關於 what is drawing and types of drawing ，我們在網路上蒐集到這些相關的討論、資訊與評價

Taiwan pineapple is really delicious. Highly recommended!⁣
How about having afternoon tea made with Taiwan pineapple? :)⁣
⁣
China suspended imports of Taiwan pineapples suddenly. (Please see Q&A below)⁣
Please try Taiwan fruits!😀⁣
⁣

[中文版請見另一貼文]
https://www.facebook.com/inksundae/posts/3708196412634434⁣
⁣
-⁣
Q&A: ⁣
⁣
Q: Why did China suspend imports of Taiwan pineapple?⁣
A: China said there were various types of mealy bugs found in several batches of fresh pineapples shipped from Taiwan in 2020.⁣
⁣
Q: How many times did mealy bugs were found?⁣
A: In 6200 badges last year, mealy bugs were found in 13 badges. The pass rate is 99.79%.⁣
⁣
Q: How to solve the problem of bugs?⁣
A: The standard international practice is to accept the batches after they've undergone fumigation. It is solved already in 2020.⁣
⁣
Q: How much will be affected by the halt?⁣
A: Total produce per year is around 430,000 tonne. Around 12% were exported, while 91% within went to China. From the data last year, it involved 41661 tonne, which had a value of NT$1.49 billion (US$53.39 million). In other words, the halt affects around 10% of Taiwan total produce.⁣
⁣
Q: Other than pineapple, what kinds of fruit were mainly exported to China?⁣
A: Betel nut, wax apple, custard apple, grapefruit and orange. Over 90% of export went to China.⁣
⁣
⁣
Source: @cnanews_tw⁣
“Local officials lament China's halt of Taiwan pineapple imports”, Focus Taiwan, 02/26/2021 21:52 ⁣
⁣
⁣-

P.S.: The illustration is very brief. Please see detailed recipe below:⁣
https://www.dinneratthezoo.com/grilled-pineapple/⁣
https://www.knowyourproduce.com/pineapple-lemonade-recipe/⁣
⁣

⁣
⁣⁣⁣⁣⁣#taiwan⁣
#inksundae⁣
#procreate #procreateart #art #artist #instaartist #illustrationartists #artistsoninstagram #illustration #illustrator #illustratorsoninstagram #editorialillustration #editorial #drawing #イラスト #イラストレーター #일러스트 ⁣⁣⁣#插畫

- Luyện Reading, tìm từ vựng hay

MOTIVATIONAL FACTORS AND THE HOSPITALITY INDUSTRY

A critical ingredient in the success of hotels is developing and maintaining superior performance from their employees. How is that accomplished? What Human Resource Management (HRM) practices should organizations invest in to acquire and retain great employees?

Some hotels aim to provide superior working conditions for their employees. The idea originated from workplaces - usually in the non-service sector - that emphasized fun and enjoyment as part of work-life balance. By contrast, the service sector, and more specifically hotels, has traditionally not extended these practices to address basic employee needs, such as good working conditions.

Pfeffer (1994) emphasizes that in order to succeed in a global business environment, organizations must make investment in Human Resource Management (HRM) to allow them to acquire employees who possess better skills and capabilities than their competitors. This investment will be to their competitive advantage. Despite this recognition of the importance of employee development, the hospitality industry has historically been dominated by underdeveloped HR practices (Lucas, 2002).

Lucas also points out that 'the substance of HRM practices does not appear to be designed to foster constructive relations with employees or to represent a managerial approach that enables developing and drawing out the full potential of people, even though employees may be broadly satisfied with many aspects of their work' (Lucas, 2002). In addition, or maybe as a result, high employee turnover has been a recurring problem throughout the hospitality industry. Among the many cited reasons are low compensation, inadequate benefits, poor working conditions and compromised employee morale and attitudes (Maroudas et al., 2008).

Ng and Sorensen (2008) demonstrated that when managers provide recognition to employees, motivate employees to work together, and remove obstacles preventing effective performance, employees feel more obligated to stay with the company. This was succinctly summarized by Michel et al. (2013): '[P]roviding support to employees gives them the confidence to perform their jobs better and the motivation to stay with the organization.' Hospitality organizations can therefore enhance employee motivation and retention through the development and improvement of their working conditions. These conditions are inherently linked to the working environment.

