How you’ll find me between serious sets 🤐📵
-
I don’t take my low RIR working sets lightly. They require my all, and putting that into them usually leaves me feeling like my head, lungs and target muscles are about to explode 🤯
-
In the past you’ll have seen my obsession with breath work and this scene right here is probably my most effective use for it other than calming myself down to sleep or just be less stressed 😌
-
I first got the idea from listening to the @muscleintelligencepodcast years ago. I’m basically meditating, using my breath work to bring my heart rate back down once it’s been through the roof 📈📉 This allows me to recover as quickly as possible to throw everything at another set.
-
I’ll then get up and go for a quick walk to get blood flow circulating ♻️ and start thinking about how I’m going to execute my next set before returning to carry on. Obviously if I’m training with someone the walking = spotting / motivating etc.
-
It’s the main reason why my phone derails my workouts. I don’t go into this mode, focused on my breathing and maybe a cue or technique that had slipped during that set 🧐
-
Focusing on counting my breaths also keeps my mind out of the abyss of bullshit that work and women can have circling in your head if you’re sat daydreaming for 3 minutes between sets 🥴
-
I’ve heard many people say “oh, the gym is like meditation for me” but I’ve never heard anyone other than @bpakfitness talk about it like this. I know that for me, if my rest periods don’t require this, I’m not near my limit. That’s not always necessary anyway, but it’s a good gauge 🎚
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Drop us a comment if you do this already or are gonna give it a go 🙂💬
同時也有10部Youtube影片,追蹤數超過7,170的網紅AlexanderLamTakShun,也在其Youtube影片中提到,恭碩良同阿瑞 Ari 同學一齊表演阿瑞 Ari 原創嘅 Liberty!ARI is incredible Musician! Triple Threat and probably one of the best! writer, singer, player! An Absolute joy t...
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Back to One album track 6: It’s Not What You Say But What You Don’t
My own version of Sex & the City. In the maze of love, sex, the city (cities), mind game, youth, time… we stumble through. Those days were not good, not bad either, just constantly lonely, with or without anyone around.
It’s Not What You Say But What You Don’t
(Chet Lam)
I opened my eyes before dawn watching your silhouette
A simple twist of mind
I chose to leave
Putting on my Saturday night shoes
Walking down the early morning Sunday street
Sometimes the shoulders you lean on at night
You will choose to forget in the daylight
There’s no question, so no need for answers
After a few sunsets, before we meet again
There’s no time to let our imagination run wild
Happiness is too fragile
There is no guarantee
Sometimes we do not dare to say the truth
When it comes to love
Clever people are always so careful
It’s not what you say but what you don’t
You are always the one falls asleep first
I am always the one who leaves first
I respect your freedom
When I kiss you
You have no need to tell me
Who else are calling your heart home
——————————————
《思源》專輯第六首:不是你說什麼而是什麼你不說
那段Sex & the City的日子,我們自有自己的版本。那段日子的快樂來自別人,痛苦多數是自找的。
音樂上,這是第三個編曲,最後決定用一個我從來未用過的節奏,找來 TJoe演奏電結他,陳兆基 bass,Nate Wong 打鼓,and a lot of background vocals all by myself (isn’t it ironic)…
不是你說什麼而是什麼你不說
(曲詞:林一峰)
天亮前睜開雙眼
看著你的側臉
留或走 一念之間
我還是選擇離開
