關於 linus翻譯 ，我們在網路上蒐集到這些相關的討論、資訊與評價

Impact樂隊音樂會【Move On】終於完成了

這是我們搞的Live Show之中最趕的一次，兩個月前才決定，選曲和流程都糾纏了超過一個月，除了練歌，還要兼顧聯絡場地、宣傳、票務等雜務。

但Move On這個主題，卻是幾乎一開始就定好了。

因為真的很適合這個階段的我們。

「Move On」，似乎找不到一個精準的中文詞彙去翻譯。「向前走」？還是表現不到那意境。連我們的填詞大師牛牛都直接將「Move On」填在我們的新歌裡。

雖說是因為有隊友離開而搞的最後一次Concert，但我們不想變成純自肥的Farewell Show，而是一起用音樂去探討「Move On」這課題。

要感動人先要感動自己，在選曲和準備講稿的過程裡，深深挖進自己的內心，在黑暗中尋找那些自己最害怕面對的真實感受，再篩選整理成最後分享的版本，過程中流過的淚，比你們在Li現場看見的更多。

「每次開始喜歡一些人、一個地方的時候，就是要離別的時候，這就是旅人的宿命。」

這是我當年去澳洲Working Holiday時，日記中最常出現的一句。

一個旅程，就是不斷Move On的過程，人生旅程也是一樣。

要Move On，就要學習放手、面對離別，過程或許會痛，但不向前走，就不會知道前面有甚麼風景。

關於這主題昨天已經分享過許多了，講一下昨天的實際情況。

反覆綵排過，大概能預算到所謂的「洋蔥位」在哪裡。但Live Show就是有一種神奇力量，不一樣的現場氣氛，帶動著我們不同的情緒，3場我們的「出事位」完全不同。「給十年後的IMPACT」原本就是官方洋蔥，我事前已經看了超過十次，努力令自己麻木，想不到在第2場毫無預警下被觸動當場崩潰，幸好下一首歌不用我唱。

但IMPACT這些年來，一向都是用最真實的故事和情感去感動人。

如果這是我們搞Live Show的目標，我們再一次超額完成了。

要感謝的人很多。

謝謝敏婷、Faye、莉娜、明慧、Willian、阿水、Wing Wing、Fei、Jack、Andy、Zenus、還有替我化妝的Ling、和御用填詞人牛牛。

謝謝每一個來支持我們的朋友，抱歉未能一一傾談拍照。這一次沒有打人情牌廣邀親朋，來參與的都是自發支持，很高興你們都享受我們的演出

謝謝IMPACT，可以用我們最喜歡的方式，最後瘋狂一次、熱血一次，真的無憾了。

愛你們，未來見。

IMPACT主音Linus

詢眾要求，昨天歌單

1）全因愛*
2）Medley：極速、心急人上、愛情當入樽、Sugar Baby、活著FIVA、紅蓮華、魅力移動、蝸牛、有種、Ignited
3）就是那麼喜歡你*
4）信*
5）十圓八角*
6）假使世界原來不像你預期
7）The best is yet to come
8）我們不碎
9）進退
10）青空の先へ*
11）時間的初衷
12）旅途*
13）楚歌（第二場 only）
14）聚散*
15）未來見

*IMPACT原創

#大量照片和影片整理中
#會有足本版同大家分享
#琴日有來嘅朋友不妨同我地分享下你嘅感想

1968年
『一名南方的報紙編輯表示：「你可以畫黑人角色，但他不應該和白人角色出現在同一所學校」。』

全文翻譯：
https://www.facebook.com/1614255074/posts/10214931309388937/

On July 31, 1968, a young, black man was reading the newspaper when he saw something that he had never seen before. With tears in his eyes, he started running and screaming throughout the house, calling for his mom. He would show his mom, and, she would gasp, seeing something she thought she would never see in her lifetime. Throughout the nation, there were similar reactions.

What they saw was Franklin Armstrong's first appearance on the iconic comic strip "Peanuts." Franklin would be 50 years old this year.

Franklin was "born" after a school teacher, Harriet Glickman, had written a letter to creator Charles M. Schulz after Dr. Martin Luther King, Jr. was shot to death outside his Memphis hotel room.

Glickman, who had kids of her own and having worked with kids, was especially aware of the power of comics among the young. “And my feeling at the time was that I realized that black kids and white kids never saw themselves [depicted] together in the classroom,” she would say.

She would write, “Since the death of Martin Luther King, 'I’ve been asking myself what I can do to help change those conditions in our society which led to the assassination and which contribute to the vast sea of misunderstanding, hate, fear and violence.'”

Glickman asked Schulz if he could consider adding a black character to his popular comic strip, which she hoped would bring the country together and show people of color that they are not excluded from American society.