While it seems likely that employees' reactions to their job characteristics could be affected by a predisposition to view their work environment negatively, no evidence exists to support this hypothesis (Spector et al., 2000). However, given the opportunity, many people will find something to complain about in relation to their workplace (Poulston, 2009). There is a strong link between the perceptions of employees and particular factors of their work environment that are separate from the work itself, including company policies, salary and vacations.

Such conditions are particularly troubling for the luxury hotel market, where high-quality service, requiring a sophisticated approach to HRM, is recognized as a critical source of competitive advantage (Maroudas et al., 2008). In a real sense, the services ofhotel employees represent their industry (Schneider and Bowen, 1993). This representation has commonly been limited to guest experiences. This suggests that there has been a dichotomy between the guest environment provided in luxury hotels and the working conditions of their employees.

It is therefore essential for hotel management to develop HRM practices that enable them to inspire and retain competent employees. This requires an understanding of what motivates employees at different levels of management and different stages of their careers (Enz and Siguaw, 2000). This implies that it is beneficial for hotel managers to understand what practices are most favorable to increase employee satisfaction and retention.

Herzberg (1966) proposes that people have two major types of needs, the first being extrinsic motivation factors relating to the context in which work is performed, rather than the work itself. These include working conditions and job security. When these factors are unfavorable, job dissatisfaction may result. Significantly, though, just fulfilling these needs does not result in satisfaction, but only in the reduction of dissatisfaction (Maroudas et al., 2008).

Employees also have intrinsic motivation needs or motivators, which include such factors as achievement and recognition. Unlike extrinsic factors, motivator factors may ideally result in job satisfaction (Maroudas et al., 2008). Herzberg's (1966) theory discusses the need for a 'balance' of these two types of needs.

The impact of fun as a motivating factor at work has also been explored. For example, Tews, Michel and Stafford (2013) conducted a study focusing on staff from a chain of themed restaurants in the United States. It was found that fun activities had a favorable impact on performance and manager support for fun had a favorable impact in reducing turnover.

Their findings support the view that fun may indeed have a beneficial effect, but the framing of that fun must be carefully aligned with both organizational goals and employee characteristics. 'Managers must learn how to achieve the delicate balance of allowing employees the freedom to enjoy themselves at work while simultaneously maintaining high levels of performance' (Tews et al., 2013).

Deery (2008) has recommended several actions that can be adopted at the organizational level to retain good staff as well as assist in balancing work and family life. Those particularly appropriate to the hospitality industry include allowing adequate breaks during the working day, staff functions that involve families, and providing health and well-being opportunities.

Các từ vựng nổi bật:

critical (adj): then chốt
superior (adj): tốt hơn
accomplish (adj): trọn vẹn
retain (v): giữ lại
by contrast: ngược lại
extend (v): kéo dài
emphasize (v): nhấn mạnh
investment (n): đầu tư
competitive (adj): cạnh tranh
recognition (n): sự công nhận
substance (n): cốt lõi
foster (v): thúc đẩy
constructive (adj): có tính xây dựng
managerial (adj): thuộc quản lý
potential (n): tiềm năng
turnover (n): nghỉ việc
compensation (n): lương
morale (n): tinh thần
obstacle (n): chướng ngại
succinctly (adv): súc tích
retention (n): sự duy trì
predisposition (n): khuynh hướng thiên về
separate (adj): riêng biệt
sophisticated (adj): phức tạp
dichotomy (n): sự lưỡng phân
extrinsic (adj): từ bên ngoài
intrinsic (adj): từ bên trong
align (v): sắp hàng
delicate (adj): tinh tế
simultaneously (adv): đồng thời
adequate (adj): đầy đủ
break (n): giờ giải lao

Các bạn cùng tham khảo nhé!

เรื่องของจังหวะ...

บทความนี้ได้ข้อมูลมาจากหนังสือที่ดีมากๆๆๆๆเล่มนึง อรอ่านหลายรอบมากเพราะเขียนดีจริงๆ หนังสือชื่อ The Practice and Science of Drawing โดย Harold Speed
แนะนำว่าให้ไปหามาอ่าน คนที่ชอบศิลปะจะสนุกสนานไปกับมันมาก. ไม่จำเป็นต้องวาดรูปได้ก็สนุกเพราะมีข้อมูลลึกๆชวนคิดเกี่ยวกับศิลปะมากมายแบบที่หาเล่มอื่นเทียบยากค่ะ

