，要會寫會說會拍片會剪片還要會拍照⋯⋯懷念那種拿個「算命」布幡遊走街坊的日子～😂

有些觀眾問，為什麼我無法接受他們的諮詢要求。因為我並非每天都見客，每個星期裡我都得留些時間做製片的工作。

不是每個人都有能力請我，而有些是遭到身邊人的反對。我希望做到的是，每個人我都能多少幫到一點點，而我的影片就是我實現這希望的方法之一，因此很抱歉，我不會為了多賺諮詢費而不做影片。☺️

你們看我的影片，不用付費。我沒有設YouTube 會員區，也沒有啟動Youtube的廣告功能，這樣你們看影片不會被打擾。

我賺的客人諮詢費，還是足以應付我製片的費用，我無需另外啟動其他收費功能，所以小女子我在這裡感謝所有的投資商。😄

我承認，我絕對是個嚴師。有些客人在未見面時，在電郵裡的禮貌若欠佳或太隨便，會被我訓一番。

我從不勉強人，我會說如果他們不喜歡被我糾正，可以另請高明，其實出色又盡責的風水命理師，世界各地都有很多，我師父 - 玳瑚師父，就是其中一人。

往往這些被我糾正過的客人，都會選擇還是要見我，但偶爾也會遇到一些可能心裡不是很平衡的本地客人。

表面上說還要見我，但在諮詢當天會放我鴿子，給個藉口不來了。

這樣的人，看著也是可憐。一個好好的人，活到三四十歲，甚至五十歲的，怎麼這麼多不順，看來也是他她一手造成的，傲慢永遠解決不了問題，也無需爛慈悲在他們的身上。

我不會再給第二次機會，不是因為我怨他們，氣他們，我心中沒有敵人。

只是既然已經給過機會，也教導過了，他們看我影片也會獲益，我也沒欠他們了。他們放棄了原本約好的時間，讓另外一個有需要的人無法得到我的幫助，這也不是善。

那倒不如，我把這機會讓給更有誠意的人，或多拍些有益的影片服務大眾，也是一件樂事呀～ ❤️

况且最重要的是，他們都已經捐款給慈善機構了。

世界很大，要體驗的事很多，要見的人也還很多，我們都不必為不需要我們的人蹉跎青春歲月，而忘了 - 其實失去也是一種大福報。

——————————

It has been four years since my very first FB Live in June 2016 and now I also have 68 videos on YouTube.

A lady client in her 20s told me that after watching my earlier videos and then my current videos, she and her boyfriend were surprised at the big change in me.

Me too. I never imagined that one day, I would have a channel of 31.5K subscribers.

The making of a video involves the blood and tears of many people behind the scenes.

Filming myself, writing the script, dolling myself, and while in front of the camera, controlling my expressions, intensity of my gaze, speed and tone of my speech, all these took years of hammering it out.

Sometimes I get dissatisfied with the videos filmed and I reshoot them the next day.

I have a little helper in Singapore who helps me with the first cut and typing of Chinese and English subtitles. I will edit them again before sending them over to my Taiwan video editor for post-production.

When my video editor sends me the finished product, there will usually be 1 to 2 more rounds of correction and viola, that’s the uploaded video you see on YouTube.

This whole process takes about 6 working days.

Not so simple to be a Chinese Metaphysics practitioner in these social media data’s,. Must learn how to write, present, script, film, edit video, take photos......I miss those olden days of walking the marketplace with a cloth banner that says “Fortune Telling”～😂

Some audience asked me why I do not accept their consultation requests after I close my booking forms.

I do not meet clients every day, because I still need to set aside time for video production work.

Not everybody has the ability to engage me, and some are obstructed by the people around them.

My wish is to at least touch as many lives as possible in a positive way, and my videos are one way for me to actualise that. So my apologies that I would not do more consultations at the expense of my videos. ☺️

It is free for you to watch my videos. I did not turn on my Youtube channel membership or put ads in my videos, so you won’t be disrupted while watching my videos.

The fees I earn from my consultations can pay for my video productions, so I do not need to activate other monetisation models. Thank you to all my video investors. 😄

I admit I am definitely a very strict teacher. When clients lack the etiquette in their emails or are too casual, I will correct them.

I do not like to force anybody and will tell them if they dislike being corrected, they can always look for another Master. There are outstanding and responsible Chinese Metaphysics practitioners all over the world, one of them being my Shifu - Master Dai Hu.