She had written to others as well, but the others feared it was too soon, that it may be costly to their careers, that the syndicate would drop them if they dared do something like that.

Charles Schulz did not have to respond to her letter, he could have just completely ignored it, and everyone would have forgotten about it. But, Schulz did take the time to respond, saying he was intrigued with the idea, but wasn't sure whether it would be right, coming from him, he didn't want to make matters worse, he felt that it may sound condescending to people of color.

Glickman did not give up, and continued communicating with Schulz, with Schulz surprisingly responding each time. She would even have black friends write to Schulz and explain to him what it would mean to them and gave him some suggestions on how to introduce such a character without offending anyone. This conversation would continue until one day, Schulz would tell Glickman to check her newspaper on July 31, 1968.

On that date, the cartoon, as created by Schulz, shows Charlie Brown meeting a new character, named Franklin. Other than his color, Franklin was just an ordinary kid who befriends and helps Charlie Brown. Franklin also mentions that his father was "over at Vietnam." At the end of the series, which lasted three strips, Charlie invites Franklin to spend the night one day so they can continue their friendship. [The original comic strip of Charlie Brown meeting Franklin is attached in the initial comments below, the picture attached here is Franklin meeting the rest of the Peanuts, including Linus. I just thought this was a good re-introduction of Franklin to the rest of the world - "I'm very glad to know you."

There was no big announcement, there was no big deal, it was just a natural conversation between two kids, whose obvious differences did not matter to them. And, the fact that Franklin's father was fighting for this country was also a very strong statement by Schulz.

Although Schulz never made a big deal over the inclusion of Franklin, there were many fans, especially in the South, who were very upset by it and that made national news. One Southern editor even said, “I don’t mind you having a black character, but please don’t show them in school together.”

It would eventually lead to a conversation between Schulz and the president of the comic's distribution company, who was concerned about the introduction of Franklin and how it might affect Schulz' popularity. Many newspapers during that time had threatened to cut the strip.

Schulz' response: "I remember telling Larry at the time about Franklin -- he wanted me to change it, and we talked about it for a long while on the phone, and I finally sighed and said, "Well, Larry, let's put it this way: Either you print it just the way I draw it or I quit. How's that?"

Eventually, Franklin became a regular character in the comic strips, and, despite complaints, Franklin would be shown sitting in front of Peppermint Patty at school and playing center field on her baseball team.

More recently, Franklin is brought up on social media around Thanksgiving time, when the animated 1973 special "A Charlie Brown Thanksgiving" appears. Some people have blamed Schulz for showing Franklin sitting alone on the Thanksgiving table, while the other characters sit across him. But, Schulz did not have the same control over the animated cartoon on a television network that he did on his own comic strip in the newspapers.

But, he did have control over his own comic strip, and, he courageously decided to make a statement because of one brave school teacher who decided to ask a simple question.

Glickman would explain later that her parents were "concerned about others, and the values that they instilled in us about caring for and appreciating everyone of all colors and backgrounds — this is what we knew when we were growing up, that you cared about other people . . . And so, during the years, we were very aware of the issues of racism and civil rights in this country [when] black people had to sit at the back of the bus, black people couldn’t sit in the same seats in the restaurants that you could sit . . . Every day I would see, or read, about black children trying to get into school and seeing crowds of white people standing around spitting at them or yelling at them . . . and the beatings and the dogs and the hosings and the courage of so many people in that time."

Because of Glickman, because of Schulz, people around the world were introduced to a little boy named Franklin.

Youtuber Linus之前買了一台iMac Pro 做開箱影片.
在改裝時候 不慎把螢幕弄破.跑去Apple store問自行付費維修, Apple store說辦不到, 要他們直接跟Apple客服聯繫
結果Apple總部不肯出零件給自己的Apple store,要Linus自己去找第三方維修,然後第三方維修說:需要新的iMac維修認證,才可以買iMac Pro 零件.但是 iMac pro 的維修手冊Apple也還沒有公佈.所以也無從考起! (中間花了二個月等待Apple回應) 最後就放爛沒得維修!!!!

為何會搞到這樣?這是因為Apple在新品發售跟維修體系會有一段落差時間.也就是說在這落差時間內.保固內故障.
Apple會走整機交換方法,而不會走維修.一旦維修體系跟料件備好後,就會開始零件更換維修.

原廠常常會在一種體制下做事,但這樣有時無法無法幫到客戶解決問題.不管是Apple ,VMware, Oracle等
OSSLab Geek Lab都基於客戶需求跟狀況以真實技術想辦法解決問題.
歡迎看我們案例分享 http://blog.osslab.com.tw/

#OSSLAB
#原創翻譯
#資料救援
#蘋果維修
#我們專做原廠做不到或是不方便做的