ขออภัยถ้าอ่านแล้วงงๆ อาจจะแปลเป็นภาษาไทยไม่ค่อยถูกต้อง ช่วย comment แนะนำได้เลยนะคะ🙏

คำว่าจังหวะในบริบทของศิลปะนั้นพูดถึงพลังของลายเส้น, น้ำหนัก และสี โดยคำนึงถึงการจัดวางของมันว่ามีผลต่อความรู้สึกของเราอย่างไร เปรียบง่ายๆเสมือนกับเสียงของโน้ทดนตรีในบทเพลง
ทำนองในดนตรีนั้นส่งผลต่อความรู้สึกของมนุษย์แบบไม่ต้องการคำอธิบาย. ดนตรีและจังหวะในภาษาของเส้นและสีสันในโลกของศิลปะก็ทำงานแบบเดียวกัน. มันคุยกับเราได้เหนือการใช้ภาษาพูด
บางทีการเขียนภาพเหมือนจริงมากๆก็เป็นอันตรายต่อการสูญเสียจังหวะไปเพราะถ้าหากศิลปินให้ความสำคัญกับการคัดลอกสิ่งที่เขียนมากไปก็อาจจะส่งผลทำให้เขาลืมเรื่องของจังหวะในลายเส้นและสีซึ่งถ่ายทอดออกมาจากภายในและเป็นหัวใจสำคัญของการสื่ออารมณ์เหนือคำพูด

การพยายามหาความสัมพันธ์ในธรรมชาติระหว่างรูปทรง, สี ,ลายเส้นและ น้ำหนักเพื่อนำมาสร้าง ‘จังหวะ’ ในรูปภาพนั้นเป็นงานของศิลปิน. คุณไม่ควรที่จะลดละความพยายามนี้แม้ว่าคุณกำลังหมกมุ่นกับดีเทลวิจิตรและเหมือนจริงขนาดไหน
ภาพที่ไร้จังหวะก็ไม่ต่างอะไรกับดนตรีไร้ทำนองที่น่าเบื่อ

Line and mass
ถ้าเราถอดชิ้นส่วนของรายละเอียดในรูปภาพทุกรูปและมองทุกอย่างแบบ abstract เลย เราก็จะเห็นได้ว่ามันมีส่วนประกอบหลักๆคือ เส้น(line) และ กลุ่มก้อน (mass) บางคนก็พูดว่าเส้นนั้นเป็นแค่ขอบของกลุ่มก้อน หรือกลุ่มก้อนนั้นเป็นเพียงพื้นที่ระหว่างเส้น. จะคิดหรือมองแบบไหนก็ตาม 2 สิ่งนี้คือส่วนประกอบหลักๆของทุกๆรูปภาพ

ภาษาของเส้น
Unity and Variety
ภาษาของเส้นนั้นสามารถทำงานได้ด้วยตัวของมันเองโดยไม่ต้องอาศัยความเป็นรูปธรรมลองนึกถึงเส้นเรขาคณิต มันสื่ออารมณ์แบบ abstract ได้ด้วยตัวของมันเอง ตามธรรมชาติส่วนใหญ่แล้วภาษาของลายเส้นก็มักจะทำงานเป็นเรื่องเดียวกันกับสิ่งที่มันเป็น ยกตัวอย่าง ลองนึกถึงภาพของแม่น้ำเราก็จะนึกถึงเส้นแนวนอน คงประหลาดถ้าพยายามใช้สามเหลี่ยมอธิบายความเป็นน้ำ

ทีนี้เวลาพูดถึงคุณภาพของลายเส้น อยากให้คิดเป็น 2 แบบหลักๆคือ
1. Unity - ความสามัคคีกันเป็นหนึ่งเดียวกัน
2. Variety - ความหลากหลาย

*สองอย่างนี้ดูจะขัดแย้งกันแต่มันขาดกันไม่ได้ *

ความสามัคคีเป็นหนึ่งเดียวกันคือทักษะการบริหารเอาหลายๆสิ่งเข้ามาอยู่รวมกันได้อย่างมีเอกภาพ แต่ก็จะไร้ชีวิตชีวาหากขาดความหลากหลาย

ยกตัวอย่างของภาษาของความสามัคคีก็คือ เส้นที่มีความซ้ำๆ เส้นที่เว้นเท่ากันหมด เส้นตรง วงกลม เส้นขนาน เป็นต้น
เส้นที่มี unity มากที่สุดจะเป็นอะไรอย่างอื่นไปไม่ได้นอกจากวงกลมและเส้นตรง