These clients will usually choose to still meet me, but occasionally there will be some local clients who may feel emotionally imbalanced at being corrected.

While they still insist to meet me, they will stand me up on the consultation day and give some reason for their no-show.

I have sympathy for such clients. For a grown-up in his/her 30s/40s and some even in their 50s, why do they still experience so many misfortunes in their lives?

Seems like it is all self-inflicted. Being egotistical never solves problems. There is no point wasting blind compassion on them.

I never give second chances not because I bear a grudge against them or get angry at them. There is never enmity in my heart.

But since the opportunity has been given and lessons taught, plus they have also gain from my video contents, I don’t owe anything to them. They forsook our original appointment, and deprive another person from getting my help. This is not virtuous of them. Why not I give this chance to another one who is more sincere, or use the time to create more video content to benefit more people. That would be just as joyous～ ❤️

Moreover, to me, what is most important isn’t the red packet that I should have received but the donation that they have already done to the charities.

The world is vast, with many new experiences waiting for us and many more people to meet. Don’t let youth slip by us and hanker for people who don’t need us. Remember this, sometimes, losing someone or something is good fortune in disguise.

#BorisFoong #RamseyWestwood #StellarRadio

Brought to you by Boris Foong & Ramsey Westwood.

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Tracklist:
00:00:00 Stellar Radio Intro
00:02:04 Silence - Monocule & Døber Ft. Bertie Scott [Protocol]
00:04:57 3am - Angelo Sika [Sosumi Records]
00:08:32 Ready Or Not - Matt Nash Ft. Nikki Ambers [STMPD Rcrds]
00:11:28 Founder - Ahmed Helmy [Ava Recordings]
00:16:01 Brighter - Alexander Popov, Novan Feat. Brandon Mignacca [Interplay / Raveup Alley]
00:19:02 Rush The Limit – Stellz [Armind]
00:24:56 Tell Me Why - Armin Van Buuren Feat. Sarah Reeves [Armind]

LOOKING BACK:
00:26:47 Limbo - Ramsey Westwood [AVA Recordings]

00:31:03 Griffin (Electro Beat 100 Anthem) - Farhang & Mr.Magicall & Farbod [Electro Beat Records (Promind)]
00:34:29 Close - Will Sparks Feat. Colleen D'agostino [Armada Music]
00:38:55 Silver Lining (Mark Sixma Remix) - Andrew Rayel [Armada Music]

SOUND OF TOMORROW:
00:42:12 Network X - AVAO [Reaching Altitude]

CLASSIC PICK:
00:46:23 Tuvan - Gaia [Armind]

00:51:12 No More - Ancient Umbra Feat Diana Melnik [Addictive Sounds]
00:56:05 Seven Cities (Chris Schweizer Remix) - Solarstone [Armada Captivating]
01:00:50 Closer - Benjamin Duchenne [Flashover Trance]
01:05:04 From Way Back - Super8 & Tab Vs Factor B [Who's Afraid Of 138?!]
01:08:35 Alone - Ruddaz [A State Of Trance]
01:13:00 Need You Like I Need To Breathe - Miyuki Feat. Glasscat [Ava White]
01:16:27 STFU! [Original Mix] - Chukiess & Whackboi X Ramsey Westwood [Find Your Harmony]
01:20:18 So It Begins - Adip Kiyoi & C-Systems [Suanda Dark]
01:24:01 Rising Up - Betahouse Mafia [Tangled Audio]
01:28:45 Stellar Radio Outro

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❖歌詞在下面❖

演唱：胡期皓/葉瓊琳/董唧唧
作詞：胡期皓
作曲：胡期皓
編曲：百川Rebellious
製作人：胡期皓/李天陽@仰世而來Studio
Rap作詞：董唧唧
和聲：胡期皓/葉瓊琳/李琳萱/陳竹
混音&母帶工程：百川Rebellious
監制：朱婉清
錄音師：袁昊/YangYang@Hasoul studio
統籌：李如嫣/韓曉瑩
封面設計：甘露
總企劃：鄭翰文/沈炳@FLOWSIXTEEN

胡期皓：
你從天上降落
被你的美麗淹沒
雖然我平時沉默不語
莫名喜歡下雨
可是見到你我不想要出局
你從天上降落
我的心被你解了鎖
這就是愛 我問你說對不對
不急 你慢慢想 反正過了十八歲