靜靜穿上週末晚上的鞋
踏上週日清晨的街
有時候深夜依賴不想放的肩膀
早晨會選擇遺忘
沒問題 不需答案
幾個日落之後 再見之前
沒空胡思亂想
幸福太脆弱沒有把握
有時不忍心一語道破
聰明人說到感情就是小心翼翼
不是你說什麼
而是什麼你不說
你永遠比我早入睡
我總是先離場
我尊重你的瀟灑
親親你 不用回答
你的心還是誰的家
#思源 #不是你說什麼而是什麼你不說
link https://instabio.cc/BackToOne
walking on leaves 在 文茜的世界周報 Sisy's World News Facebook 的精選貼文
《我的幸福5/2 週末》
*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會,我下午二時開始演講,離上次在台灣大學公開演説。快半年了!分享會報名一小時預告已額滿,但TVBS電視台慷慨的支持。派出SNG車,屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。
*新書分享會後我將直奔高雄衛武營,參加劉孟捷(李斯特巡禮之年)鋼琴獨奏會。這是劉孟捷回台,最重要的一場音樂會,我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會,劉孟捷都未曾如此緊張。他此次回台,手術前為了沒有遺憾,共舉行三場音樂會:其中4/17與5/30皆是與國家交響樂團NSO合作:530那一場指揮是呂紹嘉。但他告訴我,某些曲目對他而言,是Piece of Cake :惟獨衞武營這一場,曲目由他自己決定,現場錄影,並且找了金曲獎錄音師同步錄音。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
劉夢捷明白他即將面對一個大手術,手術風險之外,他的免疫系統疾病,將使他的康復之路更長。
沒有人可以預知未來,為了圓他的夢,醫院每天都要求他早上、晚上量血壓,報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師,但也不敢大意。
畢竟這個人的生命那麼脆弱,他的心臟主動脈剝離,那是實質的「心碎」了:但他仍有詩,仍有音樂夢。在生命的交接處,在白日與黑夜的交义口,劉孟捷想為他的音樂生涯,留下最美好的紀錄。
他選擇了李斯特。
在這場音樂會前,他甚至以英文寫下了自己與音樂、疾病的半生回顧:如李斯特的巡禮,有仰望,有沉思,有失落,有幽微的疼痛。他以詩篇般的演奏模式,傾訴,詠嘆。他曾得到天賦,也走過死蔭的幽谷。命運是一層又一層的黑影逼近,老天爺隨時想帶走他。
而他已不再流淚,不再沉浸於悲愴告別:因為對他而言活著並不容易,他要讓自己更深刻的抓住每一分時光之美。
如果時間和空間,正如哲人們所形容的
都是不實際存在的東西:那從不感到衰敗的太陽,也不會比我們了不起多少!
他如艾略特的詩句中所形容的:我們為什麼要如此貪心總在祈禱,想活上整整一個世紀?
蝴蝶雖僅活了一天,已經歷了永恆。
當他的身軀如露水還在藤蔓顫抖時,他送給我們一場「完全浪漫又超技的李斯特」。
等音樂會結束了,至少有一張CD,一段YouTube 影像:不論孟捷代表生命的那朵鮮花是否枯萎,他彈奏如天使的音聲不會飛離,它會停留在那夜,繼續釋放芬芳。
這是盡生命之力、之情獨奏的音樂會。劉孟捷説:這樣當他走進手術室時,會少一點悲傷。
或許快樂的日子本來就不多,但讓這場「完全李斯特.完全劉孟捷」的獨奏會放出神聖的光彩吧!
我必將赴會,不會錯過!我知道此刻的獨奏會,很難複製,因為它綜合了太多的情感、愛念,釋放與生命的抒情。
*劉孟捷為此次獨奏會寫下的文字:This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.
For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.
And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.
I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.
I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.
However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.
Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.
In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.
Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.
In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)
For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.
In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…
On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.
The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.
It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.
Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.
Meng-Chieh Liu
April, 2021
*劉孟捷衛武營《李斯特巡禮之年》演奏會中,包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩:這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的,詩本身就很優美,依此激發李斯特的浪漫主義創作靈感,成為琴藝上最困難演奏,但也特別細膩溫柔的琴詩。
這三首分別是:
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt(1811-1886): Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie
李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》(Tre sonetti del Petrarca),再改成鋼琴獨奏版。
三首佩脫拉克十四行詩
中譯:焦元溥(元溥也是友情贊助,特別準備音樂資料,周日南下,聆賞劉孟捷的樂曲,並且陪同他盯著錄音共三天)
〈第47〉
祝福每天、每月、每年,
所有片刻與鐘點、時間與季節,
在那美麗的原野,
我為一雙眼眸魂縈夢牽。
祝福初遇時的甜,
與愛同在、受苦不停歇,
如弓箭刺穿令我淌血,
傷口永留感動在我心間。
祝福一切我發出的聲音,
當呼喚著我深愛的女郎,
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚,
歌頌她的芳名,萬古長新。
我心永屬於她,無人能闖。
〈第104〉
我找不到和平,也無意打仗,
我恐懼、我期望,燃燒又冰透。
我向天飛升,卻躺在地上,
我一無所有,卻又擁抱整個宇宙。
我身陷囹圄,監牢又開敞;
我不受囚禁,卻銬著鎖頭。
愛情不讓我死,也不讓我飛翔;
不要我活,也不准我逃離悲愁。
欲看卻無眼,啞口還在發言,
我甘心殞滅,卻仍高聲呼救,
我痛恨自己,但仍愛著他人。
憂傷滋潤我,淚水伴隨笑臉,
生命不足惜,死亡也不煩憂;
我淪落至此,都是妳啊,我的愛人!