ยกตัวอย่างความหลากหลายของเส้นนั้นอาจจะง่ายกว่า มันก็คือความไม่เท่ากันในรูปทรงต่างๆไม่ว่าจะเป็นอะไรก็ตาม แต่ถ้าพูดถึงรูปทรงที่มีความหลากหลายที่สวยงามก็คงหนีไม่พ้นรูปไข่ ตัวอย่างที่ดีคือรูปทรงของใบหน้ารูปไข่งามๆ เพราะการเลี้ยวตัวของเส้นรอบไข่นั้นไม่มีความเหมือนกันเลยแม้แต่จุดเดียว ต่างจากวงกลมซึ่งเลี้ยวในจังหวะเท่ากันเป๊ะรอบวง

ในหนังสือมีการยกตัวอย่างยาวเหยียดมากๆในเรื่อง unity และ variety แต่ขอยกแค่บทเดียวมาพูด

แล้วจังหวะแบบไหนหละถึงงาม
พูดตรงๆว่าเรื่องนี้ไม่มีกฎตายตัว สิ่งที่หนังสือเอามายกตัวอย่างนั้นก็เป็นเพียงแค่ตัวอย่างที่นึกตามได้ง่ายและมีให้เห็นในธรรมชาติ

หน้าคน
ผู้อ่านลองนึกถึงใบหน้าคนที่ดูดี มันจะมีการจัดวางที่มี 2 หลักการนี้ผสมเข้าด้วยกันทั้ง unity และ variety
ใบหน้าของคนเรานั้นจะมีความเท่ากันเป็นสมมาตรของซ้ายและขวา ผนวกกับระยะห่างของการจัดวางนั้นก็ดูมีระเบียบเท่าๆกันแต่รูปด้านprofile ของใบหน้านั้นจะมีความหลากหลายอยู่มาก มีการยึกยือไปมาของเส้นที่เลี้ยวเข้าออกแบบไม่มีอะไรเท่ากันเลยก็ว่าได้
นี่คือตัวอย่างของการทำงานร่วมกันอย่างลงตัวของ unity ความสามัคคีและ variety ความหลากหลาย
นึกเล่นๆดูว่าหากหน้าเรามีความหลากหลายมากเกินไปก็คงจะไม่น่ามองสักเท่าไหร่ อาจจะน่ากลัวด้วยซ้ำ

สรุปคือ
ความหลากหลายแบบไร้ขอบเขตนั้นก็ทำให้เกิดความยุ่งเหยิงและไม่น่ามอง แต่ความนิ่งเกินไปแบบเส้นตรงนิ่งๆก็ช่างน่าเบื่อไร้ชีวิตชีวา

ฉะนั้นจะสังเกตได้ว่าความงามมักจะเกิดเมื่อความหลากหลายนั้นอยู่ภายใต้กฏเกณฑ์ของความสามัคคี

ขออนุญาตแบ่งเป็นหลายๆตอนนะคะเพราะมันยาวเหลือเกิน เดี๋ยวอ่านแล้วจะหลับเสียก่อน
The story of the rhythm...

This article is informative from a very good book. I have read it many times. It's very good. The Practice and Science of Drawing by Harold Speed.
I recommend that you go to read this. People who like art will enjoy it very much. There is no need to draw a picture. It's fun because there is deep information. I think about many art. It's difficult to find other books.

Sorry, if I have read this, I may not translate it in Thai. Please comment and suggest. 🙏

The word beat in the context of art speaks about the power of doodle, weight and color. Considering how it affects our feelings. It's simply like the sound of a musical notebook.
The melodies in music affect the human feeling without explanation. Music and rhythm in the language of lines and colors in the world of art work the same way. It talks to us beyond the use of speaking language.
Sometimes writing a very surreal image is harmful to losing a beat. If the artist focuses on copying the writings, it will make him forget about the beat in the lines and colors that are broadcasted from the inside and the heart of the media. Emotions beyond words.

Trying to find a natural relationship between shapes, colors, patterns and weight to create ' rhythm ' in the photo is the artist's work. You shouldn't lose this effort, even if you're obsessed with Fine and Real Detail.
A can't translate picture is no different than a boring music.