葉瓊琳：
我知道 我都明了
完美降落出現在我身邊沒有預兆
Baby you're the one
Got me feeling so great
就像龍捲風
把我防線摧毀
1 2 3 and 4
我們 能否 再靠近一點點
是天 使還是魔鬼
我愛的狂烈愛意將我包圍

董唧唧：
whisky hennessy 今天用什麼配料
香奈兒 dior 還是第五大道
你坐在 我旁邊 其實也沒有必要
我就在吧檯 調出只屬於你的味道
oh girl
你從天上降落
是愛神犯的錯
我沒時間閃躲
你眼神實在太惹火
so let me tell u why baby
狂烈的愛意其實早就將我包圍

胡期皓：
你從天上降落
被你的美麗淹沒
雖然我平時沉默不語
莫名喜歡下雨
可是見到你我不想要出局
你從天上降落
我的心被你解了鎖
這就是愛 我問你說對不對
不急 你慢慢想 反正過了十八歲

葉瓊琳：
1 2 3 and 4
我們 能否 再靠近一點點
是天 使還是魔鬼
我愛的狂烈愛意將我包圍
將我包圍
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❖歌曲版權為歌手本人及其音樂公司所有，本頻道只作推廣及宣傳之用，若喜歡他們的音樂請到以上平台鏈接購買歌曲支持。

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❖歌詞在下面❖

演唱：馮泳/BigM/CFrie/Alston
作詞：馮泳/BigM/CFrie/Alston
作曲：馮泳/BigM/CFrie/Alston/2RsJ圖阿姜
編曲：Dizzla D

Hook：馮泳
如果捨棄尊嚴 你會再說愛我嗎
If you go let me know
(如果你要走，請告訴我)
若不拆穿謊言 風可繼續吹嗎
if you go let me know
(如果你要走，請告訴我)

Verse1：BigM
腦海仲殘留你既回憶
房間仲留住你既痕跡
清醒既記憶腐蝕神經
要清楚受傷既靈魂無辦法再繼續掩飾
經歷過失敗既感情永遠無得翻身
就好似講過既說話無辦法再後悔重新
再多既承諾 同埋約定
只會變得更加難堪 決心 零分
不捨只會造成每一次既跌親
關於你既仲未忘得曬
需要時間I don't wanna cry
(我不想傷心難過）
你既離開永遠on my mind
(你的離開永遠在我的心裡)
即使遠走請你leave my life
(即使遠走請你離開我的生活)
Why did you hurt me Please tell me why
(你為什麼要傷害我？請告訴我為什麼)
無法似當初每次分開習慣say goodbye
(無法像當初每次分開都習慣說再見)
繼續爬翻起身all right 負面情緒全部收埋

Hook：馮泳
如果捨棄尊嚴 你會再說愛我嗎
if you go let me know
(如果你要走，請告訴我)
若不拆穿謊言 風可繼續吹嗎
if you go let me know
(如果你要走，請告訴我）
過去了似雲煙消失一去不返
無意想起當初既遇見 怎變今天這驟變
錯過放棄糾纏 系天光一霎那
放棄嗎 算了啦 記憶 通通消失吧

Verse2：Cfrie
即使離開全身傷痕
長痛不如短痛哪怕講既說話行為傷人
你侵略緊我精神 只有灰暗沒有興奮
你只系過客我要將你遺忘就系清晨
I really don't want to hear your lies
(我真的不想再聽到你的謊言)
I don't want to hear your false voice
(我也不想聽到你虛偽的聲音)
cuz I know you don't care
(因為我知道你並不在乎)
I'm willing take the pain
(我願意承受傷害)
nothing would you change
(你也不會改變什麼）

Verse3：ALSTON
你承諾過在一起到未來
可是我們分開到現在
不想聽到虛偽對白
更加不想為你而活做你備胎
沒有任何辦法改變我的情緒
因為失去了你真的讓我感到愛的破損
你的態度反轉對我來說真的狠
知道你會離開我的直覺真的準
I don't know why you're play me
(我不知道你為什麼要耍我)
you know love you so crazy
(你知道我愛你愛的如此瘋狂)
就算是重蹈覆轍我都願意
早知道這個結果我也付出真心
落到這樣的下場我也不需要你憐憫
我會努力改變讓你看到Better me
(我會努力改變讓你看到最好的我)
可是我努力過後身邊那位不是你
放心我會永遠將你忘記
讓你離開我的世界我的記憶
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❖歌曲版權為歌手本人及其音樂公司所有，本頻道只作推廣及宣傳之用，若喜歡他們的音樂請到以上平台鏈接購買歌曲支持。

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