〈第123〉
我在塵世見到仙子的美,
她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜,
所見如幻夢迷霧與幽黑。
妳的可愛眼睛使我落淚,
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息,
移動了山嶽停止了河水。
愛情智慧憐憫憂傷財富,
在淚水中形成甜美聲響,
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌,
雖然枝上樹葉並未飛舞,
空氣與風息卻充滿芬芳。
5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784
walking on leaves 在 AlexanderLamTakShun Youtube 的最讚貼文
恭碩良同阿瑞 Ari 同學一齊表演阿瑞 Ari 原創嘅 Liberty!ARI is incredible Musician! Triple Threat and probably one of the best! writer, singer, player! An Absolute joy to witness him performing this song!
Lyrics:
Liberty - composed by Ari Calangi
Some days she’ll smile
like she’s taking a picture
only to hide what the summer don’t give her
Cause she’s stolen hearts and broken keys
Somehow that’s not all she needs in life
And life flashes by
As she stares in the mirror
Hoping to find all the answers within her
But sometimes it’s hard to see within
When all she sees is pain in black & white
And the warmth of the sun Only haunts her in her sleep
When in the day she’s walking With chains at her feet
Liberty
Why can’t I be the one who sets you free
All this time caught up in misery
But you turn to me, when you need Liberty
Took all the broken pieces left in me
Took the moon and tried to tame the sea But the heart still bleeds
When you leave...
Her head lay like an angel on my shoulder
The night she’d rather stay and have me hold her
The feelings she would never show
And I’ll never really know the reasons why
Cause she leaves me with her kisses in the morning
But in the day another sea is storming
And when the night is over
She’d rather be alone away from me
But she still dreams
Liberty,
Why can’t I be the one who sets you free
All this time caught up in misery
But you turn to me, when you need Liberty
Took all the broken pieces left in me
Took the moon and tried to tame the sea But the heart still bleeds
When you leave
Me and my heart in a mess, pretending I don’t care Loving,
then leave each night. And she’s still unaware
Liberty,
Why can’t I be the one who sets you free
All this time caught up in misery
But you turn to me, when you need
Liberty
Took all the broken pieces left in me
Took the moon and tried to tame the sea
But the heart still bleeds
When you leave... When you leave me
walking on leaves 在 LuNaCy HOLLOW Youtube 的最讚貼文
With most of it based on a truck stop called Gil's Pitstop on a Georgia highway, "400 Days" tells five linked stories; each taking place at different points in time and from the point of view of a different survivor, from one day before the undead apocalypse to day 400.
行尸走肉Part 1看起 播放清單:https://www.youtube.com/playlist?list=PLW5eQM6a-bQmri3uJBfBDffaRtmtOizeZ
The five stories can be played in any order and will change based on the choices that you make. Echoes of the choices you made in Season 1 will carry over into "400 Days" and the choices you make in "400 Days" will resonate into Season 2.
At the end of "400 Days", the stories are wrapped up, and leaves a few hints towards what we can anticipate to see from Season 2.
Telltale将通过”400天“DLC为玩家提供连接第一季与第二季的桥梁。玩家必须至少购买第一季中一个章节才可以进行本DLC游戏。而且Telltale建议玩完第一季《行尸走肉》以后再玩”400天“,因为你在第一季游戏中做出的决定将影响到”400天“中的情节。该DLC讲述了五个不同的故事,通过五个主角的不同视角展现了这场僵尸末日。每个故事都发生在不同的时间,跨度从第1天到第400天,你可以以任何顺序进行这五个故事,自行探索发现几个故事之间的巧妙联系。
歡迎來關注我的動態!
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walking on leaves 在 LuNaCy HOLLOW Youtube 的最讚貼文
With most of it based on a truck stop called Gil's Pitstop on a Georgia highway, "400 Days" tells five linked stories; each taking place at different points in time and from the point of view of a different survivor, from one day before the undead apocalypse to day 400.
行尸走肉Part 1看起 播放清單:https://www.youtube.com/playlist?list=PLW5eQM6a-bQmri3uJBfBDffaRtmtOizeZ
The five stories can be played in any order and will change based on the choices that you make. Echoes of the choices you made in Season 1 will carry over into "400 Days" and the choices you make in "400 Days" will resonate into Season 2.
At the end of "400 Days", the stories are wrapped up, and leaves a few hints towards what we can anticipate to see from Season 2.
Telltale将通过”400天“DLC为玩家提供连接第一季与第二季的桥梁。玩家必须至少购买第一季中一个章节才可以进行本DLC游戏。而且Telltale建议玩完第一季《行尸走肉》以后再玩”400天“,因为你在第一季游戏中做出的决定将影响到”400天“中的情节。该DLC讲述了五个不同的故事,通过五个主角的不同视角展现了这场僵尸末日。每个故事都发生在不同的时间,跨度从第1天到第400天,你可以以任何顺序进行这五个故事,自行探索发现几个故事之间的巧妙联系。
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