Line and mass
If we take off the detail in every photo and look at everything abstract, we can see that there is a main ingredient in line (line) and group (mass). Some people say that the line is just the edge of that group or group. Just a space between the lines. Whatever you think or look, 2 of these are the main components of every photo.

Language of lines
Unity and Variety
The language of the line can work on its own without concrete. Think of the geometry, abstract emotion by itself naturally. Most of the language of the stripes are the same thing. It's for example, thinking of the river's image. We think of horizontal lines. It's strange if we try to use a triangle to describe water.

Now, when I talk about the quality of the pattern, I want you to think about 2 types. Mainly,
1. Unity - Unity is united.
2. Variety - Diversity

* These two seem to be conflicting but they can't be separated *

Unity is unity. Management skills bring many things together unity. But lifeless without diversity.

For example, the language of unity is repeated, the same line, straight line, straight line, parallel circle, etc.
The line with the most unity will be nothing else, nothing but circles and straight lines.

For example, the diversity of the line may be easier than it is, the unequalities in various shapes, whatever it is. But if you talk about beautiful diversity shapes, you can't escape the oval shape. The good example is the shapes of the face, beautiful oval because of turning. The egg circumference is not the same at all. The same point is different from the circle, which turns in the same rhythm.

In the book, there is a very long example in the unity and variety. But I just lifted up one chapter to say.

What kind of beat is this? It's beautiful.
Frankly speaking, there is no rule. What a book has taken for example is just an example that it is easily recognized and naturally.

A human face.
Readers, think about the face of a good looking person. There will be alignment with these 2 principles mixed together with unity and variety.
Our faces are equally as symmetrical of left and right. Annexation with the distance of the alignment is equally organized. But the profile picture of the face is very diverse. There is a lot of the trending. The lines that turn into design are nothing equal.
This is an example of how unity, unity, unity, and diversity variety.
Just for sure, if our face had too much diversity, it wouldn't look at it. It would be scary.

In summary,
Unbounded diversity is messy and unlikely. But too stillness is boring, lifeless.

Therefore, it is observed that beauty is often born when diversity is under the rule of unity.

I ask permission to divide into several episodes because it's so long. I will read it and I will fall asleep.Translated

It’s common for us to have shoulder tightness, neck stiffness and rounded backs with our daily habits; you know what they are.

Here are some really good stretches you can do anywhere and anytime ! You can pick and choose your favourite and doing 3-5 rounds of at least 3 types of mobility and openings stretches can do wonders for your neck, shoulders and upper spine.

In this video you can incorporate breathes on each movement. The trick is to find which posture is an opening movement and breathing into the opening and exhale into the closing of the posture.

* shoulder mobility circle clockwise and anti clockwise x 5
* Side body stretch; twist your torso up to the sky for opening of the chest and collar area. Stay for 3-5 breathes and you can deepen the stretch by bring your elbow close to the ground. Repeat on both sides.
*Box stretch - shoulder to the right, front, left and back drawing a square with your upper body. Repeat 3-5 rounds and on both sides.
*Pixie dust (that’s what I like to call it) swinging the arm straight and up imagine throwing the arms away trying to detach it from the body; for throwing pixie dust into the sky ! Repeat both side clockwise and anti clockwise.
*Seated cat and cow to open up the chest and back, front collar area and back shoulder blades. Repeat for 3-5 rounds.
* Eagle arms right and left side, lifting up on the inhale and down on the exhale. Repeat 3-5 times each arm.
*Prayer palm presses, repeat 3-5 times. Prayer palms,
Pressing firmly to the middle of your check and inhale pressing forearms together fingers to the sky.

Lastly, restorative. You can use blocks, books, chair or anything you can find in the house to elevate your arms.
*Shoulder opening 1 minute. Option to deepen is pressing the palms on your upper back.
*Restorative fish posture. If you back is stiff keep the knees bent. Stay for 2 minutes. After 2 minutes if you want to deepen the pose remove the block from behind your head and stay for an additional 1 minute. Come up slowly to avoid blood rush and dizziness.

Option to finish off in savasana.

#byebyetightshoulders #yoga

IG: anyw24
Hashtag: anywyoga

KAWAII♥PATEEN SKILL-UP #19
MALE LOLITA FASHION makeup TUTORIAL (Brolita)
by Japanese Guitarist&Model RYOHEI from MEGAMASSO
- メガマソのギター＆ロリータファッションモデル涼平のカワイイメイク講座 -

Ryohei presents a lolita fashion makeup in coolaboration with the brand BABY, THE STARS SHINE BRIGHT, who provided their latest jumper skirt design!

—
Tokyo Street Fashion KAWAII♥PATEEN
_Have fun with Fashion!_
Everything kawaii, Street fashion snaps, makeup tutorials and reports on fashion events in TOKYO!!

On Facebook with tons of photos :
https://www.facebook.com/Tokyo.Street.Fashion.KAWAII.PATEEN
Official site : http://waoryu.jp/kawaii-pateen/
-------------
Hello everyone. I’m Ryohei, the guitar for Megamasso.
Today, I’ll show you a Lolita Makeup which makes even guys look cute.
Let’s start!
Today my favorite hair makeup artist, Furuhashi san will do the makeup.
Covering the dark circles under the eye.
Everybody has dark circles under their eyes, especial busy, people, so let’s cover it.
Apply some foundation.
For this foundation, do you use different ones when you do girls makeup and mine?
I don’t use different ones for girls or boys, but I change it depending on the skin.
For Ryohei, I mixed pink and ochre.
The highlighter.
Where you want to show it high, use lighter color than the foundation.
The powder.
I’m using a little mat color today, but if you want more lustrous color, use a different powder.
No difference in boys and girls.
No.
Type of skin or the direction?
Yes.
Powder highlighter.
And, the nose shadow.
In the band we get up on stage on live performances. Do you change the color when we get up on stage?
I do.
I’m putting on light makeup.
Natural makeup.
For lives, I used much heavier ones.
Drawing eyebrows.
Drawing between each eyebrows, one by one, makes it look natural.
Draw matching color with the wig.
Putting eyebrow mascara.
Match with your hair color,draw the eye shadow.
The dress is a little cute, so adding more glitter.
Putting eye shadow with heavy glitter.
I have her use especially heavy glitter when I go on live.
She always add many layers of color.
Do you change what and how you draw depending on which part?
For the sides, I’m using thicker colors.
I draw in a round shape, and add it softly so it won’t look too sharp.
in pink.
When you do my eye makeup, how many types of shadows do you use?
At least 5 types.
Drawing the eye line.
The thickness of the eyeliner for Lolita Makeup?
A little thicker than usual.
A little thicker..
Fill in between the eyelashes.
The bottom is thicker making it slightly drooping eyes.
Does it change how you apply it depending on the eyes?
Yes, along the eyes, use a soft concealer and it’ll stand out .
Mix some of these.
Using the eyelash curler.
Making the base for the mascara.
Starting from the root upwards will probably keep the eyelashes from pointing downward.
It is a kawaii type makeup so I’m putting a lot.
Second mascara.
It’s ok repeating with the same mascara, but I want more length, so I used this second mascara.
Hot eyelash curler.
Hot eyelash curler makes it look natural, so use this to balance.
End of the eye makeup.
Now the cheek.
Let’s make a little gradation here.
When mixing colors, use light colors in a round shape.
Round shape.
Softly around the cheek bone.
Not too much. Bring it around here.
Round, a little to the side.
Add some shade.
Basically you add it where you want the shade, so try to make the plump part more sharp.
Depending on the person, may be the forehead.
Adding.
Now the lip.
It’s quite pink, so apply it plenty, almost to the border of the lip.
Plenty.
Use the pink strongly.
Putting the wig on.
It’s a blond wig with a little ash color in it, but since the theme is Lolita, I’ve made it into pigtails.
For the final touch, putting on a beret.
The beret has a string which you can tie to the neck.
But I want to have it in an oblique angle, so wear it normally.
Leaning it a little to the back.
Here we have the Lolita makeup.
A kawaii Lolita makeup even for boys. Although the majority of people watching this may be girls.
If there is a boy who is interested in this, please try and enjoy Lolita fashion and makeup.
The coordination is with BABY’S original KUMA KUMA royal kingdom design jumper skirt.
Adding the beret to make it an autumn like coordination.
This was Ryohei of Megamasso. Bye bye.
I started out with this outfit when I began the band, and was suggested by the hair makeup artist that I had good face and it will look good on me.
My fans say I look cute in it, thankfully.
So my high school buddies who I did the Red Zeppelin copy band together, tells me they were surprised at my transformation.
The key is being able to try fashion which you wouldn’t wear in normal life, and being able to become kawaii.
But with BABY’s brand clothes, I use what I can, such as cardigans and unisex items.